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Polychord C Major And F Major
In music and music theory, a polychord consists of two or more chord (music), chords, one on top of the other. In shorthand they are written with the top chord above a line and the bottom chord below,Policastro, Michael A. (1999). ''Understanding How to Build Guitar Chords and Arpeggios'', p. 168. . for example F upon C: . The use of polychords may suggest polytonality, bitonality or polytonality. parallel harmony, Harmonic parallelism may suggest bichords. Examples may be found in Igor Stravinsky's ''Petrushka (ballet), Petrushka'', p. 15, and ''The Rite of Spring, Rite of Spring'', "Dance of the Adolescents" (1921) (see Petrushka chord). In the polychords in the image above, the first might suggest a thirteenth chord, the second may suggest a D minor ninth chord with upper extensions, but the octave separation of the 3rd makes the suggestion of two independent triads a minor ninth apart even more likely, and the fourth is a split-third chord. Extended chords contain m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polychord C Major And F Major
In music and music theory, a polychord consists of two or more chord (music), chords, one on top of the other. In shorthand they are written with the top chord above a line and the bottom chord below,Policastro, Michael A. (1999). ''Understanding How to Build Guitar Chords and Arpeggios'', p. 168. . for example F upon C: . The use of polychords may suggest polytonality, bitonality or polytonality. parallel harmony, Harmonic parallelism may suggest bichords. Examples may be found in Igor Stravinsky's ''Petrushka (ballet), Petrushka'', p. 15, and ''The Rite of Spring, Rite of Spring'', "Dance of the Adolescents" (1921) (see Petrushka chord). In the polychords in the image above, the first might suggest a thirteenth chord, the second may suggest a D minor ninth chord with upper extensions, but the octave separation of the 3rd makes the suggestion of two independent triads a minor ninth apart even more likely, and the fourth is a split-third chord. Extended chords contain m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upper Structure
In jazz, the term upper structure or "upper structure triad" refers to a voicing approach developed by jazz pianists and arrangers defined by the sounding of a major or minor triad in the uppermost pitches of a more complex harmony.Ellenberger, Kurt. ''Materials and Concepts in Jazz Improvisation'', p.20. Examples Example 1: Below, a common voicing used by jazz pianists is given for the chord C79 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E and B are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C79 chord. In the upper stave the notes E, G, and B are given together: these form an E major triad. This E major triad is what would be called the upper structure. Considered in relation to the root C, the notes of this E major triad function, respectively, as the sharpened ninth (the root of the E major chord), fifth, and seventh in relation to that root. (Note: th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quartal And Quintal Harmony
In music, quartal harmony is the building of harmonic structures built from the intervals of the perfect fourth, the augmented fourth and the diminished fourth. For instance, a three-note quartal chord on C can be built by stacking perfect fourths, C–F–B. : Quintal harmony is harmonic structure preferring the perfect fifth, the augmented fifth and the diminished fifth. For instance, a three-note quintal chord on C can be built by stacking perfect fifths, C–G–D. : Properties Use of the terms ''quartal'' and ''quintal'' arises from a contrast, compositional or perceptual, with traditional tertian harmonic constructions. Listeners familiar with music of the European common practice period perceive tonal music as that which uses major and minor chords and scales, wherein both the major third and minor third constitute the basic ''structural elements'' of the harmony. Regarding chords built from perfect fourths alone, composer Vincent Persichetti writes that: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tertian
In music theory, ''tertian'' ( la, tertianus, "of or concerning thirds") describes any piece, chord, counterpoint etc. constructed from the intervals of (major and minor) thirds. An interval such as that between the notes A and C encompasses 3 semitone intervals (A-B-B-C) and is termed a minor third while one such as that between C and E encompasses 4 semitones (C-D-D-E-E) and is called a major third. Tertian harmony (also called tertiary harmony ) principally uses chords based on thirds; the term is typically used to contrast with quartal and quintal harmony which uses chords based on fourths or fifths. A common triad chord can be regarded as consisting of a "stack" of two consecutive thirds. This allows for four permutations, each producing a chord with distinct quality: A musical scale may also be analyzed as a succession of thirds. The meantone temperament, a system of tuning that emphasizes pure thirds, may be called "tertian". Chords built from sixths may also b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secundal
