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Portrait Of A Man, Probably A Member Of The Van Beresteyn Family
''Portrait of a Man, probably a Member of the Van Beresteyn Family'' is an oil-on-canvas 1632 portrait painting by Rembrandt. It shows a man with a lace collar, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to '' Portrait of a Woman, probably a Member of the Van Beresteyn Family'', and both are in the collection of the Metropolitan Museum of Art. Description Rembrandt created this painting as a pendant to the MET's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This pair came into the collection via the Mrs. H. O. Havemeyer bequest in 1929. This painting was documented by Hofstede de Groot in 1914, who wrote:624. A MAN OF THE VAN BERESTEYN -VUCHT FAMILY. Dut. 248; Wb. 344; B.-HdG. 82. Three-quarter length; life size. About fifty. He stands, inclined a little to the right, and looks straight before him. He is bare-headed; he has grey hair, combed up high, and a po ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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Portrait Of A Woman, Probably A Member Of The Van Beresteyn Family
Portrait of a Woman, probably a Member of the Van Beresteyn Family is a 1632 oil-on-canvas portrait painting by Rembrandt. A depiction of a woman with an unusually large millstone collar, it is a pendant to ''Portrait of a Man, probably a Member of the Van Beresteyn Family''. Both portraits are in the collection of the Metropolitan Museum of Art. Description Rembrandt created this painting as a pendant to the MET's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This pair came into the collection via the Mrs. H. O. Havemeyer bequest in 1929. This painting was documented by Hofstede de Groot in 1914, who wrote:625. A LADY OF THE VAN BERESTEYN -VUCHT FAMILY. Dut. 248; Wb. 344; B.-HdG. 83. Three-quarter length; life size. She stands to the left, seen almost in full face, at a table with a greenish-blue cover, on which she rests her left hand. She is of middle age. Her fair but greyish hair, combed well back from ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Hofstede De Groot
Cornelis Hofstede de Groot (9 November 1863 – 14 April 1930), was a Dutch art collector, art historian and museum curator. Life He was born in Dwingeloo and spent some time in Switzerland in his youth due to weak lungs, where he learned German. He became the first academically schooled art historian of the Netherlands, receiving his training in Leipzig, which is why much of his work was published in German, most notably his lengthy 10-part ''Beschreibendes kritisches Verzeichnis der Werke der hervorragendsten Holländischen Mahler des XVII. Jahrhunderts'' (1907–28), also known as a rewrite of John Smith's ''catalogue raisonné'' (9 vols.; 1829–42, London). He became an expert who had many differences of opinion with Abraham Bredius and other art collectors, while serving various institutions to do with the arts of the Netherlands, including the Frans Hals Museum, Gemeentemuseum Den Haag, and the RKD. In 1893 he published a short article on Judith Leyster in the jo ...
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Eugène Dutuit
Eugène Dutuit (7 April 1807 – 25 June 1886) was a French politician and art collector who also wrote several works on art history. Dutuit was born in Marseille as the son of a cotton merchant, but grew up in Rouen, where he studied law and lived most of his life. He traveled to the Netherlands in 1826 where he visited museums and began collecting prints, six hundred of which he later donated in 1845 to the library of Rouen. He was elected member of the Academy of Sciences, Literature and Arts of Rouen in 1846 and became deputy mayor there from 1846 to 1874. In 1852 he and his brother Auguste and sister Heloise inherited their father's fortune.Rouen history
website
He moved to Brighton in the Prussian invasion of 1870–71, which allowed him to make art contacts in England, especially in the
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Alfred Von Wurzbach
Alfred Wurzbach Ritter von Tannenberg (born 22 July 1846 in Lemberg; died 18 May 1915 in Vienna) was an Austrian art critic. Biography He was the son of Constantin von Wurzbach. He studied jurisprudence in Vienna and entered the civil service, but resigned in 1876 and devoted himself entirely to the study of art history. He was art critic for the ''Wiener Allgemeine Zeitung'' from 1881 to 1886. Works Under the title ''Zeitgenossen'' he published a series of biographical sketches (1871–72), and afterwards the monograph ''Martin Schongauer'' (1881), a ''Geschichte der holländischen Malerei'' (History of Dutch painting, 1885), besides biographies of Dutch and Flemish painters in Dohme's ''Kunst und Künstler'' (Art and artists, 1876). He also edited dictionaries of artist biographies, and compiled ''Rembrandt-Galerie'' (1885), and translated Houbraken's ''The Great Theatre of Dutch Painters'' (original Dutch edition 1718). * ''Laura: Eine Novelle in Versen'', 1873 * ''Die fr ...
