Predrag Milošević
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Predrag Milošević
Predrag Milošević (Serbian Cyrillic: Предраг Милошевић; February 4, 1904 in Knjaževac – January 4, 1988 in Belgrade) was a composer, conductor, pianist, pedagogue, and music writer. As one of those musicians from Serbia who completed their university education in Prague, upon his return, Milošević significantly contributed to the foundation of music professionalism in his country. Biography Predrag Milošević was born in 1904 in Knjaževac. He began his music education at the Music School in Belgrade, and between 1922 and 1924 continued in Munich, and at the Prague State Conservatory. In Prague, he graduated in composition in 1926 with Professor Jaroslav Křička, in piano in 1928 with J. Prohaska, and conducting in 1931 with M. Doležil and P. Dědeček. Milošević supplemented his education at the Master school, where in 1930 he completed composition studies in the class of J. Suk and in 1931 a conducting seminar with N. Malko. Even as a student Milo ...
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Serbian Cyrillic
The Serbian Cyrillic alphabet ( sr, / , ) is a variation of the Cyrillic script used to write the Serbian language, updated in 1818 by Serbian linguist Vuk Karadžić. It is one of the two alphabets used to write standard modern Serbian, the other being Gaj's Latin alphabet. Karadžić based his alphabet on the previous Slavonic-Serbian script, following the principle of "write as you speak and read as it is written", removing obsolete letters and letters representing iotified vowels, introducing from the Latin alphabet instead, and adding several consonant letters for sounds specific to Serbian phonology. During the same period, linguists led by Ljudevit Gaj adapted the Latin alphabet, in use in western South Slavic areas, using the same principles. As a result of this joint effort, Serbian Cyrillic and Gaj's Latin alphabets for Serbian-Croatian have a complete one-to-one congruence, with the Latin digraphs Lj, Nj, and Dž counting as single letters. Karadžić's Cyril ...
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1988 Deaths
File:1988 Events Collage.png, From left, clockwise: The oil platform Piper Alpha explodes and collapses in the North Sea, killing 165 workers; The USS Vincennes (CG-49) mistakenly shoots down Iran Air Flight 655; Australia celebrates its Bicentennial on January 26; The 1988 Summer Olympics are held in Seoul, South Korea; Soviet troops begin their withdrawal from Afghanistan, which is completed the next year; The 1988 Armenian earthquake kills between 25,000-50,000 people; The 8888 Uprising in Myanmar, led by students, protests the Burma Socialist Programme Party; A bomb explodes on Pan Am Flight 103, causing the plane to crash down on the town of Lockerbie, Scotland- the event kills 270 people., 300x300px, thumb rect 0 0 200 200 Piper Alpha rect 200 0 400 200 Iran Air Flight 655 rect 400 0 600 200 Australian Bicentenary rect 0 200 300 400 Pan Am Flight 103 rect 300 200 600 400 1988 Summer Olympics rect 0 400 200 600 8888 Uprising rect 200 400 400 600 1988 Armenian ...
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1904 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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Vlastimir Peričić
Vlastimir Peričić (7 December 1927 in Vršac – 1 March 2000 in Belgrade) was a Serbian composer and one of the most important theoreticians of Serbian music, well-known musicologist and the author of extremely valuable university textbooks, as well as a corresponding member of the Serbian Academy of Arts and Sciences. Biography Vlastimir Peričić was the son of Juraj and Jelica Peričić, maiden name Nikolajević . Attended elementary school in Zemun from 1934 to 1938, grammar school in Zemun from 1938 to 1941 and in Belgrade from 1941 to 1946. Enrolled high school of music at the Belgrade Academy in 1941, the Music Academy in 1945, graduated from the Department of Composition at the Music Academy of Belgrade (the class of professor Stanojlo Rajičić) in 1951. In the period from 1945 to 1947 worked as an intern in the Natural History Museum in Belgrade, from 1948 to 1951 as a part-time lecturer of solfeggio and basic music theory at the Music School Josif Marinković ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo F ...
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Atonal
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categorica ...
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Polytonal
Polytonality (also polyharmony) is the musical use of more than one key simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one harmonic function, from the same key, at the same time. Some examples of bitonality superimpose fully harmonized sections of music in different keys. History In traditional music Lithuanian traditional singing style sutartines is based on polytonality. A typical sutartines song is based on a six-bar melody, where the first three bars contains melody based on the notes of the triad of a major key (for example, in G major), and the next three bars is based on another key, always a major second higher or lower (for example, in A major). This six-bar melody is performed as a canon, and repetition starts from the fourth bar. As a result, parts are constantly singing in different tonality (key) simultaneously (in G and in A). As a traditional style, sutartines disappeared in Li ...
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Stevan Stojanović Mokranjac
Stevan Stojanović ( sr-Cyrl, Стеван Стојановић, ; 9 January 1856 – 28 September 1914), known as Stevan Mokranjac ( sr-Cyrl, Стеван Мокрањац, ) was a Serbian composer and music educator. Born in Negotin in 1856, Mokranjac studied music in Belgrade, Munich, Rome and Leipzig while in his twenties. Later, he became the conductor of the Belgrade Choir Society and founder of the Serbian School of Music and the first Serbian string quartet, in which he played the cello. He left Belgrade at the beginning of World War I and moved to Skopje, where he died on 28 September 1914. Often called the "father of Serbian music" and the "most important figure of Serbian musical romanticism", Mokranjac is well-regarded and much revered in Serbia. Following his death, the Serbian Music School was renamed the Mokranjac Music School in his honour. He has been featured on the country's paper currency and that of the Federal Republic of Yugoslavia. In 1964, the Mokr ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Oboes
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and ...
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