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Pizzazz
''Pizzazz'' is the fifth album by American singer Patrice Rushen. Reception While she was attacked for leaving the jazz genre, Rushen was able to get a good fan base with an R&B/Pop audience. Rushen's profile in the R&B world continued to increase with ''Pizzazz'', her second album for Elektra Records and fifth overall. ''Pizzazz'' was her second highest-charting album, reaching #39 in 1979. It features the hit single " Haven't You Heard." The single soared to the top of R&B radio playlists and is among Rushen's biggest hits. With this album Rushen drew on such influences as Earth, Wind & Fire, Minnie Riperton, Stevie Wonder, and The Emotions. Rushen was able get the R&B lover's attention with songs such as the funky opener "Let the Music Take Me," the soulful ballad "Settle for My Love," and the perky "Keepin' Faith in Love." ''Pizzazz'' received plenty of attacks from jazz critics, who accused Rushen of being a traitor, but from an R&B/Pop perspective the album is considere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Gilstrap
James Earl Gilstrap (born November 10, 1946)''U.S. Public Records Index'' Vol 1 (Provo, UT: Ancestry.com Operations, Inc.), 2010. is an American singer, considered one of the most prolific session musicians in the industry. He is best known for his 1975 solo hit single "Swing Your Daddy", as well as singing co-lead to the theme from the TV series ''Good Times''. Career Gilstrap was born November 10, 1946, in Daingerfield, Texas to Jodie and Pearlie Mae (Tolbert) Gilstrap. He joined the U.S. Navy Reserve. He began his career in the music industry when he returned from serving in the Vietnam War. Early groups he worked with include the Doodletown Pipers and The Cultures. In the early 1970s, Gilstrap was one of the backing vocalists in Stevie Wonder's backing outfit, "Wonderlove", appearing on Wonder's albums, ''Talking Book'' and ''Innervisions''. Gilstrap sang the opening two lines of the Wonder song, "You Are the Sunshine of My Life" (with Lani Groves singing the next two lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrice (album)
''Patrice'' is the fourth, self-titled album by R&B singer Patrice Rushen. Reception This marked Patrice's first album with Elektra Records after making three jazz-oriented albums with Prestige Records. With this album, Rushen makes a switch from jazz to a more R&B/pop music style. The album was heavily criticized by jazz's hardcore audience and Rushen was accused of being a sellout. She was vilified in the jazz media due to this transition, as many believed that the reason for her transition was due to commercial reasons. In this album Patrice demonstrated that she could be an expressive, charming singer, and her writing on cuts range from the funky "Hang It Up" and the ballad "Didn't You Know?" to the socio-political "Changes (In Your Life)." With ''Patrice'', the Los Angeles native made it clear that she could appeal to the R&B and pop markets, just as her success as a jazz pianist/keyboardist. Her next album to be released would be '' Pizzazz''. The album got re-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrice Rushen
Patrice Louise Rushen (born September 30, 1954) is an American jazz pianist and R&B singer. She is also a composer, record producer, multi-instrumentalist, songwriter, and music director. Her 1982 single "Forget Me Nots" received a Grammy Award nomination for Best Female R&B Vocal Performance. The instrumental "Number One" from her album '' Straight from the Heart'' earned an additional Grammy nomination for best instrumental. Her 12th album ''Signature'' also received a Grammy nomination for best instrumental in 1998. Rushen also serves as an ambassador for artistry in education at the Berklee College of Music and the chair of the popular music program at the USC Thornton School of Music. Biography Rushen is the elder of two daughters born to Allen and Ruth Rushen. Patrice was three years old when she began playing the piano, and by the time she was six, she was giving classical recitals. In her teens, she attended Locke High School and later earned a degree in music from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Lee Brown
Raymond Lee Brown is an American trumpeter and flugelhornist. Brown was a longtime member of the Earth, Wind & Fire Horns. Influences Brown was born and raised in South Central Los Angeles. While in high school, Brown was friends with Gary Bias, Gerald Albright, Patrice Rushen, and Leon "Ndugu" Chancler. In the mid 1980s, he became a member of the Pan Afrikan Peoples Arkestra or "the Ark", of South Park, Los Angeles. During 1987 Brown joined Earth, Wind & Fire alongside two other members of the Ark, saxophonist Bias and trombonist Reggie Young. Before Earth, Wind & Fire, Brown was a member of Madagascar, a group composed of session musicians that recorded one album — ''Spirit of the Street'' — under the Arista label in 1981. Performances In 1997, Brown was a member of Whitney Houston's band on her Pacific Rim Tour. Brown was also the solo flugelhorn player for Yanni in 1995 (Yanni: Live at Royal Albert Hall). Brown gave a practically flawless flugelhorn performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynn Davis (singer)
Lynn Davis (born July 12, 1958) is an American singer, songwriter, musician, and record producer. She rose to prominence after joining The George Duke Band in 1977. During her time with the band, she sang lead vocals on some of their biggest hits: "I Want You for Myself", "Party Down", and "Thief in the Night". Under the guidance of Epic Records musician and mentor George Duke, Davis continued booking success by contributing background vocals and writing songs for many singers including Tracie Spencer, La Toya Jackson, Patrice Rushen, Anita Baker, and many other singers.Lynn Davis Discography Discogs. Retrieved on December 12, 2015 Davis's musical genre has varied throughout her career including R&B, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haven't You Heard (Patrice Rushen Song)
