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Portrait Of Giovanni Di Nicolao Arnolfini
''Portrait of Giovanni di Nicolao Arnolfini'' is a small portrait by Jan van Eyck believed to be the same person as in the famous 1434 Arnolfini Portrait due to the similarities of facial features. Thus, the work is van Eyck's second portrait of Giovanni di Nicolao Arnolfini, a wealthy merchant from Lucca, a city in Tuscany in central Italy, who spent most of his life in Flanders. The painting was long thought a self-portrait; in colourisation, costume and tone, it is very similar to the signed and dated '' Portrait of a Man in a Red Chaperon'' in London, which is generally accepted as a self-portrait. It was only later that the current work was associated with Arnolfini and the double marriage painting. It is today in the Gemäldegalerie, Berlin. Arnolfini wears a dark green gown, with dark brown fur lining. He wears a red chaperon with cornette tied on top of the head, with the patte hanging behind. The bourrelet is twisted. He is depicted with exacting realism; no attem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck - Portrait Of Giovanni Arnolfini - WGA7608
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * '' Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards) The following is a glossary of terms used in card games. Besides the terms listed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornette
A cornette is a piece of female headwear. It is essentially a type of wimple consisting of a large, starched piece of white cloth that is folded upwards in such a way as to create the resemblance of horns (french: cornes) on the wearer's head. It remained fashionable for some Parisian ladies around 1800, wearing ones made of muslin or gauze and richly ornamented with lace. Use by the Daughters of Charity The cornette was retained as a distinctive piece of clothing into modern times by the Daughters of Charity, a Roman Catholic society of apostolic life founded by St. Vincent de Paul in the mid-17th century. The founder wanted to have the sisters of this new type of religious congregation of women, that tended to the sick and poor, and were not required to remain in their cloister, resemble ordinary middle-class women as much as possible in their clothing, including the wearing of the cornette. After the cornette generally fell into disuse, it became a distinctive feature of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till-Holger Borchert
Till-Holger Borchert (born 4 January 1967, in Hamburg) is a German art historian and writer specialising in 14th and 15th-century art. He has been the chief curator of the Groeningemuseum and Arentshuis museums in Bruges, Belgium, between 2003 and 2014. In December 2014, he was appointed as director of the Municipal Museums in Bruges. In this role he initiated a radical reorganisation of the institution and laid the foundation for the renewal of infrastructure like the ticketing facility of the Gruuthusemuseum, a new storage, and the exhibition park BRUSK designed by architect Paul Robbrecht. In November 2021 he was appointed as new director of the Suermondt Ludwig Museum in Aachen, a position he resumed in April 2022. He has been teaching in Europe and the US and curated a number of major exhibitions, including " Memling's Portraits", which showed in Bruges, at the Frick Collection in New York and the Thyssen-Bornemisza Museum in Madrid, and " Memling: Rinascimento fiammingo" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of Austria, Duchess Of Savoy
Archduchess Margaret of Austria (german: Margarete; french: Marguerite; nl, Margaretha; es, Margarita; 10 January 1480 – 1 December 1530) was Governor of the Habsburg Netherlands from 1507 to 1515 and again from 1519 to 1530. She was the first of many female regents in the Netherlands. Childhood and life in France Margaret was born on 10 January 1480 and named after her stepgrandmother, Margaret of York. She was the second child and only daughter of Maximilian of Austria (future Holy Roman Emperor) and Mary of Burgundy, co-sovereigns of the Low Countries. In 1482, her mother died and her three-year-old brother Philip the Handsome succeeded her as sovereign of the Low Countries, with her father as his regent. The same year her mother died, King Louis XI of France signed the Treaty of Arras, whereby her father promised to give her hand in marriage to Louis' son, Dauphin Charles. The engagement took place in 1483. With Franche-Comté and Artois as her dowry, Margaret was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Cavalcaselle
Giovanni Battista Cavalcaselle (22 January 1819 – 31 October 1897) was an Italian writer and art critic, best known as part of "Crowe and Cavalcaselle", for the many works in English on art history he co-authored with Joseph Archer Crowe. Their multi-volume ''A New History of Painting in Italy'' continued to be revised and republished until 1909, after both were dead. Though now outdated, these are still often cited by modern art historians. Biography Cavalcaselle was born in Legnago, Veneto. He studied at the Academy of Fine Arts in Venice. Cavalcaselle participated in the Revolution of 1848 and in the Roman Republic, and was sentenced to death ''in absentia''. After the fall of the republic he lived in England for several years. There he published, together with Joseph A. Crowe, their first joint work, ''Early Flemish Painters'' (1856), later followed by the ''History of Painting in Italy'' (3 volumes, 1864-1866). Other important works by Crowe and Cavalcaselle are ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Archer Crowe
