Preiddeu Annwfn
''Preiddeu Annwfn'' or ''Preiddeu Annwn'' ( en, The Spoils of Annwfn) is a cryptic poem of sixty lines in Middle Welsh, found in the Book of Taliesin. The text recounts an expedition with King Arthur to Annwfn or Annwn, the Welsh name for the Celtic Otherworld. ''Preiddeu Annwfn'' is one of the best known of medieval British poems. English translations, in whole or in part, have been published by R. Williams (in William Forbes Skene's ''Four Ancient Books of Wales''), by Robert Graves in ''The White Goddess'' and by Roger Sherman Loomis, Herbert Pilch, John T. Koch, Marged Haycock, John K. Bollard, Sarah Higley. At points it requires individual interpretation on the part of its translators owing to its terse style, the ambiguities of its vocabulary, its survival in a single copy of doubtful reliability, the lack of exact analogues of the tale it tells and the host of real or fancied resonances with other poems and tales. A number of scholars (in particular, Marshall H. James, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Middle Welsh
Middle Welsh ( cy, Cymraeg Canol, wlm, Kymraec) is the label attached to the Welsh language of the 12th to 15th centuries, of which much more remains than for any earlier period. This form of Welsh developed directly from Old Welsh ( cy, Hen Gymraeg). Literature and history Middle Welsh is the language of nearly all surviving early manuscripts of the ''Mabinogion'', although the tales themselves are certainly much older. It is also the language of most of the manuscripts of Welsh law. Middle Welsh is reasonably intelligible, albeit with some work, to a modern-day Welsh speaker. Phonology The phonology of Middle Welsh is quite similar to that of modern Welsh, with only a few differences. The letter ''u'', which today represents in North Western Welsh dialects and in South Welsh and North East Welsh dialects, represented the close central rounded vowel in Middle Welsh. The diphthong ''aw'' is found in unstressed final syllables in Middle Welsh, while in Modern Welsh it has be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taliesin
Taliesin ( , ; 6th century AD) was an early Brittonic poet of Sub-Roman Britain whose work has possibly survived in a Middle Welsh manuscript, the '' Book of Taliesin''. Taliesin was a renowned bard who is believed to have sung at the courts of at least three kings. In 1960, Ifor Williams identified eleven of the medieval poems ascribed to Taliesin as possibly originating as early as the sixth century, and so possibly being composed by a historical Taliesin. The bulk of this work praises King Urien of Rheged and his son Owain mab Urien, although several of the poems indicate that Taliesin also served as court bard to King Brochfael Ysgithrog of Powys and his successor Cynan Garwyn, either before or during his time at Urien's court. Some of the events to which the poems refer, such as the Battle of Arfderydd (c. 573), are referred to in other sources. John T. Koch argues that the description of Easter in the praise poem ''Yspeil Taliesin'' ('The Spoils of Taliesin') indicates ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prydwen
''Prydwen'' plays a part in the early Welsh poem ''Preiddeu Annwfn'' as King Arthur's ship, which bears him to the Celtic otherworld Annwn, while in ''Culhwch and Olwen'' he sails in it on expeditions to Ireland. The 12th-century chronicler Geoffrey of Monmouth named Arthur's shield after it. In the early modern period Welsh folklore preferred to give Arthur's ship the name ''Gwennan''. ''Prydwen'' has however made a return during the last century in several Arthurian works of fiction. ''Preiddeu Annwfn'' Arthur's ship makes an early appearance in ''Preiddeu Annwfn'' ("The Spoils of Annwn"), a Welsh mythological poem of uncertain date (possibly as early as the 9th century or as late as the 12th) preserved in the Book of Taliesin. The meaning of the poem is in many places obscure, but it seems to describe a voyage in ''Pridwen'' to Annwn, the Celtic otherworld, to rescue a prisoner held there. It includes two lines translated by John K. Bollard as And again later ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Culhwch And Olwen
''Culhwch and Olwen'' ( cy, Culhwch ac Olwen) is a Welsh tale that survives in only two manuscripts about a hero connected with Arthur and his warriors: a complete version in the Red Book of Hergest, c. 1400, and a fragmented version in the White Book of Rhydderch, c. 1325. It is the longest of the surviving Welsh prose tales. Overview Dating The prevailing view among scholars was that the present version of the text was composed by the 11th century, making it perhaps the earliest Arthurian tale and one of Wales' earliest extant prose texts,The Romance of Arthur: An Anthology of Medieval Texts in Translation, ed. James J. Wilhelm. 1994. 25. but a 2005 reassessment by linguist Simon Rodway dates it to the latter half of the 12th century. The title is a later invention and does not occur in early manuscripts. Editions Lady Charlotte Guest included this tale among those she collected under the title ''The Mabinogion''. Synopsis Culhwch's father, King Cilydd son of Celyddon, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Four Branches Of The Mabinogi
The ''Four Branches of the Mabinogi'' or ''Pedair Cainc Y Mabinogi'' are the earliest prose stories in the literature of Britain. Originally written in Wales in Middle Welsh, but widely available in translations, the ''Mabinogi'' is generally agreed to be a single work in four parts, or "branches." The interrelated tales can be read as mythology, political themes, romances, or magical fantasies. They appeal to a wide range of readers, from young children to the most sophisticated adult. The tales are popular today in book format, as storytelling or theatre performances; they appear in recordings and on film, and continue to inspire many reinterpretations in artwork and modern fiction. Overview The ''Mabinogi'' are known as the ''Four Branches of the Mabinogi'', or ''Pedair Cainc y Mabinogi'' in Welsh. The tales were compiled from oral tradition in the 11th century. They survived in private family libraries via medieval manuscripts, of which two main versions and some fragments stil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bran The Blessed
