Portrait Of Juan Martínez Montañés
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Portrait Of Juan Martínez Montañés
The ''Portrait of Juan Martínez Montañés'' is an unfinished c.1635 oil on canvas portrait of the sculptor Juan Martínez Montañés by Diego Velázquez. It was in the Spanish royal collection, and is now in the collection of the Prado museum in Madrid. History Some art historians have suggested that the subject is Velázquez's brother-in-law Alonso Cano, which would date it to Cano's visit to Madrid in 1658, but most agree it depicts Juan Martínez Montañés based on the resemblance to other identified portraits. On that basis, this portrait was probably painted while its subject called on Velázquez during his visit to Madrid between June 1635 and January 1636. The painting measures . Montañés was called to the Spanish royal court in Madrid in 1635 to make a clay bust of Philip IV of Spain as the modello for the Florentine sculptor Pietro Tacca to make a bronze equestrian statue of Philip which is now in the Plaza de Oriente The Plaza de Oriente is a square in t ...
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Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ...
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Equestrian Statue
An equestrian statue is a statue of a rider mounted on a horse, from the Latin ''eques'', meaning 'knight', deriving from ''equus'', meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. History Ancient Greece Equestrian statuary in the West dates back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a ''kouros'' mounted on horseback. Ancient Middle and Far East A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a rel ...
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1630s In Spain
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocracy. ...
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17th-century Portraits
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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1635 Paintings
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The '' Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portraits By Diego Velázquez In The Museo Del Prado
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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List Of Works By Diego Velázquez
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted. Seville (until 1622) Madrid (1622–1629) First trip to Italy (1629–1630) Madrid (1631–1648) Second trip to Italy (1649–1651) Madrid (1651–1660) Paintings of debated attribution Drawings Notes Sources * * * * * * * * * * * * * * * * * * * * * * * * * {{DEFAULTSORT:List of works by Diego Velazquez Paintings by Diego Velázquez, Lists of works of art, Velazquez ...
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Francisco Pacheco
Francisco Pacheco del Río (bap. 3 November 1564 – 27 November 1644) was a Spanish painter, best known as the teacher and father-in-law of Diego Velázquez and Alonzo Cano, and for his textbook on painting, entitled ''Art of Painting'', that is an important source for the study of 17th-century practice in Spain. He is described by some as the "Vasari of Seville": vocal and didactic about his theories of painting and thoughts about painters, conventional and uninspired in his executions.The Paintings of Francisco de Herrera, The Elder, by John S. Thacher. The Art Bulletin (1937); page 328. Early life He was born at Sanlúcar de Barrameda, son of Juan Pérez and wife Leonor del Río, and moved to Seville at a young age. He was a student of Luis Fernandez, and did much of his learning by copying works of the Italian masters. He visited Madrid and Toledo in 1611, studying the work of El Greco, then returned to Seville and opened an art school. He married a daughter of de Mi ...
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Seville
Seville (; es, Sevilla, ) is the capital and largest city of the Spanish autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the River Guadalquivir, in the southwest of the Iberian Peninsula. Seville has a municipal population of about 685,000 , and a metropolitan population of about 1.5 million, making it the largest city in Andalusia, the fourth-largest city in Spain and the 26th most populous municipality in the European Union. Its old town, with an area of , contains three UNESCO World Heritage Sites: the Alcázar palace complex, the Cathedral and the General Archive of the Indies. The Seville harbour, located about from the Atlantic Ocean, is the only river port in Spain. The capital of Andalusia features hot temperatures in the summer, with daily maximums routinely above in July and August. Seville was founded as the Roman city of . Known as ''Ishbiliyah'' after the Islamic conquest in 711, Seville became ...
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Plaza De Oriente
The Plaza de Oriente is a square in the historic center of Madrid, Spain. Rectangular in shape and monumental in character, it was designed in 1844 by Narciso Pascual y Colomer. The square was propagated by King Joseph I, who ordered the demolition of the medieval houses on the site. It is located between some important landmarks in Madrid: To the west is the Royal Palace, the Teatro Real ("Royal Theater") to the east, and the Royal Monastery of the Incarnation to the north. The plaza has statues of 44 Spanish kings from the medieval period, including: * Alfonso I of Asturias * Alfonso II of Asturias * Euric Buildings around the square *Royal Palace of Madrid *Teatro Real *Royal Monastery of La Encarnación Monument to Philip IV At the heart of the Plaza de Oriente lies a monument dedicated to Philip IV of Spain Philip IV ( es, Felipe, pt, Filipe; 8 April 160517 September 1665), also called the Planet King (Spanish: ''Rey Planeta''), was King of Spain from 1621 to his ...
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Pietro Tacca
Pietro Tacca (16 September 1577 – 26 October 1640) was an Italian sculptor, who was the chief pupil and follower of Giambologna. Tacca began in a Mannerist style and worked in the Baroque style during his maturity. Biography Born in Carrara, Tuscany, he joined Giambologna's atelier in 1592. Tacca took over the workshop of his master on the elder sculptor's death in 1608, finishing a number of Giambologna's incomplete projects, and succeeding him almost immediately as court sculptor to the Medici Grand Dukes of Tuscany. Like his master he took full advantage of the fashion among connoisseurs for table-top reductions of fine bronze sculptures. Louis XIV possessed Giambolognesque bronzes of ''Heracles and the Erymanthian Boar''and ''Heracles and the Cerynian Stag'(now Louvre Museum) that are now attributed to Tacca, and dated to the 1620s Tacca began by finishing Giambologna's equestrian bronze of Ferdinand de' Medici for the Basilica della Santissima Annunziata di Firenz ...
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