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Plouton
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hades
Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side. The Etruscan god Aita and the Roman gods Dis Pater and Orcus were eventually taken as equivalent to Hades and merged into Pluto, a Latinisation of Plouton ( grc-gre, , Ploútōn), itself a euphemistic title often given to Had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persephone
In ancient Greek mythology and religion, Persephone ( ; gr, Περσεφόνη, Persephónē), also called Kore or Cora ( ; gr, Κόρη, Kórē, the maiden), is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by and marriage to her uncle Hades, the king of the underworld.Martin Nilsson (1967). ''Die Geschichte der Griechische Religion'' Vol I pp 462–463, 479–480 The myth of her abduction, her sojourn in the underworld, and her temporary return to the surface represents her functions as the embodiment of spring and the personification of vegetation, especially grain crops, which disappear into the earth when sown, sprout from the earth in spring, and are harvested when fully grown. In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutus
In ancient Greek religion and mythology, Plutus (; grc-gre, Πλοῦτος, Ploûtos, wealth) is the god and the personification of wealth, and the son of the goddess of agriculture Demeter and the mortal Iasion. Family Plutus is most commonly the son of Demeter and Iasion, with whom she lay in a thrice-ploughed field. He is alternatively the son of the fortune goddess Tyche.Aesop, ''Fables'413 Phaedrus 4.12">Phaedrus_(fabulist).html" ;"title="Phaedrus (fabulist)">Phaedrus 4.12 Two ancient depictions of Plutus, one of him as a little boy standing with a cornucopia before Demeter, and another inside the cornucopia being handed to Demeter by a goddess rising out of the earth, perhaps implying that he had been born in the Underworld, were interpreted by Karl Kerenyi to mean that Plutus was supposed to be the son of Hades and Persephone, the king and the queen of the Greek Underworld, Underworld, though no such version is attested in any primary source. In the arts In the phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleusinian Mysteries
The Eleusinian Mysteries ( el, Ἐλευσίνια Μυστήρια, Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Elefsina in ancient Greece. They are the "most famous of the secret religious rites of ancient Greece". Their basis was an old agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period.Dietrich (1975) ''The origins of Greek Religion''. Bristol Phoenix Press pp. 166, 167Walter Burkert. (1985)''Greek Religion''. Harvard University Press. p. 285 The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the ''descent'' (loss), the ''search'', and the ''ascent'', with the main theme being the ''ascent'' () of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Greece
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs." Most ancient Greeks recognized the twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. The worship of these deities, and several others, wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Hero
Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" (, ) refers to the mortal offspring of a human and a god. By the historical period, however, the word came to mean specifically a ''dead'' man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero. The grand ruins and tumuli (large burial mounds) remaining from the Bronze Age gave the pre-literate Greeks of the 10th and 9th centuries BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the ''Ili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genitive
In grammar, the genitive case (abbreviated ) is the grammatical case that marks a word, usually a noun, as modifying another word, also usually a noun—thus indicating an attributive relationship of one noun to the other noun. A genitive can also serve purposes indicating other relationships. For example, some verbs may feature arguments in the genitive case; and the genitive case may also have adverbial uses (see adverbial genitive). Genitive construction includes the genitive case, but is a broader category. Placing a modifying noun in the genitive case is one way of indicating that it is related to a head noun, in a genitive construction. However, there are other ways to indicate a genitive construction. For example, many Afroasiatic languages place the head noun (rather than the modifying noun) in the construct state. Possessive grammatical constructions, including the possessive case, may be regarded as a subset of genitive construction. For example, the genitive construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization
Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, and transcription, for representing the spoken word, and combinations of both. Transcription methods can be subdivided into ''phonemic transcription'', which records the phonemes or units of semantic meaning in speech, and more strict ''phonetic transcription'', which records speech sounds with precision. Methods There are many consistent or standardized romanization systems. They can be classified by their characteristics. A particular system’s characteristics may make it better-suited for various, sometimes contradictory applications, including document retrieval, linguistic analysis, easy readability, faithful representation of pronunciation. * Source, or donor language – A system may be tailored to romanize text from a particular lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dis Pater
Dis, DIS or variants may refer to: Arts and entertainment Music * ''Dis'' (album), by Jan Garbarek, 1976 * ''Dís'', a soundtrack album by Jóhann Jóhannsson, 2004 * "Dis", a song by The Gazette from the 2003 album '' Hankou Seimeibun'' * "dis–", music from Mika Arisaka from the anime series ''Infinite Ryvius'' Other uses in arts and entertainment * DIS (collective), a collaborative art project, and their ''DIS Magazine'' * '' Drowned in Sound'' (DiS), a British webzine * ''Dis – en historie om kjærlighet'', or '' A Story About Love'', a 1995 Norwegian film * ''Dis'', translated as ''In a Dark Wood'', a 2006 Dutch novel by Marcel Möring Businesses and organisations * The Walt Disney Company, NYSE stock symbol DIS * Daegu International School, in South Korea * Dili International School, in East Timor * Dubai International School, in the United Arab Emirates * Dominican International School, in Taipei, Taiwan Government and military * Defence Intelligence Staff, a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orcus
Orcus ( la, Orcus) was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. In the later tradition, he was conflated with Dis Pater. A temple to Orcus may once have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of oaths and a son of Eris. Origins The origins of Orcus may have lain in Etruscan religion. The so-called “Tomb of Orcus”, an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking a hairy, bearded giant for Orcus; it actually depicts a Cyclops. The Romans sometimes conflated Orcus with other gods such as Pluto, Hades, and Dis Pater, all gods of the underworld. The name “Orcus” seems to have been given to the malicious and punishing side of the ruler of the underworld, as the god who tormented evildoers in their afterlife. Like the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quest
A quest is a journey toward a specific mission or a goal. The word serves as a plot device in mythology and fiction: a difficult journey towards a goal, often symbolic or allegorical. Tales of quests figure prominently in the folklore of every nation and ethnic culture. In literature, the object of a quest requires great exertion on the part of the hero, who must overcome many obstacles, typically including much travel. The aspect of travel allows the storyteller to showcase exotic locations and cultures (an objective of the narrative, not of the character). The object of a quest may also have supernatural properties, often leading the protagonist into other worlds and dimensions. The moral of a quest tale often centers on the changed character of the hero. Quest objects The hero normally aims to obtain something or someone by the quest, and with this object to return home. The object can be something new, that fulfills a lack in their life, or something that was stolen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_480-460_BC_(Sk_1761)_1.JPG "Click for more on -> Persephone")
_Tomb_of_Orcus.jpg "Click for more on -> Orcus")
