Prestige Records Discography
This is the discography for jazz record label Prestige Records. Not all original releases are included. Others are listed by the Jazz Discography Project. The earlier New Jazz/Prestige 78rpm releases and the 100/200 (10" LP) series, (among others) are omitted. Prestige also released albums on several subsidiary labels including the New Jazz, Bluesville, Moodsville and Swingsville labels. ''The Prestige Recordings'' or ''The Complete Prestige Recordings'' CD box sets have been released for Davis, Coltrane, Dolphy, Monk, Rollins, Gordon, and others. Discography 7000 series (12" LPs) New Jazz and Status 8300 series (12" LPs) 10000 series (12" LPs) The Prestige 10000 Series commenced in 1971 when the label was sold to Fantasy Records and the label was moved to San Francisco CaliforniaEdwards, D., Callahan, Eyries, P., Watts, R. & Neely, TPrestige Labels Album Discography Preview Bsnpubs.com, accessed April 18, 2013 Swingville (12" LPs) *SVLP 2001 Coleman Hawkins and Red Garla ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Musings Of Miles
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art Farmer Quintet Featuring Gigi Gryce
''Art Farmer Quintet featuring Gigi Gryce'' (also released as ''Evening in Casablanca'') is an album by trumpeter Art Farmer's Quintet featuring saxophonist Gigi Gryce. It was recorded in 1955 and released on the Prestige label.Prestige Records discography accessed August 31, 2012 Reception In his review for , Stephen Cook calls the album "a set that qualifies as one of Farmer's best. A must for every jazz collection".Cook, SAllmusic Review accessed June 18, 2012 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billy Taylor Trio
''Billy Taylor Trio'' is an album by American jazz pianist Billy Taylor composed of tracks recorded as singles in 1953 and 1954 for the Prestige label. accessed August 21, 2012 The album was originally released as two volumes in 1955 and subsequently compiled as a CD in 1995. Track listing All compositions by Billy Taylor except where noted. # "" (,[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New Miles Davis Quintet
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Conception (album)
''Conception'' is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP ''Lee Konitz: The New Sounds'' (PRLP 116) makes up all of side 1. Track listing # "Odjenar" ( George Russell) - 2:52 # "Hibeck" (Lee Konitz) - 3:07 # " Yesterdays" (Jerome Kern) - 2:27 # "Ezz-Thetic" (Russell) - 2:54 # "Indian Summer" (Victor Herbert) - 2:35 # "Duet for Saxophone and Guitar" (Konitz) - 2:41 # "Conception" (George Shearing) - 4:03 # "My Old Flame" (Sam Coslow, Arthur Johnston) - 6:36 # "Intoit" (Stan Getz) - 3:22 # "Prezervation" (Getz) - 2:44 # "I May Be Wrong" (Gerry Mulligan) - 3:28 # "So What" (Mulligan) - 2:44 Note: The final track, "So What", is not the same composition attributed to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dig (Miles Davis Album)
''Dig'' is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as ''Diggin'' with the catalogue number PR 7281 and a different cover. ''Dig'' was reissued as a compact disc with additional tracks. After inaugurating the school of cool jazz with the ''Birth of the Cool'' recording sessions in 1949 and 1950, Davis almost immediately turned away from that sound in the early 1950s, instead exploring hard bop. ''Dig'' was also the jazz recording debut of saxophonist Jackie McLean, and was one of Sonny Rollins's earliest recordings; both men would go on to become major voices in jazz. Release history The material was originally released on two 10-inch LPs, except for "Denial", released on a 1954 7" (Prestige PREP 1361). "Dig" and "It's Only a Paper Moon" first appeared on '' The New Sounds'' (PRLP 124), as did "Conception" a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Moody (saxophonist)
James Moody (March 26, 1925 – December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. Moody had an unexpected hit with "Moody's Mood for Love," a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of "I'm in the Mood for Love." Moody adopted the song as his own, recording it with Jefferson on his 1956 album ''Moody's Mood for Love'' and performing the song regularly in concert, often singing the vocals himself. Early life James Moody was born in Savannah, Georgia, United States, and was raised by his (single) mother, Ruby Hann Moody Watters. He had a brother, Louis. Growing up in Newark, New Jersey, he was attracted to the saxophone after hearing "Buddy" George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie. He later also took up the flute. Career Moody joined the US Army Air Corps i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hi Fi Party
''Hi Fi Party'' is an album by saxophonist James Moody recorded in 1955 and released on the Prestige label. accessed February 1, 2013 The CD reissue added a bonus track which originally appeared on '' James Moody's Moods''. Reception Scott Yanow, in a review for , stated: "For a period in the mid-'50s, tenor saxophonist James Moody (who doubled on alto) was able to keep together a swinging septet that played bop in a fairly accessible way".[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elmo Hope
St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazz pianist, composer, and arranger, chiefly in the bebop and hard bop genres. He grew up playing and listening to jazz and classical music with Bud Powell, and both were close friends of another influential pianist, Thelonious Monk. Hope survived being shot by police as a youth to become a New York-based musician who recorded with several emerging stars in the early to mid-1950s, including trumpeter Clifford Brown, and saxophonists John Coltrane, Lou Donaldson, Jackie McLean, and Sonny Rollins. A long-term heroin user, Hope had his license to perform in New York's clubs withdrawn after a drug conviction, so he moved to Los Angeles in 1957. He was not happy during his four years on the West Coast, but had some successful collaborations there, including with saxophonist Harold Land. More recordings as leader ensued following Hope's return to New York, but they did little to gain him more public or critical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |