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Polish Opera
Polish opera may be broadly understood to include operas staged in Poland and works written for foreign stages by Polish composers, as well as opera in the Polish language. The tradition reaches back to Italian language entertainments of the baroque. Romantic opera in Polish flourished alongside nationalism after the partition and is exemplified by the work of Stanisław Moniuszko. In the 20th century Polish opera was exported and composers such as Krzysztof Penderecki wrote operas in other languages ('' Ubu Rex'', ''Die Teufel von Loudun'') that were translated into Polish later. 17th century Operas were first performed in Poland during the Baroque era in the reign of Sigismund III Vasa (1587-1632). The king himself had no interest in the arts, but his son Władysław IV (reigned 1632-1648) was an enthusiast and patron of opera while he was still a prince. In 1625 Francesca Caccini wrote an opera for Władysław when she visited Italy. This opera, '' La liberazione di Rug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straszny Dwór
''The Haunted Manor'' ( pl, Straszny dwór) is an opera in four acts composed by Polish composer Stanisław Moniuszko in 1861–1864. The libretto was written by . Despite being a romance and a comedy, it has strong Polish patriotic undertones, which made it both popular with the Polish public and unpopular – to the point of being banned – by the Russian authorities of Congress Poland. It is considered Moniuszko's best opera and the greatest 19th-century Polish opera score. However, it is mostly unknown outside Poland. Background and reception The story represents both an idyllic view of life in a Polish country manor house, and at the same time an idealistic preoccupation with the patriotic duties of the soldier, the military virtues of courage, bravery, and readiness to take up arms against any enemy of the nation, and the importance of family honor. It presents in its opening scenes the obvious conflict between those patriotic aspirations on the one hand, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Władysław IV
Władysław is a Polish given male name, cognate with Vladislav. The feminine form is Władysława, archaic forms are Włodzisław (male) and Włodzisława (female), and Wladislaw is a variation. These names may refer to: Famous people Mononym * Włodzisław, Duke of Lendians (10th century) *Władysław I Herman (ca. 1044–1102), Duke of Poland * Władysław II the Exile (1105–1159), High Duke of Poland and Duke of Silesia *Władysław III Spindleshanks (1161/67–1231), Duke of Poland *Władysław Opolski (1225/1227-1281/1282), Polish duke *Władysław of Salzburg (1237–1270), Polish Roman Catholic archbishop *Władysław I the Elbow-high (1261–1333), King of Poland *Władysław of Oświęcim (c. 1275–1324), Duke of Oświęcim *Władysław of Bytom (c. 1277–c. 1352), Polish noble *Władysław of Legnica (1296–after 1352), Duke of Legnica *Władysław the Hunchback (c. 1303-c. 1352), Polish prince *Władysław the White (c. 1327–1388), Duke of Gniewkowo * Władysła ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August III
Augustus III ( pl, August III Sas, lt, Augustas III; 17 October 1696 5 October 1763) was King of Poland and Grand Duke of Lithuania from 1733 until 1763, as well as Elector of Saxony in the Holy Roman Empire where he was known as Frederick Augustus II (german: link=no, Friedrich August II). He was the only legitimate son of Augustus II the Strong, and converted to Roman Catholicism in 1712 to secure his candidacy for the Polish throne. In 1719 he married Maria Josepha, daughter of Joseph I, Holy Roman Emperor, and became Elector of Saxony following his father's death in 1733. Augustus was able to gain the support of Charles VI by agreeing to the Pragmatic Sanction of 1713 and also gained recognition from Russian Empress Anna by supporting Russia's claim to the region of Courland. He was elected king of Poland by a small minority on 5 October 1733 and subsequently banished the former Polish king Stanisław I. He was crowned in Kraków on 17 January 1734. Augustus was supportiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the Ore Mounta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elector Of Saxony