Bran, also known as miller's bran, is the hard outer layers of cereal grain. It consists of the combined aleurone and pericarp. Corn (maize) bran also includes the pedicel (tip cap). Along with germ, it is an integral part of whole grains, and is often produced as a byproduct of milling in the production of refined grains. Bran is present in cereal grain, including rice, corn (maize), wheat, oats, barley, rye and millet. Bran is not the same as chaff, which is a coarser scaly material surrounding the grain but not forming part of the grain itself, and which is indigestible by humans. "chaff, which is indigestible for humans" Composition Bran is particularly rich in dietary fiber and essential fatty acids and contains significant quantities of starch, protein, vitamins, and dietary minerals. It is also a source of phytic acid, an antinutrient that prevents nutrient absorption. The high oil content of bran makes it subject to rancidification, one of the reasons that it ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muse
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nine Sorceresses
The nine sorceresses or nine sisters ( cy, naw chwaer) are a recurring element in Arthurian legend in variants of the popular nine maidens theme from world mythologies. Their most important appearances are in Geoffrey of Monmouth's introduction of Avalon and the character that would later become Morgan le Fay, and as the central motif of Peredur's story in the ''Peredur son of Efrawg'' part of the ''Mabinogion''. The maidens of Annwfn and the witches of Ystawingun In ''Preiddeu Annwfn'', the nine virgin priestesses of the otherworldy island of Annwfn (Annwn, the Welsh version of the Celtic Otherworld) guard a magic cauldron, and their magic abilities seem to include fire-breathing. A raid by Arthur and his warband either steals or destroys the cauldron, but what happens to the maidens of Annwfn is not mentioned. The motif of nine supernatural women appears also in some other tales of the Celtic Otherworld, possibly derived from sisterhoods of priestesses of the old Celtic Re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arawn
In Welsh mythology, Arawn (; ) was the king of the otherworld realm of Annwn who appears prominently in the first branch of the Mabinogi, and alluded to in the fourth. In later tradition, the role of the king of Annwn was largely attributed to the Welsh psychopomp, Gwyn ap Nudd - meaning "white" (i.e. 'winter') a possible kenning for his true name. However, Arawn's memory is retained in a traditional saying found in an old Cardigan folktale: :''Hir yw'r dydd a hir yw'r nos, a hir yw aros Arawn'' "Long is the day and long is the night, and long is the waiting of Arawn" The name Arawn is possibly analogous to the continental theonym '' Arubianus''. Role in Welsh tradition The Four Branches In the '' First Branch of the Mabinogi'', Pwyll mistakenly stumbles into the realm of Annwn and finds white hounds with red ears feeding on a stag. Pwyll chases the hounds off, only to learn that the hounds belonged to Arawn, ruler of Annwn. To pay for the misdeed, Arawn asks Pwyll to tra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pwyll
Pwyll Pen Annwn () is a prominent figure in Welsh mythology and literature, the lord of Dyfed, husband of Rhiannon and father of the hero Pryderi. Meaning ''wisdom" he is the eponymous hero of Pwyll Pendefig Dyfed, the first branch of the Four Branches of the Mabinogi, and also appears briefly as a member of Arthur's court in the medieval tale ''Culhwch ac Olwen''. ''Pwyll, Prince of Dyfed'' also carries many similarities to the Mabinogi Branwen. Origin of ''Pwyll, Prince of Dyfed'' This tale is one of a group found in ''The Mabinogion'', one of the earliest known efforts to form a collection of traditional Welsh tales. Such tales, which date back to circa 1325 C.E., were originally passed from person to person and generation to generation orally. The Celtic oral tradition lasted for several centuries and is a possible reason for the abundance of errors and discrepancies found in ''The Mabinogion'' as well as other Welsh literature dating back to the fourteenth century or earli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Welsh Triads
The Welsh Triads ( cy, Trioedd Ynys Prydein, "Triads of the Island of Britain") are a group of related texts in medieval manuscripts which preserve fragments of Welsh folklore, mythology and traditional history in groups of three. The triad is a rhetorical form whereby objects are grouped together in threes, with a heading indicating the point of likeness; for example, "Three things not easily restrained, the flow of a torrent, the flight of an arrow, and the tongue of a fool." Contents The texts include references to King Arthur and other semi-historical characters from sub-Roman Britain, mythic figures such as Brân the Blessed, undeniably historical personages such as Alan IV, Duke of Brittany (who is called ''Alan Fyrgan'') and Iron Age characters such as Caswallawn (Cassivellaunus) and Caradoc (Caratacus). Some triads simply give a list of three characters with something in common (such as "the three frivolous bards of the island of Britain") while others include substantial ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rachel Bromwich
Rachel Bromwich (30 July 1915 – 15 December 2010) born Rachel Sheldon Amos, was a British scholar. Her focus was on medieval Welsh literature, and she taught Celtic Languages and Literature in the Department of Anglo-Saxon, Norse and Celtic at Cambridge, from 1945 to 1976. Among her most important contributions to the study of Welsh literature is ''Trioedd Ynys Prydein'', her edition of the Welsh Triads. Early life and education Bromwich was born Rachel Sheldon Amos in Hove, Sussex (some obituaries said Brighton), in 1915, and spent her early childhood in Egypt. Her father, Maurice Amos, was an English legal expert who served as international law adviser to the Egyptian government; her mother, Lucy Scott-Moncrieff Amos, was Scottish. The Amos family were Quakers. The family moved frequently before settling in Cumbria in 1925. In 1934 Rachel Amos attended Newnham College, Cambridge, where she studied the Anglo-Saxon language before shifting departments to focus on Middle Welsh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |