Pobre Diabla (Mexican TV Series)
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Pobre Diabla (Mexican TV Series)
''Pobre Diabla'' (Daniela) is a telenovela by TV Azteca in partnership with Venevision Continental, produced by Fides Velasco and starring Alejandra Lazcano, the presentation of Cristobal Lander in Mexico, Hector Arredondo, Leonardo Daniel, Rafael Sanchez Navarro and antagonistic involvement of Claudia Alvarez. It is adapted from telenovela ''Cara Sucia'' of Venezuela, which is also a version of the drama ''La Gata'', written by Ines Rodena. Plot Daniela (nicknamed La Diabla) and Santiago fall in love with other at first sight after knowing each other accidentally. At first the work of Daniela was to sell newspaper. Daniela is a beautiful girl, a rebel and a fighter, raised in one of the poorest neighborhoods; and Santiago, the son of millionaires, a young man who does not have any clear aims in his life. But not everything will be fine, as Santiago's family opposed the relationship, not only by social differences, but by a tragic past that surrounds them. The tragic past is the b ...
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Multicamera Setup
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film cameras, film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera. Description Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film editing, film or video editing. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart ...
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Leonardo Daniel
Leonardo Daniel (; born 26 July 1954) is a Mexican actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), li ... and director. His real name is Leonardo Daniel López de Rodas García. Family His parents were Lorenzo de Rodas and María Idalia. Filmography References External links * {{DEFAULTSORT:Daniel, Leonardo Living people 1954 births 20th-century Mexican male actors 21st-century Mexican male actors Mexican male film actors Mexican male telenovela actors Male actors from Mexico City Mexican people of Spanish descent ...
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TV Azteca Telenovelas
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival storag ...
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Mexican Telenovelas
Mexican may refer to: Mexico and its culture *Being related to, from, or connected to the country of Mexico, in North America ** People *** Mexicans, inhabitants of the country Mexico and their descendants *** Mexica, ancient indigenous people of the Valley of Mexico ** Being related to the State of Mexico, one of the 32 federal entities of Mexico ** Culture of Mexico *** Mexican cuisine *** historical synonym of Nahuatl, language of the Nahua people (including the Mexica) Arts and entertainment * "The Mexican" (short story), by Jack London * "The Mexican" (song), by the band Babe Ruth * Regional Mexican, a Latin music radio format Films * ''The Mexican'' (1918 film), a German silent film * ''The Mexican'' (1955 film), a Soviet film by Vladimir Kaplunovsky based on the Jack London story, starring Georgy Vitsin * ''The Mexican'', a 2001 American comedy film directed by Gore Verbinski, starring Brad Pitt and Julia Roberts Other uses * USS ''Mexican'' (ID-1655), United State ...
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2010 Mexican Television Series Endings
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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2009 Mexican Television Series Debuts
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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