Pistola
''Pistola'' is the last album by Willy DeVille, released on Mardis Gras day 2008 as a nod to DeVille's musical roots in New Orleans. The album was recorded in Los Angeles with Brian Ray, Lon Price, The Valentine Brothers, and other musicians who had played with DeVille for years. For this album, DeVille borrowed bassist Davey Faragher and drummer Pete Thomas from Elvis Costello's backup band, the Imposters (DeVille's band Mink DeVille toured with Elvis Costello in 1978). John Philip Shenale produced the album, his fourth production effort for Willy DeVille. Said DeVille about his choice of titles for the album: "I wanted (the album) to sound like those old cowboy movies ... ''Pis''–''to''–''la'': the sound has that feel of the western, and something hot too. An exciting sound, just like what I hope the music will be for people." Reviews NME said about ''Pistola,'' "DeVille's louche fusion of rock 'n' roll, Tex-Mex and country styles has matured with age, and his most rece ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willy DeVille
Willy DeVille (born William Paul Borsey Jr.; August 25, 1950 – August 6, 2009) was an American singer and songwriter. During his thirty-five-year career, first with his band Mink DeVille (1974–1986) and later on his own, DeVille created original songs rooted in traditional American musical styles. He worked with collaborators from across the spectrum of contemporary music, including Jack Nitzsche, Doc Pomus, Dr. John, Mark Knopfler, Allen Toussaint, and Eddie Bo. Music of Latin America, Latin rhythms, blues riffs, doo-wop, Cajun music, strains of French cabaret, and echoes of early-1960s uptown Soul music, soul can be heard in DeVille's work. Mink DeVille was a house band at CBGB, the historic New York City nightclub where punk rock was born in the mid-1970s. DeVille helped redefine the Brill Building#"Brill Building Sound", Brill Building sound. In 1987 his song "Storybook Love" was nominated for an Academy Award. After his move to New Orleans in 1988, he helped spark the ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Philip Shenale
John Philip Shenale (often mentioned as Phil Shenale) is a Canadian composer, arranger, musician and producer based in Los Angeles. Background Shenale was born in Canada in 1951. His family relocated to the United States in the late-1950s. His earliest memories of music consist of hearing his father, an avid lover of classical music, play the violin, cello and mandolin in their home during his childhood. After attending a Latin High Mass at the age of five, he recalls being drawn to the piano in an attempt to recreate the music he had heard during the ceremony. The experience awakened his passion for the art and he soon found himself improvising his own music. It wasn't until the age of twelve, however, that he began formal piano lessons. Shenale began serious composition while in high school, drawing inspiration from classical composers such as Ravel, Granados, Britten and Stravinsky. He soon discovered modern-day musicians such as The Yardbirds, Jimi Hendrix an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pete Thomas (drummer)
Peter Michael Thomas (born 9 August 1954) is an English rock drummer best known for his collaboration with singer Elvis Costello, both as a member of his band the Attractions and with Costello as a solo artist. Besides his lengthy career as a studio musician and touring drummer, he has been a member of the band Squeeze during the 1990s and a member of the supergroup Works Progress Administration during the early 2000s. Tom Waits has referred to him as "one of the best rock drummers alive." Career Thomas states that his favourite album and greatest influence is ''Are You Experienced'' by The Jimi Hendrix Experience. He first heard the album at the age of 14, and became greatly influenced by Jimi Hendrix Experience drummer Mitch Mitchell. Thomas met his drumming hero as a teenager, after waiting outside Mitchell's house for multiple days. Following early work with Chilli Willi and the Red Hot Peppers and John Stewart, Thomas was recruited as a member of Costello's backing ban ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brian Ray
Brian Thomas Ray (born January 4, 1955) is an American session musician, guitarist, bassist, singer–songwriter, and musical director. He is best known for his work as a bass, rhythm, and lead guitarist with Paul McCartney's touring band, though he has worked with an extensive list of artists in addition to his own solo career. Early life Brian Ray grew up in Southern California. His first musical performances were in front of his peers – at show and tell – setting his own lyrics to the tune of old folk songs. By the age of nine, he began playing the guitar. His elder sister, Jean (of folk duo Jim and Jean) spurred his interest in rock music through her record collection. Jean invited Brian to play at the LA Troubadour when he was 15 years old. She was "probably the most important and influential person" in Ray's early life. Career In 1973, shortly after graduating from high school, Ray began his musical career as part of Bobby Pickett and the Crypt Kicker Five, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Crow Jane Alley
''Crow Jane Alley'' is an album by Willy DeVille. It was recorded in 2004 in Los Angeles. For this album, DeVille was joined by members of the Chicano rock band Quetzal, David Hidalgo of Los Lobos, and Peruvian Afro-Cuban jazz drummer Alex Acuña, among other prominent musicians. ''Crow Jane Alley'' was produced by John Philip Shenale, the third album Shenale produced for DeVille. Reviews Trouser Press said of the album: :(DeVille) begins ''Crow Jane Alley'' on a dubious note with "Chieva," an ambivalent song about recovering from heroin addiction, but then turns his attention to romance and gets it all right. His renditions of Bryan Ferry's "Slave to Love" and Jay and the Americans' "Come a Little Bit Closer" bring their own drama and gravity to the material, while such homemade numbers as the convincingly authentic mojo-wielding "Muddy Waters Rose Out of the Mississippi Mud," the surging "Right There, Right Then" and the rustic waltztime "(Don't Have a) Change of Heart" are ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Davey Faragher
David Allen "Davey" Faragher (born August 18, 1957) is an American bass guitarist from Redlands, California. Faragher's career took off and received critical notice as a founding member of the nineties band Cracker, and his subsequent work with John Hiatt's band, and The Imposters, the backing band for Elvis Costello since 2001. In 2015, Faragher joined Richard Thompson's Electric Trio for Thompson's ''Still'' album and US tour. Faragher is an accomplished session musician, and has a strong portfolio of performances with notable musicians. Biography In the mid-to-late 1970s, Faragher recorded three albums with his brothers Danny Faragher, Jimmy, and Tommy Faragher as The Faragher Brothers. Later, the band was renamed The Faraghers for a fourth album, featuring fifth brother Marty and sister Pammy. From there he became one of Los Angeles' most sought after bass players, and was featured in ''Bass Player'' magazine in February, 2001. He also plays club gigs where he current ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since 2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Western (genre)
The Western is a genre Setting (narrative), set in the American frontier and commonly associated with Americana (culture), folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other Stock character, stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Edison's Black Maria, Black Maria studio in West Orange, New Jersey. These featured vet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cajun Music
Cajun music (french: Musique cadienne), an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African origins. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. Musical theory Cajun music is relatively catchy with an infectious beat and a lot of forward drive, placing the accordion at the center. The accordionist gives the vocal melody greater energy by repeating most notes. Besides the voices, only two melodic instruments are heard, the accordion and fiddle, but usually in the background can also be heard the high, clear tones of a metal triangle. The harmonies of Cajun music are simple and the m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |