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Polydore De Keyser
''Polydore'' (''Polydorus'') is an opera by the French-Italian composer Jean-Baptiste Stuck, first performed at the Académie Royale de Musique (the Paris Opera) on 15 February 1720. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Simon-Joseph Pellegrin, is based on the Greek legend of Polydorus In Greek mythology, Polydorus (; grc, Πολύδωρος, i.e. "many-gift d) or Polydoros referred to several different people. *Polydorus, son of Phineus and Cleopatra, and brother of Polydector (Polydectus). These two sons by his first wife were ..., youngest son of King Priam of Troy, murdered by Polymestor, King of Thrace, for his treasure. Sources Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 page 537. French-language operas Tragédies en musique Operas by Jean-Baptiste Stuck Operas 1720 operas {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Stuck
Jean-Baptiste Stuck (also known by the single moniker "Baptistin," "Batistin" or "Battistin") (6 May 16808 December 1755) was an Italian-French composer and cellist of the Baroque era. Little is known of Stuck's early years. He was born at Livorno on the coast of Tuscany, came from a merchant family, and was the son of Giovanni-Giacomo Stuck and Barbera Hellerbeck. From 1702 he was in the service of Countess Lemos in Naples. Stuck wrote arias for the performance of the opera ''L'innocente inganno'' of Tomaso Albinoni, which was performed under the new title ''Rodrigo in Algieri'' on 10 December 1702 in Naples at the Teatro San Bartolimeo. Shortly thereafter Stuck moved to Paris. In 1705, he published the collection ''Für das Jahr 1701'' through the Ballard publishing house. In Paris, he was a member of the Chapelle royale and a cellist in the service of Philippe II, Duke of Orléans. In 1722, he led the cello in the opera orchestra, displacing the bass viol. In 1733 he received Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon-Joseph Pellegrin
The abbé Simon-Joseph Pellegrin (1663 – 5 September 1745) was a French poet and playwright, a librettist who collaborated with Jean-Philippe Rameau and other composers. Biography He was born at Marseille, the son of a ''conseiller'' to the Siège Présidial of the city. He was at first designated for an ecclesiastical career, from which he retained the courtesy title ''abbé''. Though he was for a time a novitiate of the Servites at Moustiers-Sainte-Marie, he soon embarked on a career as a ship's bursar. Returning to France in 1703, he settled in Paris and composed his earliest poems, among them an ''Epître à Louis XIV'', praising the Sun King's military successes, which gained the king's attention and the Académie française prize in 1704. Probably thanks to Madame de Maintenon, Pellegrin succeeded in escaping the urging of his superiors that he become more fully integrated with his order; instead a papal dispensation enabled him to enter the Cluniac order, whereupon he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polydorus (son Of Priam)
Polydorus or Polydoros (; grc, Πολύδωρος, i.e. "many-gift d) is the youngest son of Priam in the mythology of the Trojan War. While Homer states his mother is Laothoe, later sources state his mother is Hecuba. Polydorus is an example of the fluid nature of myth, as his role and story vary significantly in different traditions and sources. Mythology In the ''Iliad'' In Homer's Greek epic the ''Iliad'', Polydorus is depicted briefly as a foe to Achilles. According to this source, Polydorus was the youngest son of Priam, and thus his father would not let him fight. Achilles, however, sees him on the battlefield showing off his great speed running through the lines and spears him, ending his life. Seeing his brother Polydorus’ death causes Hector to challenge Achilles. In ''Hecuba'' and ''Metamorphoses'' In Euripides' tragedy '' Hecuba'', the ghost of Polydorus is a character, and his death is the cause of the main conflict of the play. Polydorus’ ghost p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priam
In Greek mythology, Priam (; grc-gre, Πρίαμος, ) was the legendary and last king of Troy during the Trojan War. He was the son of Laomedon. His many children included notable characters such as Hector, Paris, and Cassandra. Etymology Most scholars take the etymology of the name from the Luwian 𒉺𒊑𒀀𒈬𒀀 (Pa-ri-a-mu-a-, or “exceptionally courageous”), attested as the name of a man from Zazlippa, in Kizzuwatna. A similar form is attested transcribed in Greek as ''Paramoas'' near Kaisareia in Cappadocia. Some have identified Priam with the historical figure of Piyama-Radu, a warlord active in the vicinity of Wilusa. However, this identification is disputed, and is highly unlikely, given that he was known in Hittite records as being an ally of the Ahhiyawa against Wilusa. A popular folk etymology derives the name from the Greek verb , meaning 'to buy'. This in turn gives rise to a story of Priam's sister Hesione ransoming his freedom, with a golden veil that A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Baptiste Stuck
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
