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Poussin Tomb
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical 17th-century French art, French Baroque style. It depicts a pastoral scene with idealized Shepherd, shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia (utopia), Arcadia, there am I"; "Also in Arcadia am I"; or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title. The 1630s version is held in the Musée du Louvre, Paris, while the 1627 version is held at Chatsworth House, England. An earlier treatment of the theme was painted by Guercino –1622, also titled ''Et in Arcadia ego (Guercino), Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclogues
The ''Eclogues'' (; ), also called the ''Bucolics'', is the first of the three major works of the Latin poet Virgil. Background Taking as his generic model the Greek bucolic poetry of Theocritus, Virgil created a Roman version partly by offering a dramatic and mythic interpretation of revolutionary change at Rome in the turbulent period between roughly 44 and 38 BC. Virgil introduced political clamor largely absent from Theocritus' poems, called idylls ("little scenes" or "vignettes"), even though erotic turbulence disturbs the "idyllic" landscapes of Theocritus. Virgil's book contains ten pieces, each called not an idyll but an eclogue ("draft" or "selection" or "reckoning"), populated by and large with herdsmen imagined conversing and performing amoebaean singing in largely rural settings, whether suffering or embracing revolutionary change or happy or unhappy love. Performed with great success on the Roman stage, they feature a mix of visionary politics and eroticism that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pietro Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skull (mythology)
Skull symbolism is the attachment of symbolic meaning to the human skull. The most common symbolic use of the skull is as a representation of death, mortality and the unachievable nature of immortality. Humans can often recognize the buried fragments of an only partially revealed cranium even when other bones may look like shards of stone. The human brain has a specific region for recognizing faces, and is so attuned to finding them that it can see faces in a few dots and lines or punctuation marks; the human brain cannot separate the image of the human skull from the familiar human face. Because of this, both the death and the now-past life of the skull are symbolized. Hindu temples and depiction of some Hindu deities have displayed association with skulls. Moreover, a human skull with its large eye sockets displays a degree of neoteny, which humans often find visually appealing—yet a skull is also obviously dead, and to some can even seem to look sad due to the downward f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Nazionale D'Arte Antica
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini. Design The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the '' Allegory of Divine Providence and Barberini Power''. Paletti Corsini The Palazzo Corsini, formerly known as Palazzo Riario, is a fifteenth-century palace, rebuilt in the eighteenth century by the architect Ferdinando Fuga for Cardinal Neri Maria Corsini. See also * Paintings in the Galleria Nazionale d'Arte Antica References External links * * Arte Antica National museums of Italy Ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idyll
An idyll (, ; from Greek , ''eidullion'', "short poem"; occasionally spelt ''idyl'' in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus' short pastoral poems, the ''Idylls'' (Εἰδύλλια). Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (''Idylls of the King''), and Nietzsche's ''Idylls from Messina''. Goethe called his poem ''Hermann and Dorothea''—which Schiller considered the very climax in Goethe's production—an idyll. Terminology The term is used in music to refer generally to a work evocative of pastoral or rural life such as Edward MacDowell's ''Forest Idylls'', and more specifically to a kind of French courtly entertainment (''divertissement'') of the baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sannazaro
Jacopo Sannazaro (; 28 July 1458 – 6 August 1530) was an Italian poet, humanist and epigrammist from Naples. He wrote easily in Latin, in Italian and in Neapolitan, but is best remembered for his humanist classic '' Arcadia'', a masterwork that illustrated the possibilities of poetical prose in Italian, and instituted the theme of Arcadia, representing an idyllic land, in European literature. Sannazaro's elegant style was the inspiration for much courtly literature of the 16th century, including Sir Philip Sidney's ''Arcadia''. Biography He was born in 1458 at Naples of a noble family of the Lomellina, that claimed to derive its name from a seat in Lombard territory, at San Nazaro near Pavia. His father died ''ca'' 1462, during the boyhood of Jacopo, who was brought up at Nocera Inferiore and at San Cipriano Piacentino (hosted at the home of Family Sabato, located in Via Santilli) whose rural atmosphere colored his poetry. In 1483–85 he campaigned twice with Alfonso agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florentine Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in History of Italy, Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanism, Renaissance humanists labelled as the Dark Ages (historiography), "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his ''Lives of the Most Excellent Painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo De' Medici
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclogue 10
Eclogue 10 (Ecloga X; Bucolica X) is a pastoral poem by the Latin poet Virgil, the last of his book of ten poems known as the Eclogues written approximately 42–39 BC. The tenth Eclogue describes how Cornelius Gallus, a Roman officer on active service, having been jilted by his girlfriend Lycoris, is imagined as an Arcadian shepherd, and either bewails his lot or seeks distraction in hunting "with the Nymphs" amid "Mount Parthenion, Parthenian glades" and "hurling Cydonian arrows from a Parthian Empire, Parthian Composite bow, bow". According to Thomas Ethelbert Page, T. E. Page (1898), "Gallus is conventionally represented as surrounded by Arcadia (region), Arcadian shepherds, and the whole poem is highly artificial: it is none the less singularly beautiful". Thomas Babington Macaulay, Lord Macaulay had an almost unbounded admiration for it. "The ''Georgics'' pleased me better [than the ''Aeneid'']; the ''Eclogues'' best,—the Eclogue 2, second and tenth above all." Context Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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