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Piranha Heights
''Piranha Heights'' is a one act play by Philip Ridley. It is Ridley's seventh stage play for adults and premiered at the Soho Theatre, London in 2008. The production was the second collaboration between Ridley and Soho Theatre Artistic Director Lisa Goldman whom Ridley dedicated the play to in his preface of the published text. The play also featured Luke Treadaway in one of his earliest professional stage credits, who along with actor John Macmillan was filmed for Ridley's 2009 horror film '' Heartless'', during the play's original run. ''Piranha Heights'' serves as the third and final instalment in Ridley's unofficially titled "Brothers Trilogy", having been preceded by ''Mercury Fur'' and ''Leaves of Glass''. The play was later revived at The Old Red Lion Theatre in 2014 for which Ridley substantially revised the script. Plot The play takes place on Mother's Day where Alan is in his mother's flat. Unexpectedly his brother Terry turns up, having been missing since after thei ...
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Philip Ridley
Philip Ridley (born 1957 in East London) is an English storyteller working in a wide range of artistic media. As a visual artist he has been cited as a contemporary of the 'Young British Artists', and had his artwork exhibited internationally. As a novelist he has created fiction for both children and adults and has had particular success and recognition as a children's author. In the field of cinema he is perhaps best known for his award-winning screenplay for the 1990 film, ''The Krays (film), The Krays'' (1990), a biopic about the Kray twins which was directed by Peter Medak. As a filmmaker in his own right he is recognised for creating a loose trilogy of horror films: ''The Reflecting Skin'' (1990), ''The Passion of Darkly Noon'' (1995) and ''Heartless (2009 film), Heartless'' (2009) for which he has acquired a cult following. As a playwright he has been described as "a pioneer of In-yer-face theatre", which is a style and sensibility of drama that characterised many new ...
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Jade Williams (actress)
Jade Williams (born 2 October 1984) is a British actress. Early life Williams was born and in London, England in 1984 to Shelley and Mick Williams, a postman. She is the first of three children; her sister is Candice and her brother is Adam. Williams attended St. John's Infant School and later St. Mary's Primary School before winning a scholarship to the Sylvia Young Theatre School, for which she began attending at the age of eight. Career Williams made her debut to television in 1995 when she appeared in ''Black Hearts in Battersea'', a television adaptation of the children's novel of the same name by Joan Aiken. The series last six episodes and co-starred Celia Imrie. She is perhaps best known for her regular role as Zoe Stringer in the BBC series ''Grange Hill'' and recurring one as Gemma Foster in ''Casualty'', and the ITV prison drama '' Bad Girls'', in which she played the role of Rhiannon Dawson, the daughter of prisoner Julie Johnston (Kika Mirylees); appearing for th ...
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Theatre Record
''Theatre Record'' is a periodical that reprints reviews, production photographs, and other information about the British theatre. Overview ''Theatre Record'' was founded in 1981 by Ian Herbert and has been published fortnightly since January 1981 until January 2019, when it became an online publication. Previously it was printed and published in England every two weeks. It reprints unabridged all the national drama critics' reviews of productions in and out of London, with full casts and credits. It also lists early information of forthcoming shows all over the country, including box office and press contact numbers. Production photographs are published whenever possible, to provide a visual as well as verbal record of the ongoing history of British theatre. Before 2019, all productions, their casts, author and full production credits were indexed annually; from 2019, the website provides a search engine functionality to browse through all of these listings. ''Theatre Record'' ...
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Ian Shuttleworth
Terence Ian Shuttleworth (born 6 July 1963 in Belfast, UK) is a Northern Irish theatre critic and author. He was joint senior theatre critic for the ''Financial Times'' from May 2007 until March 2019. He was editor and publisher of ''Theatre Record'' magazine from 2004 until 2016. In March 2019 he left the UK for Germany. Shuttleworth was educated at the Royal Belfast Academical Institution. He received a master's degree in English literature from Queens' College, Cambridge. His reviews have appeared, in addition to the ''Financial Times'', in publications including ''The Sunday Times'', ''The Guardian'', ''London Evening Standard'', ''The Observer'', ''The Independent'', ''Daily Mail'', '' The Sun'', ''The Scotsman'', ''The Stage'', ''Stagebill'', '' Plays & Players'', ''Screen International'', ''Broadcast'', ''OK!'', and '' City Life''. Shuttleworth is the author of the book ''Ken & Em'' (Headline Books, 1994), which is an unauthorised biography of Kenneth Branagh and Emma Thomp ...
