Portrait Of Madame Récamier
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Portrait Of Madame Récamier
''Portrait of Madame Récamier'' is an 1800 portrait of the Parisian socialite Juliette Récamier by Jacques-Louis David showing her in the height of Neoclassical fashion, reclining on a Directoire style sofa in a simple Empire line dress with almost bare arms, and short hair "à la Titus." The work is unfinished. Description The work is notable for the distance that it establishes between viewer and subject. The setting is a sparsely decorated interior, featuring a tall bronze candelabrum fixed with an oil lamp, which has been extinguished and whose smoke drifts into the blackness of the space. A light from above provides some illumination, highlighting her perfectly spotless white dress. There is not much variation in color; only muted earthy tones of brown, green, and grey are present aside from the draperies of the model. Madame Récamier appears separate and distinct in her own space, a sparsely decorated setting with Classical furniture in the Pompeian style. The woman ...
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Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ...
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National Gallery Of Canada
The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the largest art museums in North America by exhibition space. The institution was established in 1880 at the Second Supreme Court of Canada building, and moved to the Victoria Memorial Museum building in 1911. In 1913, the Government of Canada passed the ''National Gallery Act'', formally outlining the institution's mandate as a national art museum. The museum was moved to the Lorne building in 1960. In 1988, the museum was relocated to a new building designed for this purpose. The National Gallery of Canada is situated in a glass and granite building on Sussex Drive, with a notable view of the Canadian Parliament buildings on Parliament Hill. The building was designed by Israeli architect Moshe Safdie and opened in 1988.
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René Magritte
René François Ghislain Magritte (; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art. Early life René Magritte was born in Lessines, in the province of Hainaut, Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant,Meuris 1991, p 216. and Régina (née Bertinchamps), who was a milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910. On 24 February 1912, his mother committed suicide by drowning herself in the River Sambre at Châtelet. It was not her first suicide attempt. Her body was not discovered until 12 March.Abadie 2003, p. 274. According to a legend, 13-year-old Magritte was present when her body was retrieved ...
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Marguerite Kelsey
Marguerite Kelsey (11 January 1909 – 5 March 1995) was a British model for artists. She appears in notable works of art by Meredith Frampton, Dame Laura Knight, and Peter Edwards. Life Kelsey was born in 1909 in London and by the age of fifteen she had started her career as an artist's model. In 1928 she modeled for Meredith Frampton is a dress and shoes supplied by the artist. She was renowned for her ability to hold a pose for a long time and in this case she appeared without a corset in the fashionable style known as "Las Garconne". This painting is now in the Tate museum in London and it has been described as the "epitome of modern classicism". In 1937 she modeled again for Frampton and as a result he painted her with cards as "A Game of Patience". She spent two decades in New Zealand and return to the United Kingdom in the early 1980s suffering with arthritis. In 1993, Peter Edwards exhibited in The Portrait Now show. In 1994 he won the BP Portrait Award with ''Portra ...
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Meredith Frampton
George Vernon Meredith Frampton (17 March 1894 – 16 September 1984) was a British painter and etcher, successful as a portraitist in the 1920s–1940s. His artistic career was short and his output limited because his eyesight began to fail in the 1950s, but his work is on display at the National Portrait Gallery, Tate Gallery and Imperial War Museum. Biography Early life Frampton was born in the St John's Wood area of London and was the only child of the sculptor Sir George Frampton and his wife, the painter Christabel Cockerell. Frampton was educated at Westminster School and after some months learning to speak French in Geneva he enrolled at the St John's Wood School of Art. He went on to attend the Royal Academy Schools between 1912 and 1915, where he won both a first prize and a silver medal. World War I During the First World War, Frampton served in the British Army on the Western Front with a field survey unit, sketching enemy trenches, and also worked on th ...
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Grande Odalisque
''Grande Odalisque'', also known as ''Une Odalisque'' or ''La Grande Odalisque'', is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism. ''Grande Odalisque'' attracted wide criticism when it was first shown. It is renowned for the elongated proportions and lack of anatomical realism. The work is owned by the Louvre Museum, Paris which purchased the work in 1899. __TOC__ History The painting was commissioned by Napoleon's sister, Queen Caroline Murat of Naples, and finished in 1814. Ingres drew upon works such as ''Dresden Venus'' by Giorgione, and Titian's ''Venus of Urbino'' as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1800 ''Portrait of Madame Récamier'' by Jacques-Louis David. Ingres portrays a c ...
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Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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T03415 10
T, or t, is the twentieth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''tee'' (pronounced ), plural ''tees''. It is derived from the Semitic Taw 𐤕 of the Phoenician and Paleo-Hebrew script (Aramaic and Hebrew Taw ת/𐡕/, Syriac Taw ܬ, and Arabic ت Tāʼ) via the Greek letter τ (tau). In English, it is most commonly used to represent the voiceless alveolar plosive, a sound it also denotes in the International Phonetic Alphabet. It is the most commonly used consonant and the second most commonly used letter in English-language texts. History '' Taw'' was the last letter of the Western Semitic and Hebrew alphabets. The sound value of Semitic ''Taw'', Greek alphabet Tαυ (''Tau''), Old Italic and Latin T has remained fairly constant, representing in each of these; and it has also kept its original basic shape in most of these alphabets. Use in ...
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Salon De Madame Récamier - Récamière (Louvre, OA 11384)
Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (Paris), a prestigious annual juried art exhibition in Paris begun under Louis XIV * ''The Salon'' (TV series), a British reality television show * ''The Salon'' (film), a 2005 American dramatic comedy movie * ''The Salon'' (comics), a graphic novel written and illustrated by Nick Bertozzi Places * Salon, Aube, France, a commune * Salon, Dordogne, France, a commune * Salon, India, a town and nagar panchayat * Salon (Assembly constituency), India, a constituency for the Uttar Pradesh Legislative Assembly Other uses * Salon.com, an online magazine * Champagne Salon, a producer of sparkling wine * Salon Basnet (born 1991), Nepali actor and model See also * * Salon-de-Provence, France, a commune * Salon-la-Tour, France, a commune * S ...
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Romantic Art
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, liber ...
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Antoine-Jean Gros
Antoine-Jean Gros (; 16 March 177125 June 1835) was a French painter of historical subjects. He was given title of Baron Gros in 1824. Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution. Forced to leave France, Gros moved to Genoa. His portrait of the French commander Napoleon Bonaparte at the Battle of Arcole (1796) brought Gros to public attention and gained the patronage of Napoleon. After traveling with Napoleon's army for several years, he returned to Paris in 1799. In addition to producing several large paintings of battles and other events in Napoleon's life, Gros was a successful portraitist. Early life and training Born in Paris, Gros began to learn to draw at the age of six from his father, Jean-Antoine Gros, who was a miniature painter, and showed himself as a gifted artist. His mother, Pierrette-Madeleine-Cécile Durand, was also a painter. Towards the close of 1785, Gros, by his own choice, ent ...
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