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Porky's Hare Hunt
''Porky's Hare Hunt'' is a 1938 Warner Bros. ''Looney Tunes'' animated short film directed by Ben "Bugs" Hardaway and an uncredited Cal Dalton, which stars Porky Pig as a hunter whose quarry is a little white rabbit. The short was released on April 30, 1938. This cartoon marked the first appearance of the rabbit that would evolve into Bugs Bunny, who is barely recognizable compared to his more familiar later form. Bugs' first official appearance would come two years later in ''A Wild Hare''. Plot Several rabbits are eating carrots and ruining crops. Another rabbit warns them to evacuate by saying "Jiggers, fellers!" Soon, Porky and his dog meet this rabbit and try to outwit him in the forest. Porky and the rabbit get into a fight and the hare thinks he has won. However Porky finds the rabbit, who shows Porky a photo of himself and of how many children he has with his wife. When Porky is about to shoot him, the gun fails. After Porky attempts to shoot him, the rabbit asks Porky: ...
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Porky Pig
Porky Pig is an animated character in the Warner Bros. ''Looney Tunes'' and ''Merrie Melodies'' series of cartoons. He was the first character created by the studio to draw audiences based on his celebrity, star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles. He is known for his signature line at the end of many shorts, "Th-th-th-that's all, folks!" This slogan (without stuttering) had also been used by both Bosko and Buddy (Looney Tunes), Buddy and even Beans (Looney Tunes), Beans at the end of Looney Tunes cartoons. In contrast, the Merrie Melodies series used the slogan: ''So Long, Folks!'' until the mid-1930s when it was replaced with the same one used on the ''Looney Tunes'' series (when Bugs Bunny was the closing character, he would break ...
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Martha Sigall
Martha Goldman Sigall (April 17, 1917 – December 13, 2014) was an American inker and painter who worked in the Hollywood animation industry for 53 years. Sigall moved to California from Buffalo, New York, in 1926 and by chance lived around the corner from Leon Schlesinger's Pacific Title and Art company. From about the age of 12, she ran errands for the staff there and was put to work as an apprentice painter on July 13, 1936 at Leon Schlesinger Productions, home of Looney Tunes and Merrie Melodies. Sigall worked first as a cel painter, then later as an inker until 1944. After leaving Schlesinger, she worked for Graphic Films, a small animation house in Hollywood. Sigall went on to work for MGM studios in the cartoon unit, and then became an assistant in the camera room. She eventually compiled over fifty years in the business. Sigall wrote a memoir, ''Living Life Inside The Lines: Tales from the Golden Age of Animation'' (University Press of Mississippi, 2005). Her book explo ...
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The Andrews Sisters
The Andrews Sisters were an American close harmony singing group of the Swing music, swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andrews (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie Andrews (February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bistu Shein, Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso music, calypso. The Andrews Sisters' harmonies and songs a ...
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Bei Mir Bistu Shein
"Bei Mir Bistu Shein" ( yi, בײַ מיר ביסטו שעהן, or yi, בײַ מיר ביסטו שיין, , "To Me You're Beautiful") is a popular Yiddish song written by lyricist Jacob Jacobs and composer Sholom Secunda for a 1932 Yiddish language comedy musical, ''I Would If I Could'' (in Yiddish, ', "You could live, but they don't let you"), which closed after one season at the Parkway Theatre in Brooklyn, New York City. The score for the song transcribed the Yiddish title as "". The original Yiddish version of the song (in C minor) is a dialogue between two lovers. Five years after its 1932 composition, English lyrics were written for the tune by Sammy Cahn and Saul Chaplin, and the English version of the song became a worldwide hit when recorded by The Andrews Sisters under a Germanized spelling of the title, "", in November 1937. Neil W. Levin, a scholar of Jewish music, has contended that "Bei Mir Bistu Shein" is "the world's best-known and longest-reigning Yiddish th ...
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Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ...
