Portinari House Museum
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Portinari House Museum
Portinari may refer to: * Beatrice Portinari (1266–1290), muse of Dante * Candido Portinari (1903–1962), Brazilian painter * Giovanni Portinari (fl.1508-1572), Anglo-Italian military engineer * Tommaso Portinari (c.1424–1501), Florentine banker * Portinari Triptych, a painting by Hugo van der Goes * Portinari Chapel The Portinari Chapel (Italian: ''Cappella Portinari'') is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and ..., in the Basilica of Sant'Eustorgio, Milan {{disambiguation, surname Italian-language surnames ...
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Beatrice Portinari
Beatrice "Bice" di Folco Portinari (; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's ''Vita Nuova'', and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the ''Divine Comedy'' (''La Divina Commedia''), '' Paradiso'', and during the conclusion of the preceding ''Purgatorio''. In the ''Comedy'', Beatrice symbolises divine grace and theology. Biography Beatrice was the daughter of the banker Folco Portinari and was married to another banker, Simone dei Bardi. Dante claims to have met a "Beatrice" only twice, on occasions separated by nine years, but was so affected by the meetings that he carried his love for her throughout his life. The tradition that identifies Bice di Folco Portinari as the Beatrice loved by Dante is now widely, though not unanimously, accepted by scholars. Boccaccio, in his commentary on the ''Divine Comedy'', was the first ...
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Candido Portinari
Candido Portinari (December 29, 1903 – February 6, 1962) was a Brazilian painter. He is considered one of the most important Brazilian painters as well as a prominent and influential practitioner of the neo-realism style in painting. Portinari painted more than five thousand canvases, from small sketches to monumental works such as the Guerra e Paz panels, which were donated to the United Nations Headquarters in 1956. Portinari developed a social preoccupation throughout his oeuvre and maintained an active life in the Brazilian cultural and political worlds. Life and career Born to Giovan Battista Portinari and Domenica Torquato, Italian immigrants from Chiampo Vicenza, Veneto, in a coffee plantation near Brodowski, in São Paulo. Growing up on a coffee plantation of dark soil and blue sky, Portinari gained his inspiration from the homeland he loved. In the majority of his later paintings, murals and frescoes, he used the colour blue and many browns and reds because this was ...
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Giovanni Portinari
Giovanni Portinari (flourished 1526 – 1572) was an Italian military engineer who served several Tudor monarchs of England. He is most famous for organising the demolition of Lewes Priory in 1538 on the orders of Thomas Cromwell, the chief minister of King Henry VIII. Biography Little is known about Portinari's early life, but he was probably born in Florence, which was home to a number of prominent individuals with this surname, such as Beatrice Portinari and Tommaso Portinari. He was living in England by 1526, in which year he is recorded as one of the gentlemen pensioners of King Henry VIII (a position he retained until at least 1547), and in February 1537 he was formally naturalised as an English subject. Around the same time he further demonstrated his commitment to his new homeland by taking an English wife. In the late 1530s the Dissolution of the Monasteries got under way, and Portinari was hired by Thomas Cromwell, the king's chief minister and principal architect of ...
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Tommaso Portinari
Tommaso Portinari (c.1424? – 1501) was an Italian banker for the Medici bank in Bruges. He was a member of a prominent Florentine family, coming from Portico di Romagna, near Forlì; that family had included Dante's muse, Beatrice Portinari. His father was a Medici branch manager, and after his death in 1421, Tommaso and his orphaned brothers were taken in and raised in the household of Cosimo de Medici. Today he is mainly remembered for two significant commissions of Early Netherlandish paintings. Career Portinari was an employee in the Bruges branch for a very long time, more than 25 years, but never rose higher than assistant manager and factor, apparently at the insistence of Cosimo de Medici, who did not trust him (with, as it turned out, good reason). After Cosimo's death, he became general manager and shareholder in the branch at the age of 40. (His brothers had long been managers of the Milan branch of the bank.) When Francesco Sassetti's influence removed the lon ...
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Portinari Triptych
The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 304 cm, and is now in the Galleria degli Uffizi in Florence, Italy. This altarpiece is filled with figures and religious symbols. Of all the late fifteenth century Flemish artworks, this painting is said to be the most studied. History The work was commissioned for the church inside of one of the largest hospitals in Florence, hospital of Santa Maria Nuova by the Italian banker Tommaso Portinari, a descendant of the hospital's founder. Portinari lived for more than forty years in Bruges as a representative for the Medici family's bank. Portinari himself is depicted on the left panel with his two sons Antonio and Pigello; his wife Maria di Francesco Baroncelli is shown on the right panel with their daughter Margarita. All, except Pigello, are ac ...
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Portinari Chapel
The Portinari Chapel (Italian: ''Cappella Portinari'') is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and to house a silver shrine given by Archbishop Giovanni Visconti in 1340 containing the relic head of St. Peter of Verona, to whom the chapel is consecrated.‘Cappella Portinari’
Basilica di Sant’Eustorgio (official site).
The architect is unknown, the traditional attribution to Michelozzo having been succeeded with equal uncertainty by attributions to either or