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Portrait Of The Bellelli Family
''The Bellelli Family'', also known as ''Family Portrait'', is an oil painting on canvas by Edgar Degas (1834–1917), painted c. 1858–1867, and housed in the Musée d'Orsay. A masterwork of Degas' youth, the painting is a portrait of his aunt, her husband, and their two young daughters. While finishing his artistic training in Italy, Degas drew and painted his aunt Laura, her husband the baron Gennaro Bellelli (1812–1864), and their daughters Giulia and Giovanna. Although it is not known for certain when or where Degas executed the painting, it is believed that he utilized studies done in Italy to complete the work after his return to Paris.Boggs; et al. 1988, p. 81. Laura, his father's sister, is depicted in a dress which symbolizes mourning for her father, who had recently died and appears in the framed portrait behind her. The baron was an Italian patriot exiled from Naples, living in Florence. Laura Bellelli's countenance is dignified and austere, her gesture connect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Las Meninas
''Las Meninas'' (; ) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Golden Age. It has become one of the most widely analyzed works in Western painting, due to the way its complex and enigmatic composition raises questions about reality and illusion, and the uncertain relationship it creates between the viewer and the figures depicted. The painting is believed by F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Henner
Jean-Jacques Henner (5 March 1829 – 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting nudes, religious subjects and portraits. Biography Henner was born at Bernwiller (Alsace). He began his studies in art as a pupil of Michel Martin Drolling and François-Édouard Picot. In 1848, he entered the École des Beaux Arts in Paris, and took the Prix de Rome with a painting of ''Adam and Eve finding the Body of Abel'' in 1858. In Rome, he was guided by Flandrin, and painted four pictures for the gallery at Colmar among other works. He first exhibited ''Bather Asleep'' at the Salon in 1863 and subsequently contributed ''Chaste Susanna'' (1865), now in the Musée d'Orsay. Other noted works include: ''Byblis turned into a Spring'' (1867); ''The Magdalene'' (1878); ''Portrait of M. Hayem'' (1878); ''Christ Entombed'' (1879); ''Saint Jerome'' (1881); '' Bara'' (1882); ''Herodias'' (1887); ''A Study'' (1891); ''Christ in His Shroud'' and a ''Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interior (Degas)
''Interior'' (french: Intérieur), also known as ''The Rape'' (french: Le Viol), is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869. Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman. The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance. Even the painting's title is uncertain; acquaintances of the artist referred to it either as ''Le Viol'' or ''Intérieur'', and it was under the latter title that Degas exhibited it for the first time in 1905. The painting is housed in the Philadelphia Museum of Art. Background Degas painted ''Interior'' at a time when his growing commitment to Realist visual arts, Realism had led him away from his earlier preoccupation with historical subjects such as ''Sémiramis Building Babylon'' (1860–1862), '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas - The Rape
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and '' gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's '' The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanish author in Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Danto
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University. He was best known for having been a long-time art critic for ''The Nation'' and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action. His interests included thought, feeling, philosophy of art, theories of representation, philosophical psychology, Hegel's aesthetics, and the philosophers Friedrich Nietzsche and Jean-Paul Sartre. Life and career Danto was born in Ann Arbor, Michigan, January 1, 1924, and grew up in Detroit. He was raised in a Reform Jewish home. After spending two years in the Army, Danto studied art and history at Wayne University (now Wayne State University). While an undergraduate he intended to become an artist, and began making prints in the Expressionist style in 1947 (these are now great rarities). He then pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of ''Gargantua'', a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism. Although he occasionally exhibited his paintings at the Parisian Salons, his work was largely overlooked and ignore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After Dinner At Ornans
''After Dinner at Ornans'' (French - ''L'Après-dînée à Ornans'') is a 195 by 257 cm painting by Gustave Courbet, painted in winter 1848–1849 in Ornans. It is now in the Palais des Beaux-Arts de Lille. Decades later, ''Mother Anthony's Tavern'' (1866), one of the first major paintings by Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ..., would pay homage to this work, showing the influence of Courbet on the early Renoir.Adams, Steven (1994). The Barbizon School & the Origins of Impressionism'. Phaidon Press. pp. 202-209. . . References {{19C-painting-stub Paintings by Gustave Courbet 1849 paintings Food and drink paintings Paintings in the collection of the Palais des Beaux-Arts de Lille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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