|
Polonaise-Fantaisie
The Polonaise-fantaisie in A-flat major, Op. 61, is a composition for piano by Frédéric Chopin. It was dedicated to Mme A. Veyret, written and published in 1846. This work was slow to gain favour with musicians, due to its harmonic complexity and intricate form. Arthur Hedley was one of the first critics to speak positively of the work, writing in 1947 that it "works on the hearer's imagination with a power of suggestion equaled only by the F minor Fantasy or the fourth Ballade", although Arthur Rubinstein, Leff Pouishnoff, Claudio Arrau and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm, and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantaisie
A fantasia (; also English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most important composers in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1846 Compositions
Events January–March * January 5 – The United States House of Representatives votes to stop sharing the Oregon Country with the United Kingdom. * January 13 – The Milan–Venice railway's bridge, over the Venetian Lagoon between Mestre and Venice in Italy, opens, the world's longest since 1151. * February 4 – Many Mormons begin their migration west from Nauvoo, Illinois, to the Great Salt Lake, led by Brigham Young. * February 10 – First Anglo-Sikh War: Battle of Sobraon – British forces defeat the Sikhs. * February 18 – The Galician slaughter, a peasant revolt, begins. * February 19 – United States president James K. Polk's annexation of the Republic of Texas is finalized by Texas president Anson Jones in a formal ceremony of transfer of sovereignty. The newly formed Texas state government is officially installed in Austin. * February 20– 29 – Kraków uprising: Galician slaughter – Polish nationalists stage an uprising in the Free City of Kraków; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaises By Frédéric Chopin
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embers (novel)
''Embers'' is a 1942 novel by the Hungarian writer Sándor Márai. Its original Hungarian title is ''A gyertyák csonkig égnek'', which means "Candles burn until the end". The narrative revolves around an elderly general who invites an old friend from military school for dinner; the friend had disappeared mysteriously for 41 years, and the dinner begins to resemble a trial where the friend is prosecuted for his character traits. The book was published in English in 2001. Reception Anna Shapiro reviewed the book for ''The Observer'' in 2002, and wrote: "Elegiac, sombre, musical, and gripping, Embers is a brilliant disquisition on friendship, one of the most ambitious in literature." Shapiro continued: "About a milieu and values that were already dying before the outbreak of World War II, it has the grandeur and sharpness of Jean Renoir's 1937 movie masterpiece ''La Grande Illusion'', with which it shares, in both oblique and pronounced ways, some of its substance." Stage play In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of The American Musicological Society
The ''Journal of the American Musicological Society'' is a peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by facult ... and covers all aspects of musicology. The ''Journal of the American Musicological Society'' has been published three times a year since 1948. It was preceded by the annual ''Bulletin of the American Musicological Society'' (1936–1947) and the annual ''Papers of the American Musicological Society'' (1936–1941). Online versions of the journal and its predecessors are available at JSTOR and the University of California Press. External links * {{Official website, 1=http://www.ucpressjournals.com/journal.asp?j=jams Publications e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeffrey Kallberg
Jeffrey Kallberg (born 17 October 1954) is an American musicologist, who specializes 19th and 20th-century classical music, as well as topics in critical theory and gender studies related to music. He has written numerous articles and studies the life and works of the composer Frédéric Chopin, who is the subject of much of his research. Life and career Jeffrey Kallberg was born on 17 October 1954 in Glencoe, Minnesota, US. He received a Bachelor of Arts at the University of California, Los Angeles in 1975 and Master of Arts at the University of Chicago in 1978. Since 1982, Kallberg has been on the faculty of the University of Pennsylvania, where be became an associate professor in 1987. Throughout his career he has held visiting professorships at the State University of New York, Harvard University and Princeton University. Kallberg's research includes 19th and 20th-century classical music, as well as topics relating to critical theory and gender studies in music. In pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgi Latso
Giorgi Latso (born Giorgi Latsabidze, ka, გიორგი ლაცაბიძე, ; 15 April 1978) is a Georgian-American concert pianist, film composer, arranger, adjudicator, improviser and Doctor of Musical Arts. He is listed on the list of famous alumni from USC Thornton School of Music. Latso has won several international piano competitions and awards. He is best known for his interpretations of Chopin and Debussy. His concerts have been broadcast on radio and television in Europe, Asia, and the Americas. Latso has served on the faculty of many of the most prestigious festivals and is increasingly in demand for his insightful masterclasses at leading universities across the globe. Many of his students are prize winners of international piano competitions. He currently resides in Los Angeles, California. Early life and studies Latso was born in Tbilisi (Georgia) where he started studying the piano at the age of six. He made his public debut at age eight. He was admitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
