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Portrait Of A Man (Bol)
''Portrait of a Man'' is a 1663 oil on canvas painting by Ferdinand Bol, now in the Rijksmuseum in Amsterdam. It shows a man with long blonde hair in a banyan against a background of architectural columns and a statue of Apollo. Its subject is unknown but may be Jacob van Campen, one of the most important proponents of Dutch classicism, Artus Quellinus, a sculptor who produced works for the stadhuis op de Dam and other buildings designed by Van Campen, or Louis Trip, who with his brother Hendrick designed the Trippenhuis, for which Bol painted a number of paintings. Frame Bibliography *Anoniem (1830) ''Aanwijzing der schilderijen, berustende op ’s Rijks Museum, te Amsterdam'', .l.: s.n. p. 11, cat.nr. 36 (als ‘Het portret van Jacob van Campen, bouwheer van het stadhuis, tegenwoordig het koninklijk paleis te Amsterdam’). ZiGoogle Boeken *Anoniem (1839) ''Aanwijzing der schilderijen, berustende op ’s Rijks Museum te Amsterdam'', .l.: s,n, p. 9, cat.nr. 36, als ‘P ...
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Johan De Witt
Johan de Witt (; 24 September 1625 – 20 August 1672), ''lord of Zuid- en Noord-Linschoten, Snelrewaard, Hekendorp en IJsselvere'', was a Dutch statesman and a major political figure in the Dutch Republic in the mid-17th century, the First Stadtholderless Period, when its flourishing sea trade in a period of globalization made the republic a leading European trading and seafaring power – now commonly referred to as the Dutch Golden Age. De Witt controlled the Dutch political system from around 1650 until shortly before his murder and cannibalisation by a pro-Orangist mob in 1672. As a leading republican of the Dutch States Party, de Witt opposed the House of Orange-Nassau and the Orangists and preferred a shift of power from the central government to the regenten. However, his neglect of the Dutch army (as the regents focused only on merchant vessels, thinking they could avoid war) proved disastrous when the Dutch Republic suffered numerous early defeats in th ...
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Paintings In The Collection Of The Rijksmuseum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Portraits By Ferdinand Bol
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Pinacothèque De Paris
__NOTOC__ The Pinacothèque de Paris () was an art gallery in Paris, France, with exhibition space for temporary exhibitions of artworks. It was owned and run by Modigliani enthusiast Marc Restellini. It closed in 15 February 2016 after going into receivership in November 2015. Background The art gallery opened on 15 June 2007 at 28, Place de la Madeleine in the 8th arrondissement of Paris, France. It was previously at 30, Rue de Paradis in the 10th arrondissement, where an exhibition of works by Picasso was held in Autumn 2003. The gallery is funded from private sources and organizes exhibitions. There is no permanent collection of artworks. The architect of the building was Lawrence Guinamard-Casati. It was owned by Credit Agricole and includes about on three levels: a basement, a ground floor, and first floor. Exhibitions ;2003 * Picasso Intime (November 7, 2003 – March 28, 2004) ;2007 * Roy Lichtenstein: Evolution (June 15 – September 23) * Chaïm Soutine: le fou S ...
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Vancouver Art Gallery
The Vancouver Art Gallery (VAG) is an art museum in Vancouver, British Columbia, Canada. The museum occupies a adjacent to Robson Square in downtown Vancouver, making it the largest art museum in Western Canada by building size. Designed by Francis Rattenbury, the building the museum presently occupies was originally opened as a provincial courthouse, before it was re-purposed for museum use in the early 1980s. The building was designated as the Former Vancouver Law Courts National Historic Site of Canada in 1980. The museum was opened to the public in 1931 in a building designed by architectural firm Sharp and Johnston. The museum expanded its first building once in 1950, before plans were undertaken to move the institution to the former provincial courthouse building. The museum was relocated to the provincial courthouse in 1983. Plans were undertaken by the museum in the late 2000s and 2010s to relocate the institution to a new facility in Larwill Park. The Vancouver Art Gal ...
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Shanghai Museum
The Shanghai Museum is a museum of ancient Chinese art, situated on the People's Square in the Huangpu District, Shanghai, Huangpu District of Shanghai, China. Rebuilt at its current location in 1996, it is considered one of China's first world-class modern museums and famous for its large collection of rare cultural pieces. History The museum was founded in 1952 and was first open to the public in the former Shanghai Racecourse club house, now at 325 West Nanjing Road. The founding collections came principally from three sources: a batch of artifacts gathered by the Communist 3rd Field Army during the civil war from accidental finds and confiscations of private property and brought to Shanghai upon the Communists' conquest of the city; artifacts confiscated by the customs service; items sold by private collectors due to political pressure during political purges and purchased by the government. The former Shanghai Municipal Museum was also merged into the new Shanghai Museum. I ...
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National Gallery Of Victoria
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum. The NGV houses an encyclopedic art collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection. A third site, The Fox: NGV Contemporary, is planned to open in 2028, and will be Australia's largest contemporary gallery. History 19th century In 1850, the Port Phillip District of New S ...
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Saint Peter's Abbey, Ghent
Saint Peter's Abbey ( nl, Sint-Pietersabdij) is a former Benedictine abbey in Ghent, Belgium, now a museum and exhibition centre. Saint Peter's was founded in the late 7th century by Amandus, a missionary sent by the Frankish kings to Christianize the pagan inhabitants of the region, who founded two monasteries in the area, St. Bavo's, and Saint Peter's on the Blandijnberg. During the winter of 879-80, the abbey was raided and plundered by the Normans, and it remained relatively poor until the 10th century, when donations of property and relics by Count Arnulf I considerably enriched it, as did further donations by Arnulf's cousin King Edgar of England. By the second half of the century it was the wealthiest abbey in Flanders, and the reputation of the abbey school extended far beyond the town. In 984, Gerbert of Aurillac, director of the cathedral school of Reims, (later Pope Sylvester II) inquired whether students from Reims could be admitted to Saint Peter's, and its renown as ...
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