|
Post-expressionism
Post-expressionism is a term coined by the German art critic Franz Roh to describe a variety of movements in the post-war art world which were influenced by expressionism but defined themselves through rejecting its aesthetic. Roh first used the term in an essay in 1925, "Magic Realism: Post-Expressionism", to contrast to Gustav Friedrich Hartlaub's "New Objectivity", which more narrowly characterized these developments within German art. Though Roh saw "post-expressionism" and " magic realism" as synonymous, later critics characterized distinctions between magic realism and other artists initially identified by Hartlaub and have also pointed out other artists in Europe who had different stylistic tendencies but were working within the same trend. Background Leading up to World War I, much of the art world was under the influence of Futurism and Expressionism. Both movements abandoned any sense of order or commitment to objectivity or tradition. The sentiment of Futurists was m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Objectivity
The New Objectivity (in german: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the ''Kunsthalle'' in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Räderscheidt
Anton Räderscheidt (October 11, 1892 – March 8, 1970) was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid (art movement), Stupid with other members of the local Constructivism (art), constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a Magic realism, magic realist style. In 1925 he participated in the ''Neue Sachlichkeit'' ("New Objectivity") exhibition at the Mannheim Kunsthalle. Many of the works Räderscheidt produced in the 1920s depict a stiffly posed, isolated couple that usually bear the features of Räderscheidt and his wife, the painter Marta Hegemann. The inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish Expressionism
Flemish Expressionism, also referred to as Belgian Expressionism, was one of the dominant art styles in Flanders during the interbellum. Influenced by artists like James Ensor and the early works of Vincent van Gogh, it was a distinct contemporary of German Expressionism German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central .... Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork. It was also in general more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and folk art, folk traditions. Flemish Express ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Raderscheidt, 1926, Tulpen Auf Der Fensterbank , the championship trophy of the Swedish junior hockey ...
Anton may refer to: People *Anton (given name), including a list of people with the given name *Anton (surname) Places *Anton Municipality, Bulgaria **Anton, Sofia Province, a village *Antón District, Panama **Antón, a town and capital of the district *Anton, Colorado, an unincorporated town *Anton, Texas, a city *Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses *Case Anton, codename for the German and Italian occupation of Vichy France in 1942 *Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film *Anton Cup The Anton Cup is the championship trophy of the Swedish junior hockey league, J20 SuperElit. The trophy was donated by Anton Johansson, chairman of the Swedish Ice Hockey Association between 1924 and 1948, in 1952, as an award for Sweden's top-ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Donghi
Antonio Donghi (March 16, 1897 – July 16, 1963) was an Italian painter of scenes of popular life, landscapes, and still life. Biography Born in Rome, he studied painting at the Instituto di Belle Arti from 1908 to 1916.Gale, Oxford Art Online. After military service in World War I he studied art in Florence and Venice, soon establishing himself as one of Italy's leading figures in the neoclassical movement that arose in the 1920s. Possessed of an extremely refined technique, Donghi favored strong composition, spatial clarity, and populist subject matter.Cowling and Mundy 1990, p. 102. His figures possess a gravity and an archaic stiffness reminiscent of Piero della Francesca. Critics likened his work to that of Henri Rousseau and Georges Seurat, whose scenes of contemporary life are similarly touched with a subtle humor. His still lifes often consist of a small vase of flowers, depicted with the disarming symmetry of naive art. Donghi achieved both popular and critical s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naive Art
Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A ''naïve'' may be called a ''naïf''. Etymology In its early use, the word ''naïve'' meant "natural or innocent", and did not connote ineptitude. As a French adjective, it is spelled ''naïve'', for feminine nouns, and ''naïf'', for masculine nouns. As a French noun, it is spelled ''naïveté''. It is sometimes spelled "naïve" with a diaeresis, but as an unitalicized English word, "naive" is now the more usual spelling. "naïf" often represents the French masculine, but has a secondary meaning as an artistic style. “Naïve” is pronounced as two syllables, in the French manner, and with the stress on the second one. Culture The naïf appears as a cultural type in two main forms. On the one hand, there is 'the satirical naïf, such as Candide'. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Critic
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art. Differently from art history, there is not an institutionalized training for art critics (with only few exceptions); art critics come from different backgrounds and they may or may not be university trained. Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Typically the art critic views art at exhibitions, galleries, museums or artists' studios and they can be members of the International Association of Art Critics which has national sections. Very rarely art critics earn their living from writing criticism. The opinions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Schrimpf
Georg Schrimpf (13 February 1889 – 19 April 1938) was a German painter and graphic artist. Along with Otto Dix, George Grosz and Christian Schad, Schrimpf is broadly acknowledged as a main representative of the art movement ''Neue Sachlichkeit'' (usually translated ''New Objectivity''), which developed, in Weimar Germany, from 1919 to 1933, as an outgrowth of Expressionism. Schrimpf was listed as a producer of Degenerate Art by the German Nazism, National Socialist government in the 1930s. Biographical details Schrimpf was born in Munich, his father having died before Schrimpf's birth. His stepfather later forced him to leave home.Schmeid 1978, p. 129. In 1902 he apprenticed as a baker in Passau. From 1905 to 1914 Schrimpf wandered through Belgium, France, Switzerland and Northern Italy, working as a waiter, baker, and coal shuffler. In 1913 he lived in an anarchist colony in Switzerland, where he formed a friendship with Oskar Maria Graf, also a baker, but later a famous no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphysical Art
Metaphysical painting ( it, pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Development Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. His painting ''The Enigma of an Autumn Afternoon'' (c. 1910) is considered his first Metaphysical work; it was inspired by what de Chirico called a "revelation" that he experienced in Piazza Santa Croce in Florence. In subsequent work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Slapende_boer.jpg "Click for more on -> Flemish Expressionism")
%2C_Piazza_d'Italia_3.jpg "Click for more on -> Metaphysical Art")