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Planctus De Obitu Karoli
The ''Planctus (de obitu) Karoli'' ("Lament n the Deathof Charlemagne"), also known by its incipit ''A solis ortu'' (''usque ad occidua'') ("From the rising of the sun o the setting), is an anonymous medieval Latin ''planctus'' eulogising Charlemagne, written in accented verse by a monk of Bobbio shortly after his subject's death in 814. It is generally considered the earliest surviving ''planctus'', though its melody is written in tenth-century neumes, one of the earliest surviving examples of this sort of musical notation. The poem has been translated into English by Peter Godman. The authorship of the ''Planctus'' has been a matter of some dispute. Its author has been identified with Columbanus of Saint Trond, who, it is claimed, also wrote the '' Ad Fidolium'', a set of quantitative adonics. The ''Planctus'' appeared in a seventeenth-century manuscript compilation of the poems of Hrabanus Maurus under the subscription "Hymnus Columbani ad Andream episcopum de obitu Caroli", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distich
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin Poetry
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Empire
The Carolingian Empire (800–888) was a large Frankish-dominated empire in western and central Europe during the Early Middle Ages. It was ruled by the Carolingian dynasty, which had ruled as kings of the Franks since 751 and as kings of the Lombards in Italy from 774. In 800, the Frankish king Charlemagne was crowned emperor in Rome by Pope Leo III in an effort to transfer the Roman Empire from Byzantine Empire to Europe. The Carolingian Empire is considered the first phase in the history of the Holy Roman Empire. After a civil war (840–843) following the death of Emperor Louis the Pious, the empire was divided into autonomous kingdoms, with one king still recognised as emperor, but with little authority outside his own kingdom. The unity of the empire and the hereditary right of the Carolingians continued to be acknowledged. In 884, Charles the Fat reunited all the Carolingian kingdoms for the last time, but he died in 888 and the empire immediately split up. With the only r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Renaissance
The Carolingian Renaissance was the first of three medieval renaissances, a period of cultural activity in the Carolingian Empire. It occurred from the late 8th century to the 9th century, taking inspiration from the State church of the Roman Empire, Christian Roman Empire of the fourth century. During this period, there was an increase of literature, writing, visual arts, architecture, music, jurisprudence, liturgical reforms, and Religious text, scriptural studies. The movement occurred mostly during the reigns of Carolingian rulers Charlemagne and Louis the Pious. It was supported by the scholars of the Carolingian dynasty, Carolingian court, notably Alcuin, Alcuin of York. Charlemagne's ''Admonitio generalis'' (789) and ''De litteris colendis, Epistola de litteris colendis'' served as manifestos. The effects of this cultural revival were mostly limited to a small group of court ''intellectual, literati''. According to John Contreni, "it had a spectacular effect on education a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Columbanus
Columbanus ( ga, Columbán; 543 – 21 November 615) was an Hiberno-Scottish mission, Irish missionary notable for founding a number of monastery, monasteries after 590 in the Franks, Frankish and Lombards, Lombard kingdoms, most notably Luxeuil Abbey in present-day France and Bobbio Abbey in present-day Italy. Columbanus taught an Irish monastic rule and penitential practices for those repenting of sins, which emphasised private confession to a priest, followed by penances levied by the priest in reparation for the sins. Columbanus is one of the earliest identifiable Hiberno-Latin writers. Sources Most of what we know about Columbanus is based on Columbanus' own works (as far as they have been preserved) and Jonas of Bobbio, Jonas of Susa's ''Vita Columbani'' (''Life of Columbanus''), which was written between 639 and 641. Jonas entered Bobbio after Columbanus' death but relied on reports of monks who still knew Columbanus. A description of miracles of Columbanus written by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Pippini Regis Victoria Avarica
''Rythmus'' (or ''Carmen'') ''de Pippini regis Victoria Avarica'' ("Poem ongof king Pippin's Avar victory"), also known by its incipit as ''Omnes gentes qui fecisti'' ("All peoples whom you created"), is a medieval Latin encomium celebrating the victory of King Pepin of Italy over the Avars in the summer of 796. It is associated with an experimental trend of the Carolingian Renaissance and, though its author, probably a cleric, is unknown, is associated with the Veronese "school" of poets, one of whom, at the same time, produced the ''Versus de Verona'', praising the royal capital of Italy, where it and ''De Pippini'' were probably written.Godman, 31. ''De Pippini'' is usually classified as a "popular ballad", though it does not fit stereotypes of either popular or learned literature and has been likened more to a ''chanson de geste''. It contains some vulgarisms in grammar, orthography, syntax, style, and form, but much of its hybrid nature is probably purposed. Despite this, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Versus De Verona
The ''Versus de Verona'', also ''Carmen Pipinianum'' or ''Rhythmus Pipinianus'' (''Ritmo Pipiniano''), was a medieval Latin poetic encomium on the city of Verona, composed during the Carolingian Renaissance, between 795 and 806. It was modeled on the '' Laudes Mediolanensis civitatis'' (c.738), which is preserved today only in a Veronese manuscript. The anonymous ''Versus'' have been ascribed to Pacificus, archdeacon at Verona from 803 until his death in 846, but this ascription is unlikely.Peter Godman (1985), ''Latin Poetry of the Carolingian Renaissance'' (Norman: University of Oklahoma Press), 29–31 (analysis), 180–187 (poem, with translation). The poem consists of thirty-three strophes and three verses. Context and content Contextually, the ''Versus'' were composed in a city that had undergone a recent ecclesiastical reform—under its bishops Eginus (c.780) and Ratold (799)—and the establishment of an abbey and basilica dedicated to the patron Sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caelius Sedulius
Sedulius (sometimes with the Roman naming conventions#nomen, nomen Coelius or Caelius, both of doubtful authenticity) was a Christians, Christian poet of the first half of the 5th century. Biography Extremely little is known about his life. Sedulius is the Latin form of the Irish name Siadhal. The only trustworthy information is given by his two letters to Macedonius, from which we learn that he devoted his early life, perhaps as a teacher of rhetoric, to secular literature. Late in life he converted to Christianity, or, if a Christian before, began to take his faith more seriously. One medieval commentary states that he resided in Italy. He is termed a presbyter by Isidore of Seville and in the Gelasian decree. Works His fame rests mainly upon a long poem, ''Carmen paschale'', based on the four gospels. In style a bombastic imitator of Virgil, he shows, nevertheless, a certain freedom in the handling of the Biblical story, and the poem soon became a quarry for the minor poets. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainchant
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung without musical accompaniment. There are three types of chant melodies that plainsongs fall into, syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodox churches did not split until long after the origin of plainsong, Byzantine chants are generally not classified as plainson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paroxytone
Paroxytone ( el, παροξύτονος, ') is a linguistic term for a word with stress on the penultimate syllable, that is, the second last syllable, such as the English word ''potáto'', and just about all words ending in –ic such as músic, frántic, and phonétic; except for rhétoric, aríthmetic (noun) and Árabic. In Italian and Portuguese, most words have paroxytonic stress. In Polish, almost all words have paroxytonic stress, except for certain verb conjugations and a few words of foreign origin. In medieval Latin lyric poetry, a ''paroxytonic'' line or half-line is one in which the penultimate syllable is stressed, as in the second half of the verse "Estuans intrinsecus , , ira vehementi." Related terms are proparoxytone (stress on the third last syllable) and oxytone (accented on the last syllable). See also *Barytone *Oxytone *Penult *Perispomenon * Preantepenult *Proparoxytone *Properispomenon *Ultima (syllable) *Stress (linguistics) In linguistics, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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