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Poi E
"Poi E" is a New Zealand 1984 number-one hit song by the group Pātea Māori Club off the album of the same name. Released in 1984, the song was sung entirely in the Māori language and featured a blend of Māori cultural practices in the song and accompanying music video, including Māori chanting, poi dancing, and the wearing of traditional Māori (garments). The song reached No 1 in New Zealand in each of the following 3 decades.Mitchell, Tony. "Kia Kaha! (Be Strong!): Maori and Pacific Islander Hip-hop in Aotearoa-New Zealand." In Global Noise: Rap and Hip-Hop Outside the USA, ed. Tony Mitchell, 280-305. Middletown: Wesleyan University Press, 2001. The song topped the New Zealand pop charts for four weeks and also became the biggest seller in New Zealand for 1984, "outselling all international recording artists.""The History." accessed 11 April 2008Poi-E home page. Today the song maintains its status as a cult classic in non-Māori New Zealand, as the group behind it, Pate ...
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Pātea Māori Club
Pātea Māori Club is a New Zealand cultural group and performance act formed in the South Taranaki District, South Taranaki town of Patea, Pātea in 1967 as the Pātea Methodist Māori Club. In 1983, the group began to release Māori language, Māori-language Pop music, pop and Hip hop music, hip hop music, produced by Dalvanius Prime with lyrics by Ngoi Pēwhairangi. Their first single, "Poi E", reached number one on the New Zealand top 50 singles of 1984, New Zealand top 50 singles chart in 1984. The group released further singles, such as "Aku Raukura", "Hei Konei Rā, Hei Konei Rā (Farewell)", and "E Papa", and toured the United Kingdom in 1984 and 1985. Prime had plans for a musical adaptation of "Poi E" and a separate children's animated film, however the death of Pēwhairangi in 1985 slowed progress for these projects. Eventually the group's album ''Poi E (album), Poi E'' was released in 1987, and the musical was performed in 1994. Prime died in 2002. The song's popula ...
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London Palladium
The London Palladium () is a Grade II* West End theatre located on Argyll Street, London, in the famous area of Soho. The theatre holds 2,286 seats. Of the roster of stars who have played there, many have televised performances. Between 1955 and 1969 ''Sunday Night at the London Palladium'' was held at the venue, which was produced for the ITV network. The show included a performance by The Beatles on 13 October 1963. One national paper's headlines in the following days coined the term "Beatlemania" to describe the increasingly hysterical interest in the band. While the theatre has a resident show, it is also able to host one-off performances, such as concerts, TV specials and Christmas pantomimes. It has hosted the Royal Variety Performance 43 times, most recently in 2019. In March 2020, the venue closed due to the COVID-19 pandemic's effect on the theatre industry, but reopened over four months later on 1 August 2020. Architecture Walter Gibbons, an early moving-pictures m ...
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Recording Industry Association Of New Zealand
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Record ...
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Stuff
Stuff, stuffed, and stuffing may refer to: *Physical matter *General, unspecific things, or entities Arts, media, and entertainment Books *''Stuff'' (1997), a novel by Joseph Connolly (author), Joseph Connolly *''Stuff'' (2005), a book by Jeremy Strong (author), Jeremy Strong Fictional character *A flying creature in the video game ''Kya: Dark Lineage'' Film *''The Stuff'', a 1985 horror/comedy film by Larry Cohen *Stuff (film), ''Stuff'' (film), a 1993 documentary about John Frusciante's life Illustration *Henry Wright (artist), Henry Wright (1849–1937), worked for ''Vanity Fair'' under the pseudonym "Stuff" Music *Stuff (Holly McNarland album), ''Stuff'' (Holly McNarland album), 1997 *Stuff (band), a 1970s-1980s fusion/rhythm and blues music group **Stuff (Stuff album), ''Stuff'' (Stuff album) *''Stuff'', a 1992 album by Bill Wyman *Stuff (song), "Stuff" (song), a 2000 single by Diamond Rio from the album ''One More Day'' *Stuff (Eleanor McEvoy album), ''Stuff'' (Eleanor ...
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New Zealand International Film Festival
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from ''Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront Ai ...
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African American Music
African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery that characterized the lives of African Americans prior to the American Civil War. Slavery and other impositions such as the Jim Crow laws shaped the world view of African Americans. Some of the globally most popular music types today, such as rock and roll, funk, jazz, rap, blues, hip-hop, and rhythm and blues were developed from the worldview of the African Americans who created and influenced these genres. It has been said that "every genre that is born from America has black roots." White slave owners sought to completely subjugate their slaves physically, mentally, and spiritually through brutal and demeaning acts. African Americans used music to counter this dehumanization. White Americans considered African Americans separate and ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ...
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Breakdancing
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured ...
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Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ...
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Boy (2010 Film)
''Boy'' is a 2010 New Zealand comedy-drama film, written and directed by Taika Waititi. The film stars James Rolleston, Te Aho Aho Eketone-Whitu, and Waititi. It is produced by Cliff Curtis, Ainsley Gardiner and Emanuel Michael and financed by the New Zealand Film Commission. In New Zealand, the film eclipsed previous records for a first week's box office takings for local production. ''Boy'' went on to become the highest-grossing New Zealand film at the local box office. The soundtrack to ''Boy'' features New Zealand artists such as The Phoenix Foundation, who previously provided music for Waititi's film ''Eagle vs Shark''. Plot In 1984, Alamein, known as Boy, is an 11-year-old living in Waihau Bay, in the Tairawhiti (Gisborne) region of New Zealand, on a small farm with his grandmother, younger brother Rocky, and several cousins. Boy spends his time dreaming of Michael Jackson, hanging out with his friends Dallas and Dynasty, trying to impress Chardonnay, a girl at his school, ...
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Prince Tui Teka
Tumanako "Tui" Teka (8 March 193723 January 1985), better known by his stage names Tui Latui or Prince Tui Teka was a Māori singer and actor. Teka was a member of the Maori Volcanics Showband before having a successful solo career. Career Teka was born in Ruatahuna, New Zealand near Te Urewera. His parents were both musicians, and he learnt to play the guitar and saxophone at a young age. He moved to Sydney in the early 1950s. In 1959, Teka, Jonny Nicol, and Mat Tenana joined the Royal Samoans and Maoris. The band was later renamed Prince Tui Latui & The Maori Troubadours. In 1968 he joined Maori Volcanics Showband, touring the Pacific for six years. In 1972 he began his solo career, and returned home releasing two albums: ''Real Love'' and ''Oh Mum'', as well as the Māori love song " E Ipo". In 1974 he met with Noel Tio; both Tui and Noel had known each other since 1958, so Noel Tio Enterprises Pty Ltd. became his Australian (only) manager for 11 years. Before his death ...
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