Portrait Of Charles Marcotte
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Portrait Of Charles Marcotte
''Portrait of Charles Marcotte'' (also known as ''Marcotte d'Argenteuil'') is an 1810 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed during the artists first stay in Rome. Charles Marie Jean Baptiste Marcotte (1773-1864) was a long term friend, loyal supporter and adviser to Ingres, and commissioned a number of portraits of his family and friends, as well as works such as ''Odalisque with Slave'' (1839). He was 23 years in age when the portrait was painted, and serving as inspector general for Waters and Forests in Napoleonic Rome.Rosenblum, 70 Although handsome, and possessing strong bone structure, he is portrayed as dour and serious, dressed in an imposing military uniform, and given a stern facial expression, with tightly pursed lips, which are turned down at the corners. A number of art historians have noted how his stiffness resemble Ingres' own early self-portraits, particularly that of 1804.Conisbee, 124 Marcotte stands ...
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Ingres Marcotte D-Argenteuil
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was ful ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Odalisque With Slave
''Odalisque with Slave'' (French: ''L'Odalisque à l'esclave'') is an 1839 painting by Jean-Auguste-Dominique Ingres commissioned by Charles Marcotte. Executed in oil on canvas, it depicts a nude odalisque, a musician, and a eunuch in a harem interior. The painting is in the Fogg Art Museum in Cambridge, Massachusetts. It is a classic piece of Orientalism in French painting. History Ingres painted a number of harem scenes during his long career, starting with the ''Grande Odalisque'' (1814). These works exemplify a taste for Orientalist subject matter shared by many French painters of the Romantic era, notably Ingres' rival Eugène Delacroix. As Ingres never visited the Near East, ''Odalisque with Slave'' depicts an imaginary scene. It was composed in Rome, where the artist lived from 1835 to 1841 while serving as director of the French Academy there. The odalisque was painted from a life drawing Ingres had made years earlier. The musician was painted from a model posed in the s ...
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Napoleon
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ...
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Starch
Starch or amylum is a polymeric carbohydrate consisting of numerous glucose units joined by glycosidic bonds. This polysaccharide is produced by most green plants for energy storage. Worldwide, it is the most common carbohydrate in human diets, and is contained in large amounts in staple foods such as wheat, potatoes, maize (corn), rice, and cassava (manioc). Pure starch is a white, tasteless and odorless powder that is insoluble in cold water or alcohol. It consists of two types of molecules: the linear and helical amylose and the branched amylopectin. Depending on the plant, starch generally contains 20 to 25% amylose and 75 to 80% amylopectin by weight. Glycogen, the energy reserve of animals, is a more highly branched version of amylopectin. In industry, starch is often converted into sugars, for example by malting. These sugars may be fermented to produce ethanol in the manufacture of beer, whisky and biofuel. In addition, sugars produced from processed starch are used ...
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Collar (clothing)
In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. Among clothing construction professionals, a collar is differentiated from other necklines such as revers and lapels, by being made from a separate piece of fabric, rather than a folded or cut part of the same piece of fabric used for the main body of the garment. A collar may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Word usage The Oxford English Dictionary traces ''collar'' in its modern meaning to c. 1300, when collars served as neck-protecting armour. History Today's shirt collars descend from the rectangular band of linen around the neck of 16th century shirts. Separate ruffs exist alongside attached ruffled collars from the mid-16th century, usually to allow starching and other fine finishing, or to make collar-laundering easier.Compare: During the medieval period and sporadically thereafter, people wore ...
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Carrick
Carrick is an Anglicised version of ''creag/carraig'', Gaelic for "rock", and may refer to: People *Carrick (surname) * Donnchadh, Earl of Carrick (died 1250), Scottish Mormaer and first Earl of Carrick * Marjorie of Carrick (1256–1292), mother of Robert the Bruce and Countess of Carrick * Niall of Carrick (died 1256), Scottish Mormaer and second Earl of Carrick Places Australia * Carrick, New South Wales * Carrick, Tasmania Canada * Carrick, Ontario, part of South Bruce, Ontario since 1999 * Carrick, Manitoba, a community within the Rural Municipality of Piney Ireland * Carrick, County Donegal * Carrick, County Kildare, a civil parish in County Kildare * Carrick, County Westmeath (civil parish), a civil parish in the barony of Fartullagh, County Westmeath * Carrick, Fartullagh, a townland in the civil parish of Carrick, barony of Fartullagh, County Westmeath * Carrick, Lackan, a townland in the civil parish of Lackan, barony of Corkaree, County Westmeath * ...
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Cape
A cape is a clothing accessory or a sleeveless outer garment which drapes the wearer's back, arms, and chest, and connects at the neck. History Capes were common in medieval Europe, especially when combined with a hood in the chaperon. They have had periodic returns to fashion - for example, in nineteenth-century Europe. Roman Catholic clergy wear a type of cape known as a ferraiolo, which is worn for formal events outside a ritualistic context. The cope is a liturgical vestment in the form of a cape. Capes are often highly decorated with elaborate embroidery. Capes remain in regular use as rainwear in various military units and police forces, in France for example. A gas cape was a voluminous military garment designed to give rain protection to someone wearing the bulky gas masks used in twentieth-century wars. Rich noblemen and elite warriors of the Aztec Empire would wear a tilmàtli; a Mesoamerican cloak/cape used as a symbol of their upper status. Cloth and clothing w ...
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Samuel H
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of '' Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His genealo ...
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National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ...
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Robert Rosenblum
Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries. Biography Rosenblum was born in New York City and studied art history at Queens College and Yale University and, in 1956, received his Ph.D. from New York University's Institute of Fine Arts. Rosenblum's many publications include ''Cubism and Twentieth Century Art'' (1960), ''Transformations in Late Eighteenth Century Art'' (1967), ''Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko'' (1973), and ''Nineteenth Century Art'' (co-authored with H.W. Janson, 1984). However, he is perhaps best known for his innovations in curatorial practice, such as his inclusion of non-canonical works and his rejection of standard chronological ordering. Rosenblum held teaching positions at Princeton University, the University of Michigan, Yale University ...
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