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Precious Wilson
Precious Wilson (born in Spanish Town, Jamaica) is a Jamaican soul singer. Background Precious Wilson started out as a backing singer for the all-male group Eruption. The group enjoyed their first minor success when they won a talent competition in 1975, and then went on to record the song "Let Me Take You Back in Time". Shortly after, the lead singer left the group, and Precious Wilson stepped forward to front the band. The group relocated to Germany in 1976. The following year while on the road touring in Germany, Eruption was introduced to German producer Frank Farian who booked them to work with Boney M as their backing band, and as their support act on Boney M's first European tour. Frank Farian then went on to sign them to Boney M.'s label, Hansa Records, Farian released the single "Party Party" but it was their disco cover version of Ann Peebles' " I Can't Stand the Rain" from their first album which broke big, giving them a UK No. 5 hit and a US No. 18 hit. After a seco ...
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Spanish Town
Spanish Town ( jam, label=Jamaican Creole, Panish Tong) is the capital and the largest town in the parish of St. Catherine in the historic county of Middlesex, Jamaica. It was the Spanish and British capital of Jamaica from 1534 until 1872. The town is home to numerous memorials, the national archives, and one of the oldest Anglican churches outside England (the others are in Virginia, Maryland, and Bermuda). History The Spanish settlement of Villa de la Vega was founded by the Spanish in 1534 as the capital of the colony. Later, it was also called Santiago de la Vega or St. Jago de la Vega. Indigenous Taino had been living in the area for approximately a millennium before this, but this was the first European habitation on the south of the island. When the English conquered Jamaica in 1655, they renamed the settlement as Spanish Town in honour to the original Spanish root of this town. Since the town was badly damaged during the conquest, Port Royal took on many admini ...
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Sam & Dave
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937–1988). Nicknamed "Double Dynamite", "The Sultans of Sweat", and "The Dynamic Duo" for their gritty, gospel-infused performances, Sam & Dave are considered one of the greatest live acts of the 1960s. Many subsequent musicians have named them as an influence, including Bruce Springsteen, Al Green, Tom Petty, Phil Collins, Michael Jackson, Steve Van Zandt, Elvis Costello, The Jam, Teddy Pendergrass, Billy Joel, and Steve Winwood. The Blues Brothers, who helped create a resurgence of popularity for soul, R&B, and blues in the 1980s, were influenced by Sam & Dave – their biggest hit was a cover of " Soul Man", and their act and stage show contained many homages to the duo. According to the Rock & Roll Hall of Fame, Sam & Dave were the most successful soul duo and brought the sound ...
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The Jewel Of The Nile
''The Jewel of the Nile'' is a 1985 American action-adventure romantic comedy film directed by Lewis Teague and produced by Michael Douglas, who also starred in the lead role, and reunites with co-stars Kathleen Turner and Danny DeVito all reprising their roles. It is the sequel to the 1984 action-adventure romantic comedy film ''Romancing the Stone''. Like ''Romancing the Stone'', the opening scene takes place in one of Joan's novels. This time, instead of Jesse and Angelina in Joan's wild-west scenario, Joan and Jack are about to be married when pirates attack their ship. ''The Jewel of the Nile'' sends its characters off on a new adventure in a fictional African desert, in an effort to find the fabled "Jewel of the Nile". The song performed by Billy Ocean, "When the Going Gets Tough, the Tough Get Going", became a major international hit, reaching #1 in the UK and #2 in the US. Plot Six months after the events in ''Romancing the Stone'', Joan Wilder's (Kathleen Turner) and J ...
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Theme Tune
Theme music is a musical composition that is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The purpose of a theme song is often similar to that of a leitmotif. The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance. Purpose From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies. One of the first big successes, which proved very influential, was the theme song for '' High Noon'' (1952). Celebrities In the early years of radio and tel ...
