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Polifemo (opera)
''Polifemo'' is an opera in three acts by Nicola Porpora with a libretto by Paolo Rolli. The opera is based on a combination of two mythological stories involving the cyclops Polyphemus: His killing of Acis and his blinding by Ulysses. The last of five operas Porpora composed while residing in London, the opera premiered on 1 February 1735 at King's Theatre, and featured the famed castrato singers Farinelli and Senesino. ''Polifemo'' was Porpora's second-most popular opera, after his '' Arianna in Nasso''. Background The beginning of eighteenth-century saw the rise of Italian culture in London. Not only was Italian literature popular, but there was a "sudden craze for Italian opera". Among the many creative energies of Italian creators in the 18th century it was felt that opera best encapsulated the principles of neoclassicism. Italian opera had been presented in London as early as 1705 with Thomas Clayton's ''Arsinoe, Queen of Cyprus''. The success of George Frideric Handel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atis And Galathea (Pompeo Batoni) - Nationalmuseum - 23711
ATIS or Atis may refer to: Organizations *Adirondack Trail Improvement Society, a nonprofit organization for trail maintenance in the Adirondack High Peaks area *Alliance for Telecommunications Industry Solutions, a standards organization for the telecommunications industry *Allied Translator and Interpreter Section, a joint Australian/American intelligence agency that translated intercepted Japanese communications during World War II *Association of Translators and Interpreters of Saskatchewan, an organization of language professionals, see Canadian Translators, Terminologists and Interpreters Council Science and technology *Automatic Terminal Information Service (aircraft), a broadcast of recorded aeronautical information such as weather at airports *Automatic Transmitter Identification System (television), used for the station identification of television channels carried on analog satellite TV *Automatic Transmitter Identification System (marine), ship and transmitter pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aci, Galatea E Polifemo
Aci, Galatea e Polifemo ( HWV 72) is a dramatic cantata—also called a serenata—by George Frideric Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned by Duchess Donna Aurora Sanseverino for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and niece of Aurora Sanseverino.Hawks 2019 The Italian libretto was written by Nicola Giuvo, private secretary and literary adviser of Duchess Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera '' Acis and Galatea'', but Handel drew little on the music of the cantata when he returned to the story in 1718, although he did take care to introduce the half-lovable villain — the one-eyed giant Polyphemus — with another signature comic aria, faster and demanding virtuosity of a different kind than the one in ''Aci'' (see below), namely, "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subscription Business Model
The subscription business model is a business model in which a customer must pay a recurring price at regular intervals for access to a product or service. The model was pioneered by publishers of books and periodicals in the 17th century, and is now used by many businesses, websites and even pharmaceutical companies in partnership with the government. Subscriptions Rather than selling products individually, a subscription offers periodic (daily, weekly, bi-weekly, monthly, semi-annual, yearly/annual, or seasonal) use or access to a product or service, or, in the case of performance-oriented organizations such as opera companies, tickets to the entire run of some set number of (e.g., five to fifteen) scheduled performances for an entire season. Thus, a one-time sale of a product can become a recurring sale and can build brand loyalty. Industries that use this model include mail order book sales clubs and music sales clubs, private web mail providers, cable television, sate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George I Of Great Britain
George I (George Louis; ; 28 May 1660 – 11 June 1727) was King of Great Britain and Ireland from 1 August 1714 and ruler of the Electorate of Hanover within the Holy Roman Empire from 23 January 1698 until his death in 1727. He was the first British monarch of the House of Hanover as the most senior Protestant descendant of his great-grandfather James VI and I. Born in Hanover to Ernest Augustus and Sophia of Hanover, George inherited the titles and lands of the Duchy of Brunswick-Lüneburg from his father and uncles. A succession of European wars expanded his German domains during his lifetime; he was ratified as prince-elector of Hanover in 1708. After the deaths in 1714 of his mother Sophia and his second cousin Anne, Queen of Great Britain, George ascended the British throne as Anne's closest living Protestant relative under the Act of Settlement 1701. Jacobites attempted, but failed, to depose George and replace him with James Francis Edward Stuart, Anne's Catholi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Music (company)
The Royal Academy of Music was a company founded in February 1719, during George Frideric Handel's residence at Cannons, by a group of aristocrats to secure themselves a constant supply of opera seria. It is not connected to the London conservatoire with the same name, which was founded in 1822. It commissioned large numbers of new operas from three of the leading composers in Europe: Handel, Attilio Ariosti and Giovanni Bononcini. The Academy took the legal form of a joint-stock corporation under letters patent issued by George I of Great Britain for a term of 21 years with a governor, a deputy governor and at least fifteen directors. The (first) Royal Academy lasted for only nine seasons instead of twenty-one, but both the New or Second Academy and the Opera of the Nobility seem to have operated under its Royal Charter until the expiry of the original term. Handel was appointed as Master of the orchestra responsible not only for engaging soloists but also for adapting op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arsinoe, Queen Of Cyprus
''Arsinoe, Queen of Cyprus'' by Thomas Clayton was the first Italian-style opera (in English) to be staged in England. It premiered at the Theatre Royal, Drury Lane on 16 January 1705. There were various historical women named Arsinoe, but from the mid seventeenth-century the name became popular for fictional characters who, like the title-role of this opera, bore no relation to any of them. Introduction of Italian opera to London Clayton visited Italy and on his return staged a number of Italian singing and dancing interludes for the public at his house in York Buildings in 1703. Encouraged by the success of these ventures he decided to stage a full Italian-style opera in English. The libretto was originally written for the theatre in Bologna by in 1667 and performed in Venice in 1668 with music by Petronio Franceschini. (Stanzani had in fact plagiarised from ''La regina Floridea'', an opera staged in Milan). It was translated into English by Peter Anthony Motteux, who made a n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