Sir Joseph Archer Crowe (25 October 1825, London – 6 September 1896, Werbach, Gamburg an der Tauber, today Werbach, Germany) was an England, English journalist, consular official and art historian, whose volumes of the ''History of Painting in Italy'', co-written with the Italian critic Giovanni Battista Cavalcaselle (1819–1897), stand at the beginning of disciplined modern art history writing in English, being based on chronologies of individual artists' development and the connoisseurship of identifying artist's individual manners or "hands". Their multi-volume ''A New History of Painting in Italy'' continued to be revised and republished until 1909, after both were dead. Though now outdated, these are still often cited by modern art historians. Life Early life Crowe was born at 141 Sloane Street, London, the son of the journalist Eyre Evans Crowe and his wife Margaret Hunter. Shortly after his birth the family moved to France, where Crowe's childhood was spent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Margaret Van Eyck
''Portrait of Margaret van Eyck'' (or ''Margaret, the Artist's Wife'') is a 1439 oil on wood painting by the Early Netherlandish master Jan van Eyck. It is one of the two latest of his surviving paintings, and one of the earliest European artworks to depict a painter's spouse. Completed when she was around 34, it was hung until the early 18th century in the Bruges chapel of the Guild of painters. The work is thought to be a pendant or diptych panel for either a now lost self-portrait known from records until 1769, or of Jan van Eyck's likely self-portrait now in the National Gallery in London. Description Margaret is shown in three-quarter view, that is her body almost directly facing the viewer but not quite. She is set against a flat black and featureless background, wearing an elegant red woolen gown with grey fur lining (in the medieval period fur often represented female sexuality), probably from squirrel, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Eyck - Arnolfini Portrait
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and Multi-purpose vehicle, MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word Caravan (towed trailer), carava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaperon (headgear)
A chaperon ( or ; Middle French: ''chaperon'') was a form of hood or, later, highly versatile hat worn in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind called a liripipe, and then developed into a complex, versatile and expensive headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. It was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late 15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood. Humble origins The chaperon began before 1200 as a hood with a short cape, put on by pulling over the head, or fastening at the front. The hood could be pulled off the head to hang behind, leaving the short cape round the neck and shoulders. The edge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfini Portrait 1
Arnolfini is an international arts centre and gallery in Bristol, England. It has a programme of contemporary art exhibitions, artist's performance, music and dance events, poetry and book readings, talks, lectures and cinema. There is also a specialist art bookshop and a café bar. Educational activities are undertaken and experimental digital media work supported by online resources. Festivals are hosted by the gallery. The gallery was founded in 1961 by Jeremy Rees, and was located in Clifton. In the 1970s it moved to Queen Square, before moving to its present location, Bush House on Bristol's waterfront, in 1975. The name of the gallery is taken from Jan van Eyck's 15th-century painting ''The Arnolfini Portrait''. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose work has been exhibited include Bridget Riley, Rachel Whiteread, Richard Long and Jack Yeats. Performers have included Goat Island Performance Group, the Philip Glass Ensemble, and Shob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Man (Self Portrait?)
''Portrait of a Man (Self Portrait?)'' (also ''Portrait of a Man in a Turban'' or ''Portrait of a Man in a Red Turban'') is an oil painting by the Early Netherlandish painting, Early Netherlandish painter Jan van Eyck, from 1433. The inscription at the top of the panel, ''Als Ich Can'' (intended as "as I/Eyck can") was a common autograph for van Eyck, but here is unusually large and prominent. This fact, along with the man's unusually direct and confrontational gaze, have been taken as an indication that the work is a self-portrait. Probably his ''Portrait of Margaret van Eyck'' was a Pendant painting, pendant, although her only known portrait is both dated 1439 and larger.Hall (2014), 43 It has been proposed that van Eyck created the portrait to store in his workshop so that he could use it to display his abilities (and social status, given the fine clothes evident in the portrait) to potential clients. However, his reputation was such in 1433 that he was already highly sought a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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