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Hit Record
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Top 40
In the music industry, the Top 40 is the current, 40 most-popular songs in a particular genre. It is the best-selling or most frequently broadcast popular music. Record charts have traditionally consisted of a total of 40 songs. "Top 40" or " contemporary hit radio" is also a radio format. Frequent variants of the Top 40 are the Top 10, Top 20, Top 30, Top 50, Top 75, Top 100 and Top 200. History According to producer Richard Fatherley, Todd Storz was the inventor of the format, at his radio station KOWH in Omaha, Nebraska. Storz invented the format in the early 1950s, using the number of times a record was played on jukeboxes to compose a weekly list for broadcast. The format was commercially successful, and Storz and his father Robert, under the name of the Storz Broadcasting Company, subsequently acquired other stations to use the new Top 40 format. In 1989, Todd Storz was inducted into the Nebraska Broadcasters Association Hall of Fame. The term "Top 40", describing a radio ...
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The Time (band)
The Time, also known as Morris Day and the Time and The Original 7ven, is an American musical group founded in Minneapolis in 1981. Their work has been a part of the formation of the Minneapolis sound, featuring a mix of soul music and dance music with funk, rock n roll, and more. Led by singer-songwriter Morris Day the band members are known for having been close Prince associates, and are arguably the most successful artists who have worked with Prince, achieving particular popularity with R&B fans with tracks such as " The Bird", " Cool", and " Jungle Love". Former members Jimmy Jam and Terry Lewis went on to a prominent production career after they left the band in 1983, while Day and guitarist Jesse Johnson recorded solo material in addition to their work with the Time. Career Prince and formation The Time was assembled under a clause in Prince's contract with Warner Bros. that allowed him to recruit and produce other artists for the label. Inspired by the musical film ' ...
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Monte Moir
Monte Moir (born September 10, 1958) is an American songwriter, producer and musician best known as the keyboardist of Morris Day's band The Time and songwriter of many notable American artists. Biography Monte Moir is the original and current keyboardist for The Time, as well as a songwriter and producer for Janet Jackson, Alexander O'Neal, Gladys Knight, as well as the duo Deja ( Curt Jones & Starleana Young). He is also credited for working with Prince, Vanity 6, Deniece Williams, Thelma Houston, Steven Dante, Lolly Pop, Precious Wilson and various other artists. Some of his greatest writing successes were writing the first side of Alexander O'Neal's solo debut – including "If You Were Here Tonight" and " The Pleasure Principle' by Janet Jackson. Patti Austin and Thelma Houston are other notable artists he wrote classics for as part of Jimmy Jam and Terry Lewis's 'The Secret'. Monte is something of a cult writing figure in the world of soulful music. "In My Life" by Ruby ...
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Medley (music)
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Mashup (music) * List of Genesis medleys * List of "Weird Al" Yankovic polka medleys Polka-style medleys of cover songs are a distinguishing part of American musician, sat ...
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Aerobic Exercise
Aerobic exercise (also known as endurance activities, cardio or cardio-respiratory exercise) is physical exercise of low to high intensity that depends primarily on the aerobic energy-generating process. "Aerobic" is defined as "relating to, involving, or requiring oxygen", and refers to the use of oxygen to meet energy demands during exercise via aerobic metabolism adequately. Aerobic exercise is performed by repeating sequences of light-to-moderate intensity activities for extended periods of time. Aerobic exercise may be better referred to as "solely aerobic", as it is designed to be low-intensity enough that all carbohydrates are aerobically turned into energy via mitochondrial ATP production. Mitochondria are organelles that rely on oxygen for the metabolism of carbs, proteins, and fats. Examples of cardiovascular or aerobic exercise are medium- to long-distance running or jogging, swimming, cycling, stair climbing and walking. History Archibald Hill, a British physiolo ...
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Everybody Needs Somebody To Love
"Everybody Needs Somebody to Love" is a song written by Bert Berns, Solomon Burke, and Jerry Wexler, and originally recorded by Solomon Burke under the production of Bert Berns at Atlantic Records in 1964. Burke's version charted in 1964, but missed the US top 40, peaking at number 58. Wilson Pickett covered the song in 1966, and his version (which explicitly mentions Solomon Burke in the opening section) made it to #29 pop, and #19 R&B in early 1967. Other notable versions of "Everybody Needs Somebody to Love" were recorded by The Rolling Stones, Jerry Garcia Band, and The Blues Brothers. The song is ranked number 429 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Composition and recording On May 28, 1964, Burke recorded "Everybody Needs Somebody to Love" (Atlantic 2241), written by Burke (but also credited to Bert Berns and Jerry Wexler), which was Burke's most prominent bid for an enduring soul standard. Burke claims he was the sole writer on ...
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