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Please, Mrs. Henry
The liner notes for ''The Basement Tapes'' give the following personnel credits for all songs on the album: Bob Dylan – acoustic guitar, piano, vocals; Robbie Robertson – electric guitar, acoustic guitar, drums, vocals; Richard Manuel – piano, drums, harmonica, vocals; Rick Danko – electric bass, mandolin, vocals; Garth Hudson – organ, clavinet, accordion, tenor saxophone, piano; Levon Helm – drums, mandolin, electric bass, vocals. In his book ''Million Dollar Bash'', Sid Griffin analyzes each track and gives informed guesses about who is playing what, based on his insights into the six musicians' performance styles on various instruments, and his interviews with Robertson and engineer Rob Fraboni. Griffin's credits are listed below. All tracks by Bob Dylan and the Band were recorded in Woodstock, June to October 1967. Tracks by the Band are as indicated. Side one "Odds and Ends" Dylan – vocal; Robertson – electric guitar; Hudson – organ; Danko – bass, bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Basement Tapes
''The Basement Tapes'' is the sixteenth album by American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the recording and subsequent release of '' Blonde on Blonde'' and ''John Wesley Harding'', during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, ''The Basement Tapes'' marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975. During his 1965–1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was injured in a motorcycle accident in July 1966, four member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakety Yak
"Yakety Yak" is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for the Coasters and released on Atco Records in 1958, spending seven weeks as #1 on the R&B charts and a week as number one on the Top 100 pop list. This song was one of a string of singles released by the Coasters between 1957 and 1959 that dominated the charts, making them one of the biggest performing acts of the rock and roll era. Song The song is a "playlet," a word Stoller used for the glimpses into teenage life that characterized the songs Leiber and Stoller wrote and produced. The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager's response ("yakety yak") and the parents' retort ("don't talk back") — an experience very familiar to a middle-class teenager of the day. Leiber has said the Coasters portrayed "a white kid’s view of a black person’s conception of white society." The serio-comic street-smart "playlets" etched out by the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Along Came Jones (song)
"Along Came Jones" is a comedic song written by Jerry Leiber and Mike Stoller and originally recorded by the Coasters, in 1959 peaking at number 9 in the Billboard Hot 100 but covered by many other groups and individuals. The song Told from the perspective of a person watching television, the song tells of the interaction between a hero ("Jones"), a bad gunslinger ("Salty Sam") and a ranch owner ("Sweet Sue") on an unnamed television show. The television shows feature various " damsel in distress" scenarios, whereby Sam abducts Sue and places her in peril, intending to force her to give him the deed to her ranch or face a gruesome death: *In the first verse, the narrator watches Sam attempt to kill Sue by cutting her in half in an abandoned sawmill. *In the second verse, the narrator prepares a snack during a commercial break, and comes back to see Sam attempting to destroy Sue with dynamite in an abandoned mine. *In the third verse, apparently tired of the show, the narrator chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Coasters
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and " Young Blood" in 1957, their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame. History The Coasters were formed on October 12, 1955, when two of The Robins, a Los Angeles–based rhythm-and-blues group, joined Atlantic Records. They were dubbed The Coasters because they went from the west coast to the east. The Robins included Carl Gardner and Bobby Nunn. The original Coasters were Gardner, Nunn, Billy Guy, Leon Hughes (who was replaced by Young Jessie on a couple of their early Los Angeles recordings), and the guitarist Adolp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Records
Sun Records is an American independent record label founded by producer Sam Phillips in Memphis, Tennessee in February 1952. Sun was the first label to record Elvis Presley, Charlie Rich, Roy Orbison, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. Prior to that, Sun had concentrated mainly on African-American musicians because Phillips loved rhythm and blues and wanted to bring it to a white audience. On January 28, 2021, Sun Records was acquired by Primary Wave for $30 million. History Sam Phillips opened his Memphis Recording Service studio on January 3, 1950 at 706 Union Avenue in Memphis. It was founded with the financial aid of Jim Bulliet, one of many record executives for whom Phillips had scouted artists before 1952. In March 1951, Phillips produced "Rocket 88" by Jackie Brenston and his Delta Cats, who were actually Ike Turner and his Kings of Rhythm. Because of Turner's Delta blues connections, he was contracted by Phillips as a talent scout and he was effectivel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockabilly
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the Southern United States, South. As a genre it blends the sound of Western music (North America), Western musical styles such as country music, country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass music, bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "Hillbilly#Music, hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues. Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Shelton (critic)
Robert Shelton, born Robert Shapiro (June 28, 1926, Chicago, Illinois, United States – December 11, 1995, Brighton, England) was a music and film critic. Shelton helped to launch the career of a then-unknown 20-year-old Bob Dylan. In 1961, Dylan was performing at Gerdes Folk City in the West Village, one of the best-known folk venues in New York, opening for the bluegrass act the Greenbriar Boys. Shelton's positive review in ''The New York Times'' brought crucial publicity to Dylan and led to a Columbia recording contract. Track 2. Shelton had previously noted Dylan in a review for ''The New York Times'' of WRVR's live twelve-hour Hootenanny, July 29, 1961, at Riverside Church in Morningside Heights, Manhattan. "Among the newer promising talents deserving mention are a 20-year-old latter-day Guthrie disciple named Bob Dylan, with a curiously arresting mumbling, country-steeped manner." This was Dylan's first live radio performance. Biography Shelton was born in Chicago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Hoskyns
Barney Hoskyns (born 5 May 1959) is a British music critic and editorial director of the online music journalism archive Rock's Backpages. Biography Hoskyns graduated from Oxford with a first class degree in English. He began writing about music for ''Melody Maker'' and ''New Musical Express'', quitting his job as staff writer at ''NME ''to research a book about soul music. The result was ''Say It One Time For The Brokenhearted'' (1987). He went on to write more than fifteen books on musicians and music history. Hoskyns has written regularly on pop culture and the arts for British ''Vogue'', where for five years he was a Contributing Editor, and for ''The Times'', ''The Guardian'', ''The Independent'', ''The Observer'' and ''Arena magazine''. He has also contributed to ''Harper's Bazaar'', ''Interview magazine'', ''Spin magazine'' and ''Rolling Stone'', as well as to Amazon.com and CDNOW. Between 1993 and 1999, Hoskyns worked as Associate Editor and then U.S. Editor of ''Mojo mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clinton Heylin
Clinton Heylin (born 8 April 1960) is an English author who has written extensively about popular music and the work of Bob Dylan. Education Heylin attended Manchester Grammar School. He read history at Bedford College, University of London, followed by an MA in history at the University of Sussex. Work Heylin has written extensively on the life and work of Bob Dylan, combining interviews with discographical research. His full-length biography ''Dylan: Behind the Shades'' (1991) was republished in a revised second edition as ''Bob Dylan: Behind the Shades – Take Two'' (UK edition, 2000) and ''Bob Dylan: Behind the Shades Revisited'' (US edition, 2001). Heylin published a detailed analysis of every song by Dylan in two volumes: ''Revolution in the Air: The Songs of Bob Dylan: Vol. 1: 1957–73'' (2009) and ''Still on the Road: The Songs of Bob Dylan: Vol. 2: 1974–2008'' (2010). These books analyse 610 songs written by Dylan, devoting a numbered section to each song. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodstock, New York
Woodstock is a town in Ulster County, New York, United States, in the northern part of the county, northwest of Kingston, NY. It lies within the borders of the Catskill Park. The population was 5,884 at the 2010 census, down from 6,241 in 2000. History The first non-indigenous settler arrived around 1770, and the town of Woodstock was established in 1787. Later, territory from Woodstock was contributed to form the towns of Middletown (1789), Windham (1798), Shandaken (1804), and Olive (1853). Woodstock played host to numerous Hudson River School painters during the late 1800s. The Arts and Crafts Movement came to Woodstock in 1902, with the arrival of Ralph Radcliffe Whitehead, Bolton Brown and Hervey White, who formed the Byrdcliffe Colony. In 1906, L. Birge Harrison and others founded the Summer School of the Art Students League of New York in the area, primarily for landscape painting. Ever since, Woodstock has been considered an active artists colony. From 1915 th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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