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Première (Katherine Jenkins Album)
''Premiere'' is the debut album by Welsh mezzo-soprano Katherine Jenkins, released on 5 April 2004, in the UK. It charted at number 31 on the UK Albums Chart,UK Top 40 database . everyhit.co.uk. Retrieved 4 December 2006. and at number 1 on the UK Classical Album Chart. Track listing # " Questo è per te" 3:39 # " Ash Grove" 3:09 # "" 3:01 # " Bailero" 2:51 # "[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Jenkins
Katherine Maria Jenkins (born 29 June 1980) is a Welsh singer. She is a mezzo-soprano and performs operatic arias, popular songs, musical theatre, and hymns.Profile on Classical Crossover.co.uk . Retrieved 28 October 2009. . Retrieved 28 October 2009. After winning singing competitions in her youth, Jenkins studied at the Royal Academy of Music, modelled, and taught voice lessons. She came to wide public attention in 2003 when she sang at |
Chants D'Auvergne
''Chants d'Auvergne'' (; en, italic=yes, Songs from the Auvergne) is a collection of folk songs from the Auvergne region of France arranged for soprano voice and orchestra or piano by Joseph Canteloube between 1923 and 1930. The 27 songs, collected in 5 series, are in the local language, Occitan. The best known of the songs is the "Baïlèro", which has been frequently recorded and performed in slight variations of Canteloube's arrangement, such as for choir or instrumental instead of the original soprano solo. The first recording, of eleven of the songs, was by Madeleine Grey in 1930, with an ensemble conducted by Élie Cohen. The songs are part of the standard repertoire and have been recorded by many singers. The melodic elements of two of these songs, "Baïlèro" and "Obal, din lou limouzi (La-bas dans le limousin)", were incorporated into William Walton's soundtrack for Laurence Olivier's 1944 film of Shakespeare's ''Henry V''. "Baïlèro" (sometimes known as "Le Baylere" or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Jenkins Albums
Katherine, also spelled Catherine, and other variations are feminine names. They are popular in Christian countries because of their derivation from the name of one of the first Christian saints, Catherine of Alexandria. In the early Christian era it came to be associated with the Greek adjective (), meaning "pure", leading to the alternative spellings ''Katharine'' and ''Katherine''. The former spelling, with a middle ''a'', was more common in the past and is currently more popular in the United States than in Britain. ''Katherine'', with a middle ''e'', was first recorded in England in 1196 after being brought back from the Crusades. Popularity and variations English In Britain and the U.S., ''Catherine'' and its variants have been among the 100 most popular names since 1880. The most common variants are ''Katherine,'' ''Kathryn,'' and ''Katharine''. The spelling ''Catherine'' is common in both English and French. Less-common variants in English include ''Katheryn'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cwm Rhondda
Cwm Rhondda is a popular hymn tune written by John Hughes (1873–1932) in 1907. The name is taken from the Welsh name for the Rhondda Valley. It is usually used in English as a setting for William Williams' text "Guide Me, O Thou Great Redeemer" (or, in some traditions, "Guide Me, O Thou Great Jehovah"), originally ("Lord, lead me through the wilderness") in Welsh. The tune and hymn are often called "Bread of Heaven" because of a repeated line in this English translation. In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, ("Lo, between the myrtles standing"), and it was as a setting of those words that the tune was first published in 1907. Tune John Hughes wrote the first version of the tune, which he called "Rhondda", for the Cymanfa Ganu (hymn festival) in Pontypridd in 1905, when the enthusiasm of the 1904–1905 Welsh Revival still remained. The present form was developed for the inauguration of the organ at Capel Rhondda, in Hop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 51
Psalm 51, one of the penitential psalms, is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50. In Latin, it is known as Miserere, ( grc, ἐλέησόν με ὁ θεός, eléēsón me ho theós) in grc, Ἥ Ἐλεήμων, Hḗ Eleḗmōn), especially in musical settings. The introduction in the text says that it was composed by David as a confession to God after he sinned with Bathsheba. The psalm forms a regular part of Jewish, Catholic, Eastern Orthodox and Protestant liturgies. Background and themes Psalm 51 is based on the incident recorded in 2 Samuel, chapters 11–12. David's confession is regarded as a model for repentance in both Judaism and Christianity. The Midrash Tehillim states that one who acknowledges that he has sinned and is fearful and prays to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lascia Ch'io Pianga
"" ( en, "Let me weep"), originally "Lascia la spina, cogli la rosa" ( en, "Leave the Thorn, Take the Rose"), is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. History Its melody is first found in act 3 of Handel's 1705 opera ''Almira'' as a sarabande; the score for this can be seen on page 81 of Vol. 55 of Friedrich Chrysander. Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio ''The Triumph of Time and Truth, Il trionfo del Tempo e del Disinganno'' (which was much later, in 1737, revised as ''Il trionfo del Tempo e della Verità''). Four years after that, in 1711, Handel used the music again, this time for his London opera ''Rinaldo (opera), Rinaldo'' and its act 2 aria "Lascia ch'io pianga" ("Let me weep"), a heartfelt plea for her liberty addressed by the character Almirena to her abductor Argante. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caro Mio Ben
