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Pretenders (album)
''Pretenders'' is the debut studio album by British-American band The Pretenders, released in 1979. A combination of rock and roll, punk and new wave music, this album made the band famous. The album features the singles "Stop Your Sobbing", "Kid" and "Brass in Pocket". Nick Lowe produced the Pretenders' first single, "Stop Your Sobbing", but decided not to work with them again as he thought the band was "not going anywhere". Chris Thomas took over on the subsequent recording sessions. Release ''Pretenders'' debuted at number one on the UK Albums Chart in the week of its release and stayed there for four consecutive weeks. It also made the top 10 on the ''Billboard'' 200 and was certified platinum during 1982 by the RIAA. ''Pretenders'' was remastered and re-released in 2006 and included a bonus disc of demos, B-sides and live cuts, many previously unreleased. "Cuban Slide" and "Porcelain" originally appeared as B-sides to "Talk of the Town" and "Message of Love", while "Sw ...
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The Pretenders
Pretenders are an English–American rock band formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals) and Martin Chambers (drums, backing vocals, percussion). Following the deaths of Honeyman-Scott in 1982 and Farndon in 1983, the band experienced numerous personnel changes; Hynde has been the band's only consistent member. The band's hit songs include "Kid (Pretenders song), Kid" (1979), "Brass in Pocket" (1979), "Talk of the Town (Pretenders song), Talk of the Town" (1980), "Message of Love" (1981), "My City Was Gone" (1982), "Back on the Chain Gang" (1982), "Middle of the Road (song), Middle of the Road" (1983) and "2000 Miles" (1983), "Don't Get Me Wrong" (1986), "My Baby (Pretenders song), My Baby" (1986) and "I'll Stand by You" (1994). Pretenders were inducted into the Rock and Roll Hall of Fame in ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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James Honeyman-Scott
James Honeyman-Scott (4 November 1956 – 16 June 1982) was an English rock guitarist, songwriter and founding member of the band The Pretenders. With the band, Honeyman-Scott established a reputation, in the words of AllMusic, as "one of the most original and versatile guitarists of the early-'80s new wave movement." In addition to his role as lead guitarist, Honeyman-Scott co-wrote a number of songs for the band, sang back-up vocals and played keyboards on a few tracks. The song "2000 Miles" was written for him by Chrissie Hynde and released the year after his death. Early years and musical influences Honeyman-Scott, along with Pretenders bandmates Pete Farndon (bass guitar, vocals) and Martin Chambers (drums, vocals, percussion), came from Hereford. Before joining the Pretenders, Honeyman-Scott played in several bands, including a precursor to The Enid with Robert John Godfrey, the Hawks (Kelv Wilson, bass guitar & vocals; Dave Plowman, guitar; Stan Speke, drums), The Hot ...
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Chrissie Hynde
Christine Ellen Hynde (born September 7, 1951) is an American musician. She is a founding member and the lead vocalist, guitarist, and primary songwriter of the rock band the Pretenders, and one of the band's two remaining original members alongside drummer Martin Chambers. Hynde formed the Pretenders in Hereford, England in 1978, with Pete Farndon, James Honeyman-Scott and Chambers. She has also recorded a number of songs with other musicians including Frank Sinatra, Cher and UB40. She recorded her first solo album, ''Stockholm'', in 2014. Hynde was inducted into the Rock and Roll Hall of Fame in 2005 as a member of the Pretenders. Early life Hynde was born in Akron, Ohio, the daughter of a part-time secretary and a Yellow Pages manager. She graduated from Firestone High School in Akron, but stated that "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, ...
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Sabre Dance
"Sabre Dance", ''Suserov par''; russian: Танец с саблями, ''Tanets s sablyami'' is a movement in the final act of Aram Khachaturian's ballet '' Gayane'' (1942), where the dancers display their skill with sabres. It is Khachaturian's best known and most recognizable work worldwide. It is notable for its employment of percussion instruments, especially the xylophone. Its middle section is based on an unnamed Armenian folk song. According to Tigran Mansurian, it is a synthesis of an Armenian wedding dance tune from Gyumri tied in a saxophone counterpoint "that seems to come straight from America." "Sabre Dance" is considered one of the signature pieces of 20th-century popular music. It was popularized by covers by pop artists, first in the US in 1948 and later elsewhere. Its use in a wide range in films and television over the decades have significantly contributed to its renown. "Sabre Dance" has also been used by a number of figure skaters from at least five countr ...