The Electorate of Saxony, also known as Electoral Saxony (German: or ), was a territory of the Holy Roman Empire from 1356–1806. It was centered around the cities of Dresden, Leipzig and Chemnitz. In the Golden Bull of 1356, Emperor Charles IV designated the Duchy of Saxe-Wittenberg an electorate, a territory whose ruler was one of the prince-electors who chose the Holy Roman emperor. After the extinction of the male Saxe-Wittenberg line of the House of Ascania in 1422, the duchy and the electorate passed to the House of Wettin. The electoral privilege was tied only to the Electoral Circle, specifically the territory of the former Duchy of Saxe-Wittenberg. In the 1485 Treaty of Leipzig, the Wettin noble house was divided between the sons of Elector Frederick II into the Ernestine and Albertine lines, with the electoral district going to the Ernestines. In 1547, when the Ernestine elector John Frederick I was defeated in the Schmalkaldic War, the electoral district and el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan III Sobieski
John III Sobieski ( pl, Jan III Sobieski; lt, Jonas III Sobieskis; la, Ioannes III Sobiscius; 17 August 1629 – 17 June 1696) was King of Poland and Grand Duke of Lithuania from 1674 until his death in 1696. Born into Polish nobility, Sobieski was educated at the Jagiellonian University and toured Europe in his youth. As a soldier and later commander, he fought in the Khmelnytsky Uprising, the Russo-Polish War and during the Swedish invasion known as the Deluge. Sobieski demonstrated his military prowess during the war against the Ottoman Empire and established himself as a leading figure in Poland and Lithuania. In 1674, he was elected monarch of the Polish–Lithuanian Commonwealth following the sudden and unexpected death of King Michael. Sobieski's 22-year reign marked a period of the Commonwealth's stabilization, much needed after the turmoil of previous conflicts. Popular among his subjects, he was an able military leader, most famous for his victory over the Turks a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michał Korybut Wiśniowiecki
Michael I ( pl, Michał Korybut Wiśniowiecki, lt, Mykolas I Kaributas Višnioveckis; 31 May 1640 – 10 November 1673) was the ruler of the Polish–Lithuanian Commonwealth as King of Poland and Grand Duke of Lithuania from 29 September 1669 until his death in 1673. Michael was chosen partly because of the merit of his father, prince Jeremi Wiśniowiecki, a powerful border magnate who had helped suppress the Cossacks in eastern Poland during the Khmelnytsky Uprising. After Michael's early death, these setbacks were reversed at the Battle of Khotyn in 1673 by his successor, John III Sobieski, who defeated an Austrian candidate in the election. In 1670 Michael I was married to Eleonora Maria of Austria (1653–1697), daughter of Ferdinand III, Holy Roman Emperor, by his third wife Eleonora Gonzaga. Biography Michael was the son of Jeremi Wiśniowiecki and his wife Gryzelda Konstancja Zamoyska. His parents likely met each other in September 1637 in Warsaw during the crownin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan II Kazimierz
John II Casimir ( pl, Jan II Kazimierz Waza; lt, Jonas Kazimieras Vaza; 22 March 1609 – 16 December 1672) was King of Poland and Grand Duke of Lithuania from 1648 until his abdication in 1668 as well as titular King of Sweden from 1648 until 1660. He was the first son of Sigismund III Vasa with his second wife Constance of Austria. John Casimir succeeded his older half-brother, Władysław IV Vasa. As a prince, John Casimir embarked at Genoa for Spain in 1638 to negotiate a league with Philip IV against France, but was captured by Cardinal Richelieu and imprisoned at Vincennes where he remained for two years. He was released when his brother, Władysław IV, promised never to wage war against France. John Casimir then travelled extensively throughout western Europe and entered the order of Jesuits in Rome in 1643. He was made cardinal by Innocent X, however, after returning to Poland, he became a layman and succeeded his brother in 1648. His reign commenced amid the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Per Musica
Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''drama for music'' was conveyed through the Italian Greek-rooted word ''melodramma'' (from μέλος = song or music + δρᾶμα = scenic action). ''Dramma per musica'' never meant "drama ''through'' music", let alone music drama. A ''dramma per musica'' was thus originally (in Italy in the 17th century) a verse drama specifically written for the purpose of being set to music, in other words a libretto for an opera, usually a serious opera (a libretto meant for opera buffa, i.e. comic opera, would have been called a ''dramma giocoso''). By extension, the term came to be used also for the opera or operas which were composed to the libretto, and a variation, ''dramma in musica'', which emphasised the musical element, was sometimes preferre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