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Evening Standard
The ''Evening Standard'', formerly ''The Standard'' (1827–1904), also known as the ''London Evening Standard'', is a local free daily newspaper in London, England, published Monday to Friday in tabloid format. In October 2009, after being purchased by Russian businessman Alexander Lebedev, the paper ended a 180-year history of paid circulation and became a free newspaper, doubling its circulation as part of a change in its business plan. Emily Sheffield became editor in July 2020 but resigned in October 2021. History From 1827 to 2009 The newspaper was founded by barrister Stanley Lees Giffard on 21 May 1827 as ''The Standard''. The early owner of the paper was Charles Baldwin. Under the ownership of James Johnstone, ''The Standard'' became a morning paper from 29 June 1857. ''The Evening Standard'' was published from 11 June 1859. ''The Standard'' gained eminence for its detailed foreign news, notably its reporting of events of the American Civil War (1861–1865 ...
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Ben Whishaw
Benjamin John Whishaw (born 14 October 1980) is an English actor and producer. After winning a British Independent Film Award for his performance in ''My Brother Tom'' (2001), he was nominated for an Olivier Award for his portrayal of the title role in a 2004 production of ''Hamlet''. This was followed by television roles in '' Nathan Barley'' (2005), ''Criminal Justice'' (2008) and '' The Hour'' (2011–12) and film roles in '' Perfume: The Story of a Murderer'' (2006), ''I'm Not There'' (2007), ''Brideshead Revisited'' (2008), and '' Bright Star'' (2009). For ''Criminal Justice'', Whishaw received an International Emmy Award and received his first BAFTA Award nomination. In 2012, Whishaw played the title role in a BBC Two adaptation of ''Richard II'', broadcast as part of ''The Hollow Crown'' series of William Shakespeare adaptations, for which he won the British Academy Television Award for Best Actor. The same year, he appeared as Q in the James Bond film ''Skyfall'' (20 ...
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Time Out London
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 328 cities in 58 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album '' Time Out''. ''Time Out'' began as an alternative magazine alongside other members of the ...
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Lyn Gardner
Lyn Gardner is a British theatre critic, children's writer and journalist who contributes reviews and articles to ''The Stage,'' '' Stagedoor'' and has written for ''The Guardian''. Theatre critic and educator A graduate in drama and English from the University of Kent, Gardner was a founding member of the ''City Limits'' magazine, a cooperative for which she edited the theatre section. Later, she was a contributor to ''The Independent''. Gardner joined ''The Guardian'' as theatre critic in 1995, and remained on the paper for twenty-three years, taking a particular interest in fringe and more alternative theatre, while Michael Billington covered the most mainstream productions. Latterly she was writing 130 reviews and 28,000 words of features annually, as well as 150 posts a year for an online blog for the paper, begun in 2008. The paper discontinued her blog in 2017 citing cost pressures, and the following year let her go. Since June 2017 Gardner had been an Associate Editor o ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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The Stage
''The Stage'' is a British weekly newspaper and website covering the entertainment industry and particularly theatre. It was founded in 1880. It contains news, reviews, opinion, features, and recruitment advertising, mainly directed at those who work in theatre and the performing arts. History The first edition of ''The Stage'' was published (under the title ''The Stage Directory – a London and Provincial Theatrical Advertiser'') on 1 February 1880 at a cost of three old pence for twelve pages. Publication was monthly until 25 March 1881, when the first weekly edition was produced. At the same time, the name was shortened to ''The Stage'' and the publication numbering restarted at number 1. The publication was a joint venture between founding editor Charles Lionel Carson and business manager Maurice Comerford. It operated from offices opposite the Theatre Royal, Drury Lane. Carson, whose real name was Lionel Courtier-Dutton, was cited as the founder. His wife Emily Courtier ...
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Aleks Sierz
Aleks Sierz is a British theatre critic. He is known for coining the term "In-yer-face theatre", which was the title of a book he published in 2001. Sierz was educated at Manchester University and holds a PhD from Westminster University. He works as a freelance writer and has written for publications including ''Tribune'', ''The Arts Desk'' and ''The Stage'', as well as newspapers such as ''The Independent''. He co-edits ''Theatre Voice''. He is a visiting professor at Rose Bruford College, and has been a lecturer on Boston University Boston University (BU) is a private research university in Boston, Massachusetts. The university is nonsectarian, but has a historical affiliation with the United Methodist Church. It was founded in 1839 by Methodists with its original campu ...'s "Study Abroad" programme in London. His publications include *''In-Yer-Face Theatre: British Drama Today'' (Faber, 2001) *''The Theatre of Martin Crimp'' (Methuen, 2006) *''John Osborne's Look B ...
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Michael Coveney
Michael Coveney (born 24 July 1948) is a British theatre critic. Education and career Coveney was born in London and educated at St Ignatius’ College, Stamford Hill, and Worcester College, Oxford. After graduation, he worked as a script reader for the Royal Court Theatre and from 1972 he contributed theatre reviews to the ''Financial Times''. He was deputy editor (1973–75) and editor (1975–78) of ''Plays and Players'' magazineDennis Griffiths (ed.), ''The Encyclopedia of the British Press 1492–1992'', London and Basingstoke: Macmillan Publishers, 1992, P. 172. and theatre critic and deputy arts editor of the ''Financial Times'' throughout the 1980s.About Michael Coveney page
at .
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