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Last Of The Independents
''Last of the Independents'' is the sixth studio album by rock group The Pretenders, released in 1994. For this album, the band is officially credited as being Chrissie Hynde (vocals, guitar), Adam Seymour (guitar), Andy Hobson (bass) and Martin Chambers (drums). However, this line-up only plays together on one track ("All My Dreams"); the rest of the album is performed by Hynde and Seymour in conjunction with a rotating series of musicians on bass and drums. These musicians include Hobson and Chambers, as well as bassists Andy Rourke, Tom Kelly and David Paton, and drummers Jimmy Copley and J.F.T. Hood. A few other session musicians also appear, including Ian Stanley (formerly of Tears for Fears), and one-time Pretenders guitarist Robbie McIntosh, who plays alongside Hynde and Seymour on "I'm a Mother". The album marked the official return of Chambers, who had been fired by Hynde eight years prior. In addition to a cover of " Forever Young" the band previously recorded for the ...
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Digital Master
{{For, the Sony product line called DigitalMaster, DVCAM A digital master is an image, PDF file, digital recording or another digital asset preserved as the "original" for the purpose of archival storage, reuse and re-expression. For images, it is the digital analogue to a photographic negative. As the master from which variations for specific uses can be derived, the digital master may be in the form of its initial capture (like an unretouched photograph) or in a form that has been somehow enhanced, reformatted or edited (like a manipulated photo or a completed film). See also * Audio mastering, a form of audio post-production * Digital remastering, the quality enhancement of sound and/or picture to a previously existing recording * Dynamic imaging, the amalgamation of digital imaging, image editing, and workflow automation * Digital cinema, the use of digital technology to distribute or project motion picture A film also called a movie, motion picture, moving pictur ...
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Steve Hoffman (audio Engineer)
Steven Howard Hoffman (born December 1951) is an American mastering engineer. Biography In the early 1970s, Hoffman worked in radio and earned a degree in mass communications from California State University, Northridge. During the late 1970s, Hoffman joined MCA Records as catalog research and development coordinator. For the next decade, he was responsible for compiling hundreds of budget cassette releases for MCA's Special Products division. His primary focus was on jazz and big band recordings. In 1985 he worked on a series of releases aimed at the CD market which bore the title "From the Original Master Tapes." This series included works of artists such as Buddy Holly, Bill Haley and John Coltrane. He was later fired from MCA, and has plied his trade with the Dunhill Compact Classics and Audio Fidelity labels, owned by Marshall Blonstein, former vice president of Ode Records. Steve Hoffman co-wrote and recorded as a musician (drums and guitar) the surf rock instrumental " ...
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Limiting
In electronics, a limiter is a circuit that allows signals below a specified input power or level to pass unaffected while attenuating (lowering) the peaks of stronger signals that exceed this threshold. Limiting is a type of dynamic range compression. Clipping is an extreme version of limiting. Limiting is any process by which the amplitude of a signal is prevented from exceeding a predetermined value. Limiters are common as a safety device in live sound and broadcast applications to prevent sudden volume peaks from occurring. Limiters are also used as protective features in some components of sound reinforcement systems (e.g., powered mixing boards and power amplifiers) and in some bass amplifiers, to prevent unwanted distortion or loudspeaker damage. Types Limiting can refer to a range of treatments designed to limit the maximum level of a signal. Treatments in order of decreasing severity range from clipping, in which a signal is passed through normally but sheared off when ...
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Extended Play (The Pretenders EP)
''Extended Play'' is a 1981 EP released by new wave band The Pretenders. "Message of Love" and "Talk of the Town" featured on this EP were also included on their second album ''Pretenders II'' released later the same year. "Porcelain" and "Cuban Slide", outtakes from their ''Pretenders'' debut album, were included on disc two of the 2006 and 2021 remastered editions of their debut album and on the ''Pirate Radio'' box set. The live version of "Precious" on this EP, recorded at their New York Central Park performance on 30 August 1980, was finally released on CD on November 5, 2021. The booklet for disc one of the ''Pretenders'' debut album from the 2015 UK Edsel/Rhino Records box set ''1979–1999'' incorrectly states "Precious" (track 17) is from that Central Park performance. Instead, the box set version is from their Boston performance of 23 March 1980; it is also included on disc two of the 2006 remastered edition of ''Pretenders''. This EP was released in the US, and als ...
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Flexipop
''Flexipop'' (stylized as ''Flexipop!'') was a British pop music magazine that ran from 1980 to 1983, which featured a flexidisc in each issue. The magazine was launched in 1980 by ex-''Record Mirror'' journalists Barry Cain and Tim Lott. One of the most notable issues was the February 1981 disc featuring Adam and the Ants performing a version of the Village People hit "Y.M.C.A.", called "A.N.T.S.". Flexipop's last released flexidisc was "In The Mix" by Haysi Fantayzee in 1983.Flexipop profile
''Discogs''. Retrieved 16 June 2020
The magazine has maintained a memorable reputation among music collectors because of the flexidisc and the revival of interest in 1980s pop. , a contributing writer ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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