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Preset
Preset may refer to: * Default (computer science), a setting or value automatically assigned to a software application, computer program, ''etc''. * Preset (electronics), a variable component on a device only accessible to manufacturing or maintenance personnel * Pre-programmed setting on various electronic products and musical instruments, including: ** Combination action on pipe organ ** Preset button (tuner) - station selectors on the tuner of radio receiver and television set ** Preset key (Hammond organ) - inverse color keys on Hammond organs, to recall pre-programmed tonewheel settings ** Preset rhythm - pre-programmed rhythm-pattern on drum machine ** Synthesizer patch stored a pre-programmed tone ;Mathematics * Pre-ordered set * A set without an equivalence relation; see ;Music * The Presets The Presets are an Australian electronic music duo of Julian Hamilton (vocals, keyboards) and Kim Moyes (drums, keyboards). Formed in 2003 and signed to Modular Recordings, ...
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The Presets
The Presets are an Australian electronic music duo of Julian Hamilton (vocals, keyboards) and Kim Moyes (drums, keyboards). Formed in 2003 and signed to Modular Recordings, Modular Records, The Presets released two EPs (''Blow Up (EP), Blow Up'', ''Girl and the Sea'') in advance of their debut album, ''Beams (The Presets album), Beams'', released in 2005 to positive critical response. After two years of touring, including as the Australian support for Daft Punk, the band's 2008 release, ''Apocalypso (The Presets album), Apocalypso'', debuted at number one on the ARIA Charts, ARIA Albums Chart, and went on to win six awards at ARIA Music Awards of 2008, ARIA Awards 2008, including Album of the Year. In 2009 Hamilton and Moyes won an APRA Award for Songwriters of the Year and another ARIA Music Awards of 2009, ARIA Award, this time for Best Dance Release for "Talk Like That". They released their third album, ''Pacifica (The Presets album), Pacifica'', in Australia in September 20 ...
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Preset (electronics)
A trimmer, or preset, is a miniature adjustable electrical component. It is meant to be set correctly when installed in some device, and never seen or adjusted by the device's user. Trimmers can be variable resistors (potentiometers), variable capacitors, or trimmable inductors. They are common in precision circuitry like A/V components, and may need to be adjusted when the equipment is serviced. Trimpots are often used to initially calibrate equipment after manufacturing. Unlike many other variable controls, trimmers are mounted directly on circuit boards, turned with a small screwdriver and rated for many fewer adjustments over their lifetime. Trimmers like trimmable inductors and trimmable capacitors are usually found in superhet radio and television receivers, in the intermediate frequency (IF), oscillator and radio frequency (RF) circuits. They are adjusted into the right position during the alignment procedure of the receiver. General considerations Trimmers come in a va ...
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Preset Key (Hammond Organ)
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a gene ...
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Synthesizer Patch
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Default (computer Science)
A default, in computer science, refers to the preexisting value of a user-configurable setting that is assigned to a software application, computer program or device. Such settings are also called presets or factory presets, especially for electronic devices. Default values are standards values that are universal to all instances of the device or model and intended to make the device as accessible as possible "out of the box" without necessitating a lengthy configuration process prior to use. The user only has to modify the default settings according to their personal preferences. In many devices, the user has the option to restore these default settings for one or all options. Such an assignment makes the choice of that setting or value more likely, this is called the default effect. Examples Application software preferences One use of default parameters is for initial settings for application software. For example, the first time a user runs an application it may suggest that ...
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Preset Button (tuner)
A tuner is a subsystem that receives radio frequency (RF) transmissions, such as FM broadcasting, and converts the selected carrier frequency and its associated bandwidth into a fixed frequency that is suitable for further processing, usually because a lower frequency is used on the output. Broadcast FM/ AM transmissions usually feed this intermediate frequency (IF) directly into a demodulator that converts the radio signal into audio-frequency signals that can be fed into an amplifier to drive a loudspeaker. More complex transmissions like PAL/ NTSC (TV), DAB (digital radio), DVB-T/DVB-S/DVB-C (digital TV) etc. use a wider frequency bandwidth, often with several subcarriers. These are transmitted inside the receiver as an intermediate frequency (IF). Subcarriers are then processed like real radio transmissions, but the whole bandwidth is sampled with an analog-to-digital converter (A/D) at a rate faster than the Nyquist rate (that is, at least twice the IF frequency ...
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Combination Action
Registration is the technique of choosing and combining the stops of a pipe organ in order to produce a particular sound. ''Registration'' can also refer to a particular combination of stops, which may be recalled through combination action. The registration chosen for a particular piece will be determined by a number of factors, including the composer's indications (if any are given), the time and place in which the piece was composed, the organ the piece is played upon, and the acoustic environment within which the organ resides. Pitch and timbre The pitch produced by a pipe is a function of its length. An organ stop may be tuned to sound (or "speak at") the pitch normally associated with the key that is pressed (the "unison pitch"), or it may speak at a fixed interval above or below this pitch (an "octave pitch"). Some stops are tuned to notes "in-between" the octaves and are called "Mutations" (see below). The pitch of a rank of pipes is denoted by a number on the stop knob ...
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Preorder
In mathematics, especially in order theory, a preorder or quasiorder is a binary relation that is reflexive and transitive. Preorders are more general than equivalence relations and (non-strict) partial orders, both of which are special cases of a preorder: an antisymmetric (or skeletal) preorder is a partial order, and a symmetric preorder is an equivalence relation. The name comes from the idea that preorders (that are not partial orders) are 'almost' (partial) orders, but not quite; they are neither necessarily antisymmetric nor asymmetric. Because a preorder is a binary relation, the symbol \,\leq\, can be used as the notational device for the relation. However, because they are not necessarily antisymmetric, some of the ordinary intuition associated to the symbol \,\leq\, may not apply. On the other hand, a preorder can be used, in a straightforward fashion, to define a partial order and an equivalence relation. Doing so, however, is not always useful or worth ...
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