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Poliziotteschi Films
Poliziotteschi (; singular ''poliziottesco'') constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s. They are also known as ''polizieschi all'italiana'', ''Euro-crime'', ''Italo-crime'', ''spaghetti crime films'', or simply ''Italian crime films''. Influenced by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films, poliziotteschi films were made amidst an atmosphere of socio-political turmoil in Italy known as Years of Lead and increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system. Etymology of the noun In Italian, ''poliziesco'' is the grammatically correct Italian adjective (resulting f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milano Calibro 9 (Ugo Piazza)
''Milano calibro 9'' is a 1969 short story collection by the Italian writer Giorgio Scerbanenco. It contains 22 stories concerned with the underworld of Milan. The book has been translated to French and Spanish. Contents # Milan by Calibro 9 # Basta col cianuro # Preludio per un massacro estivo # In pineta si uccide meglio # Spara che ti passa # Stazione centrale ammazzare subito # Minorenne da bruciare # Conoscerei scopo matrimonio # Una signorina senza rivoltella # Non si vive di solo poker # Piccolo Hotel per sadici # Quando una donna piace forte # Bravi ragazzi bang bang # Strangolare ma non troppo # Ubbidire o morire # Vietato essere felici # A Porta Venezia con paura # Come è fatto un mostro? # La giustizia quasi arriva ad Arzavò # Il nodo Luisa # La vendetta è il miglior perdono # Ricordati Cuore Infranto Adaptations Stories from book were the basis for the 1972 film ''Caliber 9'', directed by Fernando Di Leo, and the 1976 film ''Young, Violent, Dangerous'', directed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Lizzani
Carlo Lizzani (3 April 1922 – 5 October 2013) was an Italian film director, screenwriter and critic. Biography Born in Rome, before World War II Lizzani worked as a scenarist on such films as Roberto Rossellini's ''Germany Year Zero'', Alberto Lattuada's '' The Mill on the Po'' (both 1948) and Giuseppe De Santis' ''Bitter Rice'' (1949), for which he received an Academy Award nomination for Best Original Story. After directing documentaries, he debuted as a feature director with the admired World War II drama ''Achtung! Banditi!'' (1951). Respected for his awarded drama '' Chronicle of Poor Lovers'' (1954), he has proven a solid director of genre films, notably crime films such as '' The Violent Four'' (1968) and '' Crazy Joe'' (1974) or crime-comedy ''Roma Bene'' (1971). His film ''L'oro di Roma'' (1961) examined events around the final deportation of the Jews of Rome and the Roman roundup, ''grande razzia'', of October 1943. For his 1968 film ''Bandits in Milan'' he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1973 Oil Crisis
The 1973 oil crisis or first oil crisis began in October 1973 when the members of the Organization of Arab Petroleum Exporting Countries (OAPEC), led by Saudi Arabia, proclaimed an oil embargo. The embargo was targeted at nations that had supported Israel during the Yom Kippur War. The initial nations targeted were Canada, Japan, the Netherlands, the United Kingdom and the United States, though the embargo also later extended to Portugal, Rhodesia and South Africa. By the end of the embargo in March 1974, the price of oil had risen nearly 300%, from US to nearly globally; US prices were significantly higher. The embargo caused an oil crisis, or "shock", with many short- and long-term effects on global politics and the global economy. It was later called the "first oil shock", followed by the 1979 oil crisis, termed the "second oil shock". Background Arab-Israeli conflict Ever since the recreation of the State of Israel in 1948 there has been Arab–Israeli conflict in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exploitation Films
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-noir
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United Statesroughly from 1940 to 1960. The French term, ''film noir'', translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of ''film noir''. History " Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955. The term revived in general use beginning in the 1980s, with a revival of the style. The classic ''fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noir Film
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Godfather
''The Godfather'' is a 1972 American crime film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. It is the first installment in ''The Godfather'' trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss. Paramount Pictures obtained the rights to the novel for $80,000, before it gained popularity. Studio executives had trouble finding a director; the first few candidates turned down the position before Coppola signed on to direct the film but disagreement followed over casting several characters, in particular, Vito (Marlon Brando) and Michael (Al Pacino). Filmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mob Film
Mafia films—a version of gangster films—are a subgenre of crime films dealing with organized crime, often specifically with Mafia organizations. Especially in early mob films, there is considerable overlap with ''film noir''. Popular regional variations of the genre include Italian ''Poliziotteschi'', Chinese ''Triad films'', Japanese ''Yakuza films'', and Indian ''Mumbai underworld films''. History The American movie '' The Black Hand'' (1906) is thought to be the earliest surviving gangster film. In 1912, D. W. Griffith directed ''The Musketeers of Pig Alley'', a short drama film about crime on the streets of New York City (filmed, however, at Fort Lee, New Jersey) rumored to have included real gangsters as extras. Critics have also cited ''Regeneration'' (1915) as an early crime film. Though mob films had their roots in such silent films, the genre in its most durable form was defined in the early 1930s. It owed its innovations to the social and economic instability occasi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Cinema
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Wish (1974 Film)
''Death Wish'' is a 1974 American neo-noir vigilante action thriller film loosely based on the 1972 novel of the same title by Brian Garfield. Directed by Michael Winner, the film stars Charles Bronson as Paul Kersey, an architect who becomes a vigilante after his wife and daughter are attacked during a home invasion with his wife dying from her wounds. This was the first film in the ''Death Wish'' film series; it was followed eight years later with ''Death Wish II'' and other similar films. At the time of release, the film was criticized for its apparent support of vigilantism and advocating unlimited punishment of criminals. Allegedly, the novel denounced vigilantism, whereas the film embraced the notion. The film was a commercial success and resonated with the public in the United States, which was experiencing increasing crime rates during the 1970s. Plot Paul Kersey is a successful, middle-aged architect and family man who lives happily in Manhattan with his wife, Joann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serpico
''Serpico'' is a 1973 American neo-noir biographical crime drama film directed by Sidney Lumet and starring Al Pacino in the title role. The screenplay was adapted by Waldo Salt and Norman Wexler from the book of the same name written by Peter Maas with the assistance of its subject, Frank Serpico. The story details Serpico's struggle with corruption within the New York City Police Department during his eleven years of service, and his work as a whistleblower that led to the investigation by the Knapp Commission. Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnum Force
''Magnum Force'' is a 1973 American neo-noir vigilante action thriller film and the second to feature Clint Eastwood as maverick cop Harry Callahan after the 1971 film ''Dirty Harry''. Ted Post, who had previously worked with Eastwood on '' Rawhide'' and ''Hang 'Em High'', directed the film. The screenplay was written by John Milius and Michael Cimino (who later worked with Eastwood on ''Thunderbolt and Lightfoot''). The film score was composed by Lalo Schifrin. This film features early appearances by David Soul, Tim Matheson, and Robert Urich. At 122 minutes, it is the longest of the five ''Dirty Harry'' films. Plot After being acquitted of a mass murder on a legal technicality, mobster Carmine Ricca drives away from court in his limousine. While traveling on a city road, the driver is pulled over by a San Francisco Police Department (SFPD) motorcycle cop, who calmly guns down every man in the car. Inspector Harry Callahan visits the crime scene with his new partner, Earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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