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Prahallada Nataka
''Prahallada Nataka'' ( or, ପ୍ରହଲ୍ଲାଦ ନାଟକ ''Prahallāda Nāṭaka'', or simply ''Rajā Nāṭa)'' is a traditional play native to the Indian state of Odisha. It narrates the story of Vishnu's man-lion avatar, Nrusingha or Narasimha, through over 200 songs based on almost 30 ragas of Odissi music. The play is based on a text by Raja Ramakrusna Chhotaraya, King of Jalantara, a small kingdom in former southern Odisha, now in the Srikakulam district of Andhra Pradesh. History The district of Ganjam had eighteen feudal chiefs, or ''zamindars'', who called themselves Rajas. They were patrons of art, literature and culture. The ''Prahallada Nataka'' was born in one such kingdom, or ''zamindari''. The primary text of the ''Prahallada Nataka'' was written in the mid-19th century by Raja Ramakrusna Chhotaraya. Dr. Bhagaban Panda dates it to 1829-1927, Suresh Balabantaray places its creation from 1857-1905, and Dr. John Emigh dates it to 1870-80. Ramakrusna w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's '' Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paralakhemundi
Paralakhemundi shortly known as Parala is district Headquarter of Gajapati district and one of the oldest Municipality established in 1885, in the Indian state of Odisha. Majority of the people in the town speak Odia. The city and the District share its boundaries with Andhra Pradesh. Pathapatnam /Purunapatana town in the Srikakulam District of Andhra Pradesh is considered as twin city to Paralakhemundi due to its very close proximity. The adjacent towns are separated by the River Mahendra Tanaya.In later medieval period it became capital of Paralakhemundi Estate of Eastern Ganga Dynasty kings of Khemundi Branch. The town is well known for being an ancient cultural center of Odisha and eminent personalities such as the 18th-century Odissi musician-poet Gopalakrusna Pattanayaka, founding father of Odisha state Maharaja Krushna Chandra Gajapati Narayan Deo ,First Odia Lexicographer cum philologist Pandit Gopinatha Nanda Sharma -> and eminent Indian Historian Padmasri Dr Satyanar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra (National Institute of Kathak Dance), New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlada Nataka At Crafts Museum
Prahlada () is an asura king in Hindu mythology. He is known for his staunch devotion towards the preserver deity, Vishnu. He appears in the narrative of Narasimha, the man-lion avatar of Vishnu, who rescues Prahlada by slaying his wicked father, Hiranyakashipu. Prahlada is described as a saintly boy, known for his innocence and bhakti to Vishnu. Despite the abusive nature of his father, Hiranyakashipu, he continues to worship Vishnu. He is considered to be a ''mahājana'', or great devotee, by followers of Vaishnava traditions. A treatise is accredited to him in the Bhagavata Purana, in which Prahlada describes the process of his loving worship towards Vishnu. The majority of stories in the Puranas regarding him are based on the activities of Prahlada as a young boy, and he is usually depicted as such in paintings and illustrations. Legend Prahlada was born to Kayadhu and Hiranyakashipu, an evil daitya king who had been granted a boon that he could not be killed off by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonium
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardala
Mardala () is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under the category of ''anaddha vadya''s or drums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mardala
Mardala () is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under the category of ''anaddha vadya''s or drums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlada
Prahlada () is an asura king in Hindu mythology. He is known for his staunch devotion towards the preserver deity, Vishnu. He appears in the narrative of Narasimha, the man-lion avatar of Vishnu, who rescues Prahlada by slaying his wicked father, Hiranyakashipu. Prahlada is described as a saintly boy, known for his innocence and bhakti to Vishnu. Despite the abusive nature of his father, Hiranyakashipu, he continues to worship Vishnu. He is considered to be a ''mahājana'', or great devotee, by followers of Vaishnava traditions. A treatise is accredited to him in the Bhagavata Purana, in which Prahlada describes the process of his loving worship towards Vishnu. The majority of stories in the Puranas regarding him are based on the activities of Prahlada as a young boy, and he is usually depicted as such in paintings and illustrations. Legend Prahlada was born to Kayadhu and Hiranyakashipu, an evil daitya king who had been granted a boon that he could not be killed off by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiranyakashipu
Hiranyakashipu (; also known as Hiranyakashyap) was an Asura king of the ''daityas'' from the Puranic scriptures of Hinduism. His name literally translates to "clothed in gold" (''hiranya'' "gold" ''kashipu'' "soft cushion"), and is often interpreted as depicting one who is fond of wealth and sensual comforts. In the Puranas, however, it is also stated the name was derived from a golden throne called 'Hiranyakashipu' the asura sat in or nearby during the ''Atiratra'' (Soma) sacrifice. Hiranyakashipu's younger brother, Hiranyaksha was slain by Varaha avatar of Lord Vishnu. Angered by this, Hiranyakashipu decided to gain magical powers by performing a penance for Lord Brahma. He is subsequently killed by the Narasimha avatar of Lord Vishnu. His tale depicts the futility of desiring power over others and the strength of God's protection over his fully surrendered devotees (in the case of his son Prahlada). Hiranyakashipu, according to legend, earned a boon from Lord Brahma t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Simanchala Patro, Prahallada Nataka
Guru ( sa, गुरु, IAST: ''guru;'' Pali'': garu'') is a Sanskrit term for a " mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or '' shisya'' in Sanskrit, literally ''seeker f knowledge or truth'' or student, with the guru serving as a "counselor, who helps mold values, shares experiential knowledge as much as literal knowledge, an exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown explains that a tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the same potentialities that the ''guru'' has already realized. The oldest references to the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odisha State Museum
Odisha State Museum is a museum in Bhubaneswar, Odisha. In its original form it was established in 1932 and later moved to the current building in 1960. The museum is divided into eleven sections, viz, Archaeology, Epigraphy, Numismatics, Armory (military), Armoury, Mining & Geology, Natural History, Art & Craft, Contemporary Art, Pattachitra, Patta Painting, Anthropology and Palmleaf Manuscripts. The museum is headed by a superintendent and the administrative control lies in the hands of Cultural Affairs Department, Government of Odisha. History The origin of this museum can be traced back to 1932, when some historians and professors, like William Jones, Ghanashyam Das, N. C. Banerjee, Harekrushna Mahatab established a museum in Ravenshaw College, Cuttack. In 1945–46, the museum was shifted to Brahmananda building in old Bhubaneswar and given the status of a state museum by the government of Odisha. Later, the museum was shifted to Patel Hall in 1950 and again to another build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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