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Portrait Of Galeazzo Maria Sforza
''Portrait of Galeazzo Maria Sforza'' is an oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence. It was produced in 1471 on Galeazzo Maria Sforza's third visit to Florence to strengthen his alliance with Lorenzo the Magnificent. The chronicles of the time refer to his entering the city on 13 March that year wearing "a blue brocade with lilies, as the French device and arms" - it is this costume that appears in the portrait. The work was restored in 1994, showing that it had been painted directly onto an unprepared panel in the Flemish manner. It may thus have originally formed a diptych with a portrait of Federico da Montefeltro, duke of Urbino - both works were recorded in the "camera di Lorenzo" in a 1492 inventory of the Palazzo Medici. Gloria Fossi, ''Uffizi'', Giunti, Firenze 2004. References {{15C-painting-stub Paintings in the Uffizi Paintings by Piero del Pollaiuolo Sforza The House of Sforza () was a ruling family of Renaissance Italy, ...
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Piero Pollaiuolo Portrait Of Galeazzo Maria Sforza
Piero is an Italian given name. Notable people with the name include: *Piero Angela (1928–2022), Italian television host *Piero Barucci (born 1933), Italian academic and politician *Piero del Pollaiuolo (c. 1443–1496), Italian painter *Piero della Francesca (c1415–1492), Italian artist of the Early Renaissance * Piero De Benedictis (born 1945), Italian-born Argentine and Colombian folk singer *Piero Ciampi (1934–1980), Italian singer *Piero di Cosimo (1462-1522), also known as Piero di Lorenzo, Italian Renaissance painter *Piero di Cosimo de' Medici (1416–1469), ''de facto'' ruler of Florence from 1464 to 1469 *Piero Ferrari (born 1945), Italian businessman *Piero Focaccia (born 1944), Italian pop singer *Piero Fornasetti (1913–1988), Italian painter *Piero Gardoni (1934–1994), Italian professional footballer *Piero Golia (born 1974), Italian conceptual artist *Piero Gros (born 1954), Italian alpine skier *Piero the Unfortunate (1472–1503), Gran maestro of Florence *P ...
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Piero Del Pollaiuolo
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; in Florence – 1496 in Rome), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. Giorgio Vasari includes a biography of Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Works *'' Profile Portrait of a Young Woman'' (c. 1465) – oil on wood *''The Archangel Raphael and Tobias'' (c. 1465–1470) *'' Cardinal del Portogallo Altarpiece'' (1467–1668) – altarpiece * Seven Virtues (1469–1470; six painted by Pollaiuolo): *: ''Charity'' *: ''Faith'' *: ''Temperance'' *: ''Prudence'' *: ''Hope'' *: ''Justice'' *'' Portrait of a Young Woman'' (c. 1470) *''Apollo and Daphne'' (c. 1470–1480) *'' P ...
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Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ...
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Galeazzo Maria Sforza
Galeazzo Maria Sforza (24 January 1444 – 26 December 1476) was the fifth Duke of Milan from 1466 until his assassination a decade later. He was notorious for being lustful, cruel, and tyrannical. He was born to Francesco Sforza, a popular condottiero and ally of Cosimo de' Medici who would gain the Duchy of Milan in 1450, and Bianca Maria Visconti. He married into the Gonzaga family; on the death of his first wife Dorotea Gonzaga, he married Bona of Savoy. Cruel and vengeful, he was "a man who did great follies and dishonest things not to write." Life Galeazzo Maria Sforza was born in Fermo, near the family's castle of Girifalco, the first son of Francesco Sforza and Bianca Maria Visconti. At the death of his father (8 March 1466), Galeazzo was in France at the head of a military expedition to help King Louis XI of France against Charles I of Burgundy. Called back home by his mother, Galeazzo returned to Italy by an adventurous trip under a false name. The false ident ...
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Lorenzo The Magnificent
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy ...
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Diptych
A diptych (; from the Greek δίπτυχον, ''di'' "two" + '' ptychē'' "fold") is any object with two flat plates which form a pair, often attached by hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a recessed space filled with wax. Writing was accomplished by scratching the wax surface with a stylus. When the notes were no longer needed, the wax could be slightly heated and then smoothed to allow reuse. Ordinary versions had wooden frames, but more luxurious diptychs were crafted with more expensive materials. Art ] As an art term a diptych is an artwork consisting of two pieces or panels, that together create a singular art piece these can be attached together or presented adjoining each other. In medieval times, panels were often hinged so that they could be closed and the artworks protected. In Late Antiquity, ivory notebook diptychs with covers carved in low relie ...
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Federico Da Montefeltro
Federico da Montefeltro, also known as Federico III da Montefeltro KG (7 June 1422 – 10 September 1482), was one of the most successful mercenary captains (''condottieri'') of the Italian Renaissance, and lord of Urbino from 1444 (as Duke from 1474) until his death. A renowned intellectual humanist and civil leader in Urbino on top of his impeccable reputation for martial skill and honor, he commissioned the construction of a great library, perhaps the largest of Italy after the Vatican, with his own team of scribes in his scriptorium, and assembled around him a large humanistic court in the Ducal Palace, Urbino, designed by Luciano Laurana and Francesco di Giorgio Martini. Biography Federico was born in Castello di Petroia in Gubbio, the illegitimate son of Guidantonio da Montefeltro, lord of Urbino, Gubbio and Casteldurante, and Duke of Spoleto. Two years later he was legitimized by Pope Martin V, with the consent of Guidantonio's wife, Caterina Colonna, who was Marti ...
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Palazzo Medici
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum. Overview The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the b ...
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Paintings In The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings By Piero Del Pollaiuolo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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15th-century Portraits
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ...
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