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Polina Pasztircsák
Polina Pasztircsák (international spelling: Pastirchak; born 24 September 1982) is a Hungarian opera and concert singer (soprano). Biography Education and early career Pastirchak was born in Budapest as the second daughter of a Hungarian father and a Russian mother. Her parents are designers, as well as her sister, Larisza Pasztircsák is the founder of the fashion label Mrs Herskin. Pastirchak began studying voice at the age of 19 with her first teacher, Julia Bikfalvy, in Budapest. In 2004, she won the Simandy National Singing Competition. She continued her musical studies in Italy as a pupil of Mirella Freni. In 2010, she completed her degree in Conservatorio Girolamo Frescobaldi in Ferrara. In addition to her musical studies, she attained a degree in Cultural Management at the West Hungarian University. She works on her repertoire with vocal coaches Carol Richardson-Smith and Jeffrey Smith, as well as on her Liedrepertoire with Jan Philip Schulze in Hannover. In 2007, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dove Sono
"" (Where are hose happy moments is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera ''Le nozze di Figaro'' (''The Marriage of Figaro''). Countess Almaviva laments, in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him. In the aria, she calmly remembers moments of love, and hopes, with increasing agitation, that her persistence may make him love her again. It is frequently performed in recitals and featured in anthologies of vocal music for lyric soprano. Context Mozart composed ''Le nozze di Figaro'' in 1786, in his first collaboration with Lorenzo Da Ponte, based on the play (The Mad Day, or The Marriage of Figaro) by Beaumarchais. "Dove sono" is an aria of Countess Rosina from the third act, preceded by a recitative, "" (Susanna's not come!). Alone on stage, the Countess regrets in the recitative that her husband, Count Almaviva, who had wooed her energetically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erkel Theatre
The Erkel Theatre is a theatre in Budapest, Hungary. Being the largest public building in the city for decades (and the largest theatre in the city), it was made part of the Hungarian State Opera House in 1951. History With the idea of bringing opera to the masses for cheap, originally named Népopera (The People's Opera), the theatre was planned and built by the Népopera JSC (funded largely by the Budapest city council). The council provided the plot for free, but in return it regulated the theatre's operation: among other requirements, it had to employ a permanent Hungarian company, and the language of the plays had to be Hungarian. Designed by Dezső Jakab, Marcell Komor and Géza Márkus, the theatre was completed in 9 months. Equipped with modern machinery, including an organ, it had a 14 wide and 8.5 meter tall stage. The auditorium was similarly large, with a size of 40x10 meters. Intended for the working masses, the theatre was simplistic in style, except for a lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwetzingen Festival
The Schwetzingen Festival (German: Schwetzinger Festspiele, now Schwetzinger SWR Festspiele) is an early summer festival of opera and other classical music presented each year from May to early June in Schwetzingen, Germany. In 1952, the broadcaster Süddeutscher Rundfunk founded the festival in the Schwetzingen area. It is located in a beautiful 250-year-old palace and park, Schwetzingen Castle, near the famous city of Heidelberg. The main venue is the historic Schlosstheater Schwetzingen. Nowadays, the successor organization is the Südwestrundfunk (SWR) and it organises many international concerts and music theatre events every year. List of major premieres and rediscoveries One of the festival's characteristics is the world premiere of a new opera, as well as at least one rediscovered opera from former centuries, performed on period instruments. Concerts Concerts have featured well-known artists such as Gidon Kremer, Jorge Bolet and Cecilia Bartoli, as well as young artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veremonda
''Veremonda, l'amazzone di Aragona'' (''Veremonda, the Amazon of Aragon''; also known as ''Il Delio'') is an opera in three acts and a prologue by the Italian composer Francesco Cavalli. The libretto is by Giulio Cicognini with revisions by Giulio Strozzi. The date of the Venetian performance is uncertain. Performance history The Venetian libretto indicates 28 January 1652 but this could refer also to 1653 if the Venetian calendar applied (where the new year began on March 1). The opera was also performed at the Nuovo Teatro del Palazzo Reale in Naples on 21 December 1652, to celebrate the Spanish capture of Barcelona, which put an end to the revolt of Catalonia Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a ''nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the north ... (Naples was also a Spanish possession). Roles in the Venetian libre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Müpa Budapest
Müpa Budapest (between 2005 and 2015 ''Palace of Arts'' – ''Művészetek Palotája'' in Hungarian language, Hungarian) is a building in Ferencváros, Budapest, Hungary, officially opened in March 2005. It is located near Rákóczi Bridge and was designed by Zoboky, Demeter and Partners Architectural Office. The National Theatre (Budapest), National Theatre, which opened in 2002, is located next to it. Both Müpa Budapest and the National Theatre are part of the new Millennium City Center being created in Budapest. The structure of Müpa Budapest covers a ground area of 10,000 m² and the total floor space of the building is 70,000 m². It received the Prix d’Excellence of FIABCI in 2006. The general manager is Csaba Kael. Performing arts and other facilities * Béla Bartók, Bartók National Concert Hall is 25 m high, 25 m wide and 52 m long, providing a total capacity for 1,699 people. The concert hall features acoustics designed by Russell Johnson (acoustician), Russel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daphne (opera)
''Daphne'', Op. 82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's ''Metamorphoses'' and includes elements taken from ''The Bacchae'' by Euripides. Performance history The first performance of the opera took place at the Semperoper in Dresden on 15 October 1938. It was originally intended as a double bill with Strauss' ''Friedenstag'', but as the scale of ''Daphne'' grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated. The United States premiere of the opera was performed on October 10, 1960 in a concert version at Town Hall in Manhattan with Gloria Davy in the title role, Florence Kopleff as Gaea, Robert Nagy as Leukippos, Jon Crain as Apollo, Lawrence Davidson as Peneios, and The Little Orchestra Society under conductor Thomas Scherman. Roles Synopsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