Tommaso Giordani (c. 1730 to 1733 – before 24 February 1806) was an Italian composer active in England and particularly in Ireland. Life Giordani was born in Naples between 1730 and 1733 and came from a musical family. His father was Giuseppe Giordani senior, born around 1695 in Naples, died after 1762, probably in London (no relation to the Neapolitan organist Carmine Giordani b. 1685). A possible younger brother was Giuseppe Giordani (1751–1798), called "Giordanello". Tommaso was trained in Naples and moved with his father and siblings (including singer Nicolina) via Graz (1747), Salzburg and Frankfurt (1750), Amsterdam (1752) and Paris (1753) to London, where they performed four burlettas at Covent Garden in the 1753–4 season. Although the family performed in London for the next two years, Tommaso is not mentioned in the newspaper reports of the time. His whereabouts in the following eight years are unknown. In 1764, he accepted an invitation to act as musical director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera (aria)
Habanera (" usic or danceof Havana") is the popular name for "" (; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique '' Carmen''. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act. Background The score of the aria was adapted from the habanera "El Arreglito ou la Promesse de mariage", by the Spanish musician Sebastián Iradier, first published in 1863, which Bizet thought to be a folk song. When others told him he had used something written by a composer who had died ten years earlier,''Grove's Dictionary of Music and Musicians'', 5th ed. 1954 he added a note about its derivation in the first edition of the vocal score which he himself prepared. Although the French libretto of the complete opéra comique was written by Henri Meilhac and Ludovic Halévy, the words of the habanera originated from Bizet. The Habanera was first performed by Galli-Marié at the Opéra-Comique on 3 March 1875. Bizet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air On The G String
"Air on the G String", also known as "Air for G String" and "Celebrated Air", is August Wilhelmj's 1871 arrangement of the second movement of Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string). In performance, that part is generally played by a single violin (instead of by the first violins as a group). Bach's original Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is the only movement of the suite where all other instruments are silent. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ar Lan Y Môr
"Ar Lan y Môr" ("Beside the Sea") is a traditional Welsh folk song. Various forms of the text exist, including some where the metre and subject of some verses suggest insertions from other unrelated songs. The song is a love song. As with many other Welsh songs, there are alternative words set to the same tune. "Ar Lan y Môr" has been frequently recorded. Notably, the song features on the first Welsh-language concept album, Endaf Emlyn's ''Salem'' (1974). A rendition appears on the only comedy album to top the UK Albums Chart to date, Max Boyce's '' We All Had Doctors' Papers'' (1975). The song also appears on Ar Log's eponymous 1978 debut album, Bryn Terfel's album '' We'll Keep a Welcome'' (2000) and Katherine Jenkins Katherine Maria Jenkins (born 29 June 1980) is a Welsh singer. She is a mezzo-soprano and performs operatic arias, popular songs, musical theatre, and hymns. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 23
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd". In Latin, it is known by the incipit, "". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 22. Like many psalms, Psalm 23 is used in both Jewish and Christian liturgies. It has often been set to music. Haredi educator Tziporah Heller referred to it as perhaps the best-known of the psalms due to "its universal message of trust in God, and its simplicity." Text Hebrew Bible version The following is the Hebrew text of Psalm 23: English translation (King James Version) : A Psalm of David. # The is my shepherd; I shall not want. # He maketh me to lie down in green pastures: he leadeth me beside the still waters. # He restoreth my soul: he leadeth me in the pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Maria (Vavilov)
"Ave Maria" is a much-recorded aria, composed by Vladimir Vavilov around 1970. Vavilov himself published and recorded it in 1970 on the Melodiya label with the ascription "Anonymous". It is believed that organist Mark Shakhin, one of the performers on the "Melodiya" LP, first ascribed the work to Giulio Caccini after Vavilov's death, and gave the "newly-discovered scores" to other musicians. The organist Oleg Yanchenko then made an arrangement of the aria for a recording by Irina Arkhipova in 1987, after which the piece came to be famous worldwide. Selected list of recorded versions * 1970 – Vladimir Vavilov (vocal Nadezhda Vainer), Melodiya label * 1980s- Alexander Akimov, arranged for horn solo with mallet accompaniment, Soviet TV * 1987 – Irina Arkhipova, arranged by Oleg Yanchenko * 1994 – Inessa Galante, arranged for organ, on the live album ''Musica Sacra'', Campion label * 1994 – Ilga Tiknuse, on the album ''The Organ of Riga Dome'' vol.3 * 1995 – Inessa Gal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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