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Emile Michel
Emil or Emile may refer to: Literature *'' Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau * ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *'' Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *'' Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military * Emil (tank), a Swedish tank developed in the 1950s * Sturer Emil, a German tank destroyer People * Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' * Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other * ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai * Emil (river), in China and Kazakhstan See also * * * Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) Emilios, or Aimilios, (Greek: Αιμίλιο ...
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Ernst Wilhelm Moes
Ernst Wilhelm Moes (1864 – 1912), was a Dutch art historian and director of the print cabinet for the Rijksmuseum. Biography According to the NNBW he studied art at the University of Amsterdam and became a print collector while still a student, specialized in Amsterdam history. To simplify his research, from 1885 he became a volunteer at the Amsterdam auction house of Frederik Muller.Ernst Wilhelm Moes
in the
In 1896 he published his first work on the history of the Amsterdam publishing industry. His ''Iconographia'', a comprehensive guide to portraits of Dutch people, was published by Frederik Muller & Co. In 1898 he began wor ...
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Maurick Castle
Maurick Castle is a castle in Vught, Netherlands. It had many famous owners and visitors. Building The current castle has a rather illogical form. The core is formed by a seemingly very large main building 'glued' to a gate building of the same height. The core makes a very defendable impression, but together with some other buildings, it is on an island way too large to makes sense from a defensive point of view. This suggests that the castle is on the outer bailey of a preceding castle. The gate building probably dates from the early fifteenth century. The main building with the overhanging towers, just west of the gate, seems a single 4 windows wide structure, but this is not the case. In fact the part with the two windows directly below and between the overhanging towers belongs to the original main building, and probably dates from 1504-1509. The part immediately adjacent to the west is an early nineteenth century regularization of some earlier parts, and contains part of ...
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Walter Liedtke
Walter Arthur Liedtke, Jr. (August 28, 1945 – February 3, 2015) was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. He was known as one of the world's leading scholars of Dutch and Flemish paintings. He died in the 2015 Metro-North Valhalla train crash. Early life Liedtke was born in Plainfield, New Jersey, and grew up in Livingston, New Jersey. Liedtke studied Art History, receiving a Bachelor of Arts degree in 1967 from Rutgers University in New Brunswick, New Jersey, a Master of Arts degree in 1969 at Brown University in Providence, Rhode Island. He received a Doctorate at the Courtauld Institute of Art in London. Liedtke said that his interest in Dutch paintings began because he was focused on images as a child from hours and hours of watching a lot of TV. He described his aesthetic as that of having a focus on how he responded to visual patterns compared to a more typical perspective focused on story and nar ...
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Rembrandt Research Project
The Rembrandt Research Project (RRP) was an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose was to organize and categorize research on Rembrandt van Rijn, with the aim of discovering new facts about this Dutch Golden Age painter and his studio. The project started in 1968 and was sponsored by NWO until 1998. Research continued until 2014. It was the authority on Rembrandt and had the final say in whether a painting is ''genuine''. The documentation generated by the project was transferred to the Netherlands Institute for Art History and renamed the Rembrandt Database. Results As a result of the project, which analyzed documentation, techniques, and forensic research on Rembrandt paintings from his early years in Leiden until his death, the number of signed Rembrandt ''self-portraits'' around the world has been reduced by half. Also, more paintings have been attributed to s ...
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Portraits By Rembrandt
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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