"Haven't You Heard" is a song by Patrice Rushen. It became her first international hit in 1980. The song reached #42 on the U.S. ''Billboard'' Hot 100 and #7 R&B. It also reached #62 in the UK. Reception In 2018, Pitchfork A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves. The term is also applied colloquially, but inaccurately, to ... ranked "Haven't You Heard" #199 on its list of ''The 200 Best Songs of the 1970s'', calling it "a formally perfect expression of disco. This kind of intimacy, personified by the whispery translucence of Rushen's voice, is just as easily exported to the dance floor." Chart history References External links * 1980 songs 1980 singles Patrice Rushen songs Songs written by Patrice Rushen Elektra Records singles {{1980s-pop-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Summers (musician)
Bill Summers (born June 27, 1948) is a New Orleans based Afro-Cuban jazz/Latin jazz percussionist, a multi-instrumentalist who plays primarily on conga drums. Career During the 1990s, Summers played with Los Hombres Calientes along with co-leader of the group, trumpeter Irvin Mayfield and Jason Marsalis. However, Summers has a much longer musical career, often working behind the scenes on film scores for various movies such as ''The Color Purple'' and the television miniseries ''Roots'' with Quincy Jones. He also played with Herbie Hancock during The Headhunters years, and is mentioned in passing by the liner notes of The Headhunters' 2003 release ''Evolution Revolution'' as contributing to that recording. His former wife is Yvette Bostic-Summers, who often sings on Los Hombres' albums. Discography As leader * ''Feel the Heat'' (Prestige, 1977) * ''Cayenne'' (Prestige, 1977) * ''Straight to the Bank'' (Prestige, 1978) * ''On Sunshine'' (Prestige, 1979) * ''Call it What You Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gadson
James Gadson ( James Edward Gadson; born June 17, 1939) is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter. Career Born in Kansas City, Missouri, Gadson played with the first line-up of Charles Wright's Watts 103rd Street Rhythm Band, and recorded three albums with them between 1968 and 1970. Along with other members of Wright's band, he went on to appear on many hit records, including with Dyke & the Blazers. Gadson started to become well known as a drummer following the release of the album ''Still Bill'' by Bill Withers, released by Sussex Records in 1972. He played on The Temptations album ''1990'', released on the Motown label in 1973. In 1975, he played with Freddie King on ''Larger Than Life'' and went on to record with Martha Reeves, Randy Crawford, Quincy Jones, Herbie Hancock, B.B. King, Albert King, Rose Royce, Elkie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon "Ndugu" Chancler
Leon "Ndugu" Chancler ( ; July 1, 1952 – February 3, 2018) was an American pop, funk, and jazz drummer. He was also a composer, producer, and university professor. Biography Early life Born in Shreveport, Louisiana, on July 1, 1952, Leon Chancler was the youngest of seven children from the union of Rosie Lee and Henry Nathaniel Chancler. In 1960, the family relocated to Los Angeles, California. Chancler began playing drums when he was thirteen years old. He would publicly reminisce about being asked to leave a classroom for continuously tapping on the desk, only to be later heard tapping on the poles in the hallway. His love for the drums took over while attending Gompers Junior High School and it became his lifelong ambition. He graduated from Locke High School, having been involved in playing there with Willie Bobo and the Harold Johnson Sextet, and he later graduated from Cal State Dominguez Hills with a degree in music education. Musical career By the time he finished c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marlo Henderson
Marlo Henderson was an American guitarist and saxophonist, who played in mainly blues and R&B genres. As a session musician he played on albums such as '' Off the Wall'' by Michael Jackson, '' Them Changes'' by Buddy Miles, '' Face to Face'' by Evelyn "Champagne" King, ''I Am''. He also played on the "Girlfriend" song by Paul McCartney. As a songwriter he co-wrote "Young, Willing and Able" with Minnie Riperton which appears on '' Petals: The Minnie Riperton Collection'' album. He also co-wrote "Strange Affair" with Riperton which appears on her ''Love Lives Forever'' album. Other compositions include "In The Morning" which appears on Táta Vega's '' Try My Love'' album and "Power in Your Love" with Booker T. Jones and Michael Stokes. He was also a producer. Background Personal life Henderson was born in Alamogordo, New Mexico in 1948.Soul and Jazz and FunMARLO HENDERSON DIES...../ref>Soulwalkin/ref> He was supposed to be named Leroy Mario Henderson. A mistake on the birth certi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Brashear
Oscar Brashear (born August 18, 1944) is an American jazz trumpeter Oxford University Press: 2007 , Google books and from , . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Horn
The baritone horn, or sometimes just called baritone, is a low-pitched brass instrument in the saxhorn family.Robert Donington, "The Instruments of Music", (pp. 113ff ''The Family of Bugles'') 2nd ed., Methuen, London, 1962 It is a piston-valve brass instrument with a bore that is mostly conical (like the higher pitched flugelhorn and alto (tenor) horn) but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument. In the UK, the baritone horn is part of the standardised instrumentation of brass bands. In concert band music, there is often a part marked ''baritone'', but these parts are most commonly intended for, and played on, the euphonium. A baritone can also play music written for a trombone due to similar pitches. Construction and general charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
