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Pirámide De Mayo
The Pirámide de Mayo (; en, May Pyramid), located at the hub of the Plaza de Mayo, is the oldest national monument in the City of Buenos Aires. Its construction was ordered in 1811 by the Primera Junta to celebrate the first anniversary of the May Revolution. It was renovated in 1856, under the direction of Prilidiano Pueyrredón. In 1912, after having undergone many modifications, it was moved 63 metres (68.9 yards) to the east, with the idea that a much larger monument would eventually be constructed around it. The monument is crowned by an allegory of Liberty, the work of the French sculptor Joseph Dubourdieu. From the ground to the peak of the statue's Phrygian cap, the Pyramid measures 18.76 metres (61.5 feet). Inauguration On April 5, 1811, with the approval of the Buenos Aires Cabildo, it was decided that the program of festivities commemorating the first anniversary of the Revolución de Mayo would include the construction of a pyramid. History does not record why ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires Metropolitan Cathedral
The Buenos Aires Metropolitan Cathedral ( es, Catedral Metropolitana de Buenos Aires) is the main Catholic church in Buenos Aires, Argentina. It is located in the city center, overlooking Plaza de Mayo, on the corner of San Martín and Rivadavia streets, in the San Nicolás neighbourhood. It is the mother church of the Archdiocese of Buenos Aires and the primatial church of Argentina. The Cathedral of Buenos Aires was rebuilt several times since its humble origins in the 16th century. The present building is a mix of architectural styles, with an 18th-century nave and dome and a severe, 19th-century Neoclassical façade without towers. The interior keeps precious 18th-century statues and altarpieces, as well as abundant Neo-Renaissance and Neo-Baroque decoration. History and architecture Origins During the definitive foundation of Buenos Aires by Juan de Garay in 1580, part of a block facing the main square was reserved for the major church of the town. This is still the lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domingo Faustino Sarmiento
Domingo Faustino Sarmiento (; born Domingo Faustino Fidel Valentín Sarmiento y Albarracín; 15 February 1811 – 11 September 1888) was an Argentine activist, intellectual, writer, statesman and the second President of Argentina. His writing spanned a wide range of genres and topics, from journalism to autobiography, to political philosophy and history. He was a member of a group of intellectuals, known as the '' Generation of 1837'', who had a great influence on 19th-century Argentina. He was particularly concerned with educational issues and was also an important influence on the region's literature. Sarmiento grew up in a poor but politically active family that paved the way for many of his future accomplishments. Between 1843 and 1850, he was frequently in exile, and wrote in both Chile and in Argentina. His greatest literary achievement was ''Facundo'', a critique of Juan Manuel de Rosas, that Sarmiento wrote while working for the newspaper ''El Progreso'' during his e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomé Mitre
Bartolomé Mitre Martínez (26 June 1821 – 19 January 1906) was an Argentine statesman, soldier and author. He was President of Argentina from 1862 to 1868 and the first president of unified Argentina. Mitre is known as the most versatile statesman, military man, politician, journalist, historian, writer and poet. He was a major figure in the history of Argentina during second half of the 19th century. He was the figure that best characterized liberalism in Argentina, but he was a moderate and flexible liberal, not dogmatic. Early life Mitre was born on 26 June 1821 in Buenos Aires. His father was of Greek descent and the family name was originally Mitropoulos.Gardner, James. "Buenos Aires: The Biography of a City", 110. (St Martin's Press, 2015, ). In 1831, his family settled in Uruguay. He became a soldier, and graduated in 1839 from the Military School of Montevideo, with the rank of second lieutenant of artillery. Also a journalist, his writings supported Fructuo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcuato De Alvear
Torcuato de Alvear y Saenz de la Quintanilla ( Montevideo, 1822 – Buenos Aires, 1890) was a 19th-century Argentine conservative politician. He was the son of soldier and statesman Carlos María de Alvear and father of Marcelo Torcuato de Alvear, president of Argentina from 1922 to 1928. He was also a Freemason. In 1880 Buenos Aires was declared the capital city of Argentina Argentina (), officially the Argentine Republic ( es, link=no, República Argentina), is a country in the southern half of South America. Argentina covers an area of , making it the second-largest country in South America after Brazil, th ..., and Torcuato de Alvear served as the first mayor of the city until 1887. During this period he improved the road and street networks, the water and electricity supply, public transport and street lighting and other public services. References 1822 births 1890 deaths People from Montevideo Argentine people of Spanish descent National Autonomist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carrara
Carrara ( , ; , ) is a city and ''comune'' in Tuscany, in central Italy, of the province of Massa and Carrara, and notable for the white or blue-grey marble quarried there. It is on the Carrione River, some Boxing the compass, west-northwest of Florence. Its motto is ''Fortitudo mea in rota'' (Latin: "My strength is in the wheel"). Toponymy The word ''Carrara'' likely comes from the pre-Roman (Celtic languages, Celtic or Ligurian language (ancient), Ligurian) element ''kar'' (stone), through Latin ''carrariae'' meaning 'quarries'. History There were known settlements in the area as early as the ninth century BC, when the Apuan Ligures lived in the region. The current town originated from the borough built to house workers in the marble quarries created by the ancient Rome, Romans after their conquest of Liguria in the early second century BC. Carrara has been linked with the process of quarrying and carving marble since the Roman Age. Marble was exported from the nearby ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms Of Argentina
The coat of arms of the Argentine Republic or Argentine shield ( es, Escudo de la República Argentina) was established in its current form in 1944, but has its origins in the seal of the General Constituent Assembly of 1813. It is supposed that it was chosen quickly because of the existence of a decree signed on February 22 sealed with the symbol. The first mention of it in a public document dates to March 12 of that same year, in which it is stated that the seal had to be used by the executive power, that is, the second triumvirate. On April 13 the National Assembly coined the new silver and gold coins, each with the seal of the assembly on the reverse, and on April 27 the coat of arms became a national emblem. Although the coat of arms is not currently shown on flags, the Buenos Aires-born military leader Manuel Belgrano ordered to paint it over the flag he gave to the city of San Salvador de Jujuy, and during the Argentine War of Independence most flags had the coat of arms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto-relievo
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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