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Positively 4th Street
"Positively 4th Street" is a song written and performed by Bob Dylan, first recorded in New York City on July 29, 1965. It was released as a single by Columbia Records on September 7, 1965, reaching on Canada's ''RPM'' chart, on the U.S. ''Billboard'' Hot 100, and on the UK Singles Chart. ''Rolling Stone'' magazine ranked the song as in their 500 Greatest Songs of All Time list. The song was released between ''Highway 61 Revisited'' and ''Blonde on Blonde'', as the follow-up to Dylan's hit single "Like a Rolling Stone", but was not included on either album. The song's title does not appear anywhere in the lyrics and there has been much debate over the years as to the significance or which individual the song concerns. An unreleased promo spot of the song can be found on the ''No Direction Home'' DVD special features. Recording sessions and release The master take of "Positively 4th Street" was recorded on July 29, 1965, during the mid-June to early August recording ses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Described as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his nearly 70-year career. With an estimated more than 125 million records sold worldwide, he is one of the List of best-selling music artists, best-selling musicians of all time. Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning Counterculture of the 1960s, counterculture. Dylan was born in St. Louis County, Minnesota. He moved to New York City in 1961 to pursue a career in music. Following his 1962 debut album, ''Bob Dylan (album), Bob Dylan'', featuring traditional folk and blues material, he released his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hit Single
A hit song, also known as a hit record, hit single, or simply hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions or significant streaming data and commercial sales. Prior to the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released '' The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to what later became music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outtake
An outtake is a portion of a work (usually a film or music recording) that is removed in the editing process and not included in the work's final, publicly released version. In the digital era, significant outtakes have been appended to CD and DVD reissues of many albums and films as bonus tracks or features, in film often, but not always, for the sake of humor. In terms of photos, an outtake may also mean the ones which are not released in the original set of photos (i.e. photo shoots and digitals). Film An outtake is any take of a movie or a television program that is removed or otherwise not used in the final cut. Some of these takes are humorous mistakes made in the process of filming (commonly known to American audiences as bloopers). Multiple takes of each shot are always taken, for safety. Due to this, the number of outtakes a film has will always vastly outnumber the takes included in the edited, finished product. An outtake may also be a complete version of a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Working Title
A working title is a preliminary name for a product or project. The usage is especially common in film and TV, gaming, music and publishing. It is often styled in trade publications as (wt) and is synonymous with production title and tentative title. Usage Working titles are commonly used in film and TV, gaming, music, and publishing. They are used mainly because an official title has not yet been decided upon or to intentionally disguise the real nature of a project. It is often styled in trade publications as (wt). Usage as production titles The terms "production title" and "tentative title" are sometimes used instead of "working title". Working titles are primarily a practical matter, just to prevent confusion as ideas for release titles can keep on changing for a variety of reasons. For example, while James Bond films are commonly produced under numerical titles such as ''Bond 22'' until the official title is announced as part of its marketing, release titles may a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Bloomfield
Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's '' Highway 61 Revisited'', including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015. Early years Bloomfield was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert, first manufactured in 1935. Multiple models have been produced, most of which use sliding #Drawbars, drawbars to vary sounds. Until 1975, sound was created from rotating a metal tonewheel near an electromagnetic pickup, and Power amplifier, amplifying the electric signal into a speaker enclosure, speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to Church (building), churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith (musician), Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is an American songwriter, record producer, and musician. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song " Like a Rolling Stone", French horn and piano on the Rolling Stones song " You Can't Always Get What You Want", and lead guitar on Rita Coolidge's " The Lady's Not for Sale". He also formed and named Blood, Sweat & Tears, though he did not stay with the group long enough to share in its subsequent popularity. Kooper produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction to the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an Electric guitar, electric but with a longer neck (music), neck and scale length (string instruments), scale length. The electric bass guitar most commonly has four strings, though five- and six-stringed models are also built. Since the mid-1950s, the bass guitar has replaced the double bass in popular music due to its lighter weight, smaller size, most models' inclusion of Fret, frets for easier Intonation_(music), intonation, and electromagnetic pickups for amplification. Another reason the bass guitar replaced the double bass is because the double bass is "acoustically imperfect" like the viola. For a double bass to be acoustically perfect, its body size would have to be twice as that of a cello rendering it unplayable, so the double bass is made smaller to make it playable. The elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Savakus
Russell Savakus (May 13, 1925 – June 26, 1984) was an American session bass player (both electric and stand-up), violinist and singer. Savakus recorded with numerous artists in and around the 1960s folk and folk-rock movement in New York. Earlier, he had been a part of the rhythm section for the Les Elgart swing band. According to Michael Bloomfield, who met Savakus at a Bob Dylan session: "They had a bass player, a terrific guy, Russ Savakus. It was his first day playing electric bass, and he was scared of that. No one understood nothing." However, Dylan chose to replace Savakus on tour Savakus died at age 59 on the evening of June 26, 1984, when his car collided head-on at Bangor Road in Washington Township, Pennsylvania. Discography Songs and records that he has played on include: * ''Embraceable You'', Chet Baker (1957) * '' Walk On By'', Dionne Warwick (1964) * ''Farewell, Angelina'', Joan Baez (1965) * '' The In Instrumentals'', Kai Winding (Verve, 1965) * ''Reflectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Gregg
Robert J. Gregg (born Robert Grego; April 30, 1936 – May 3, 2014) was an American musician who performed as a drummer and record producer. As a drum soloist and band leader he recorded one album and several singles, including one Top 40 single in the United States. But he is better known for his work as a drummer on several seminal 1960s songs, including Bob Dylan's "Like a Rolling Stone" and Simon and Garfunkel's "The Sound of Silence". He was also temporarily a member of the Hawks, which later became known as the Band. Early career Gregg first attracted attention by 1955 as the only white member of the otherwise all-black group Steve Gibson and the Red Caps. By 1962, he fronted Bobby Gregg and His Friends for an instrumental single, " The Jam - Part 1", which reached #14 on the Billboard R&B chart and #29 on the ''Billboard'' Hot 100 chart. The B-side of the single was "The Jam – Part 2". That same year, Gregg put out another instrumental single titled " Potato Peeler", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tombstone Blues
"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album ''Highway 61 Revisited'' (1965). The song was written by Dylan, and produced by Bob Johnston. Critical interpretations of the song have suggested that the song references the Vietnam War and US President Lyndon Baines Johnson. Twelve takes of "Tombstone Blues" were recorded on July 29, 1965. The last of these takes was released on ''Highway 61 Revisited'' the following month. The song received acclaim from music critics, with critics praising the lyrics, music, and delivery. The album version, and out-takes, have been included on several later compilations. Dylan's official website lists 169 concert performances, from 1965 to 2006. Live versions have appeared on the albums ''Real Live'' (1984), ''MTV Unplugged'' (1995), and '' Shadow Kingdom'' (2023). Background and recording Bob Dylan recorded "Like a Rolling Stone" in mid-June 1965, with Tom Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