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Woody Woodpecker
Woody Woodpecker is an animated character that appeared in theatrical short films produced by the Walter Lantz Studio and distributed by Universal Studios between 1940 and 1972. Woody, an anthropomorphic woodpecker, was created in 1940 by Lantz and storyboard artist Ben "Bugs" Hardaway, who had previously laid the groundwork for two other screwball characters, Bugs Bunny and Daffy Duck, at the Warner Bros. cartoon studio in the late 1930s. Woody's character and design evolved over the years, from an insane bird with an unusually garish design to a more refined looking and acting character in the vein of the later Chuck Jones version of Bugs Bunny. Woody was originally voiced by prolific voice actor Mel Blanc, who was succeeded in the shorts by Danny Webb, Kent Rogers, Dick Nelson, Ben Hardaway, and, finally, Grace Stafford (wife of Walter Lantz). Woody Woodpecker cartoons were first broadcast on television in 1957 under the title ''The Woody Woodpecker Show'', which featur ...
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Cartoon
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a '' cartoonist'', and in the second sense they are usually called an '' animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animate ...
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Andy Panda
Andy Panda is a cartoon character who starred in his own series of animated cartoon short subjects produced by Walter Lantz. These "cartunes" were released by Universal Pictures from 1939 to 1947, and United Artists from 1948 to 1949. The title character is an anthropomorphic cartoon character, a cute panda. Andy became the second star of the Walter Lantz cartoons after Oswald the Lucky Rabbit. He achieved considerable popularity until being eventually supplanted by Woody Woodpecker. History When Oswald the Lucky Rabbit retired in 1938, following a nine-year run, Walter Lantz's studio went for months without recurring characters. It wasn't until late 1937, when Lantz had a trip to a zoo. There, the main attraction of the place was a young panda which Lantz drew pictures of. He would then use his drawings to construct a new character. Andy's first cartoon was the aptly titled ''Life Begins for Andy Panda'' in 1939. (This was obvious wordplay on the perky titles of the popular An ...
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Knock Knock (1940 Cartoon)
''Knock Knock'' is a 1940 animated short subject, part of the ''Andy Panda'' series, produced by Walter Lantz. The cartoon is noted for being the first appearance of Woody Woodpecker, and was released by Universal Pictures on November 25, 1940. Plot The cartoon ostensibly stars Andy Panda (voice of Sara Berner) and his father, Papa Panda (voice of Mel Blanc), but it is Woody Woodpecker (voice of Blanc) who steals the show. Woody constantly pesters Papa Panda by pecking at his house roof, tempting him to try to kill the woodpecker with his shotgun. Andy, meanwhile, tries to sprinkle salt on Woody's tail in the belief that this will somehow capture the bird. To Woody's surprise, Andy's attempts prevail (comically, the mound of salt placed on Woody's tail is so heavy that he cannot run away), and in an ending very similar to Warner Bros.'s ''Daffy Duck & Egghead'', two other woodpeckers arrive to take Woody to the insane asylum but then prove to be crazier than he is. Production no ...
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Universal Pictures
Universal Pictures (legally Universal City Studios LLC, also known as Universal Studios, or simply Universal; common metonym: Uni, and formerly named Universal Film Manufacturing Company and Universal-International Pictures Inc.) is an American film production and distribution company owned by Comcast through the NBCUniversal Film and Entertainment division of NBCUniversal. Founded in 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour, Universal is the oldest surviving film studio in the United States; the world's fifth oldest after Gaumont, Pathé, Titanus, and Nordisk Film; and the oldest member of Hollywood's "Big Five" studios in terms of the overall film market. Its studios are located in Universal City, California, and its corporate offices are located in New York City. In 1962, the studio was acquired by MCA, which was re-launched as NBCUniversal in 2004. ...
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Walter Lantz
Walter Lantz (April 27, 1899 – March 22, 1994) was an American cartoonist, animator, producer and director best known for founding Walter Lantz Productions and creating Woody Woodpecker. Biography Early years and start in animation Lantz was born in New Rochelle, New York, to Italian immigrant parents Francesco Paolo Lantz (formerly Lanza) and Maria Jarvis (changed to Jarvis to avoid prejudice) from Calitri. According to Joe Adamson's biography ''The Walter Lantz Story'', Lantz's father was given his new surname by an immigration official who anglicized it. Walter Lantz was always interested in art, completing a mail-order drawing class at age 12. He was inspired when he saw Winsor McCay's animated short "Gertie the Dinosaur". While working as an auto mechanic, Lantz got his first break. Wealthy customer Fred Kafka liked his drawings on the garage's bulletin board and financed Lantz's studies at the Art Students League of New York. Kafka also helped him land a job as a ...
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