In music or music theory, secundal is the quality of a chord made from seconds, and anything related to things constructed from seconds such as counterpoint. Secundal chords are often called tone clusters more generally, especially when non-diatonic. " nythree or more pitches in secundal relationship may correctly be referred to as a tone cluster."Kostka & Payne (1995). Tonal Harmony, p. 499. Third Edition. . Chords which may be considered as built from sevenths, because of musical inversion, are secundal. Polychords may create secundal chords. The secundal harmony in Ross Lee Finney's "Playing Tag" provides "accentuation and forward motion", as well as the basis for the "fragmentary melody": See also * Tertian * Quartal * Polychord In music and music theory, a polychord consists of two or more chords, one on top of the other. In shorthand they are written with the top chord above a line and the bottom chord below,Policastro, Michael A. (1999). ''Understanding How to Bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordioid
A chordioid, also called ''chord fragment'' or ''fragmentary voicing''Rawlins, Robert, et al. (2005) ''Jazzology: The Encyclopedia of Jazz Theory for All Musicians'', p. 86. Winona: Hal Leonard. . or ''partial voicing'', is a group of musical notes which does not qualify as a chord under a given chord theory, but still useful to name and reify for other reasons. The main use of chordioids is to form "legitimate" chords enharmonically in 12TET by adding one or more notes to this base.Slonimsky, Nicholas. (1947) ''Thesaurus of Scales and Melodic Patterns'', p. v. New York: Charles Scribner Sons. . It is typical of chordioids that many different resultant chords can be created from the same base depending on the note or combination of notes added. The resultant chords on a single chordioid are somewhat related, because they can be progressed between using motion of just one voice. Theorists – or practical music teachers – writing of chordioids usually go so far a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Avenue Beat Polychord
A park is an area of natural, semi-natural or planted space set aside for human enjoyment and recreation or for the protection of wildlife or natural habitats. Urban parks are green spaces set aside for recreation inside towns and cities. National parks and country parks are green spaces used for recreation in the countryside. State parks and provincial parks are administered by sub-national government states and agencies. Parks may consist of grassy areas, rocks, soil and trees, but may also contain buildings and other artifacts such as monuments, fountains or playground structures. Many parks have fields for playing sports such as baseball and football, and paved areas for games such as basketball. Many parks have trails for walking, biking and other activities. Some parks are built adjacent to bodies of water or watercourses and may comprise a beach or boat dock area. Urban parks often have benches for sitting and may contain picnic tables and barbecue grills. The largest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra Chord
The ''Elektra'' chord is a "complexly dissonant signature- chord"Lawrence Kramer. "Fin-de-siècle Fantasies: ''Elektra'', Degeneration and Sexual Science", ''Cambridge Opera Journal'', Vol. 5, No. 2. (Jul., 1993), pp. 141-165. and motivic elaboration used by composer Richard Strauss to represent the title character of his opera '' Elektra'' that is a "bitonal synthesis of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds,H. H. Stuckenschmidt; Piero Weiss. "Debussy or Berg? The Mystery of a Chord Progression", ''The Musical Quarterly'', Vol. 51, No. 3. (Jul., 1965), pp. 453-459. in this case an eleventh chord. It is enharmonically equivalent to a 7#9 chord : D-F-A-C-E and a 6b9 chord : E-G#-B-C#-F. In ''Elektra'' the chord, Elektra's "harmonic signature" is treated various ways betraying "both tonal and bitonal leanings...a dominant 4/2 over a nonharmonic bass." It is associated as well with its seven note comple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-bop
Post-bop is a genre of small-combo jazz that evolved in the early to mid 1960s in the United States. Pioneers of the genre, such as Miles Davis, Charles Mingus, Wayne Shorter, Herbie Hancock, John Coltrane and Jackie McLean, crafted syntheses of hard bop with contemporaneous developments in avant-garde jazz, modal jazz and free jazz that resulted in music with a complex and experimental flavor though still rooted in bop tradition, featuring less of the blues and soul leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and fusion musicians. Definition Post-bop refers to a body of music that emerged in the late 1950s and 60s that combined principles of bebop, hard bop, modal jazz, avant-garde and free jazz, but also departed from earlier traditions in jazz. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
