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Pipelare
Matthaeus Pipelare ( – ) was a Netherlandish composer, choir director, and possibly wind instrument player of the Renaissance. He was from Louvain, and spent part of his early life in Antwerp. Unlike many of his contemporaries, many of whom traveled to Italy, Spain or elsewhere, he seems never to have left the Low Countries. In spring 1498 he became the choir director at the Illustrious Confraternity of Our Lady at 's-Hertogenbosch, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper. Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre motets related to those of Pierre de La Rue, an almost exact contemporary. He wrote 11 complete masses which have survived to modern times (although many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fors Seulement
Fors seulement is a French chanson, popular as a basis for variations and as a cantus firmus. An early version, attributed to Johannes Ockeghem, is sometimes called ''Fors seulement l'attente'' to distinguish it from his similarly titled ''Fors seulement contre''. Brumel wrote a polytextual version, combining a tenor setting of '' Du tout plongiet'' with the words and ''superius'' from Ockeghem's ''Fors seulement l'attente'' for baritone. Lyrics Versions and settings Many versions of the chanson were produced including those by Johannes Ockeghem, Josquin des Prez, Pierre de La Rue, Matthaeus Pipelare, Johannes Ghiselin, Jacob Obrecht, Antoine Brumel, Jheronimus Vinders and Alexander Agricola. Mass settings include those by Vinders, Ockeghem, Obrecht, Pipelare, and Carpentras Carpentras (, formerly ; Provençal Occitan: ''Carpentràs'' in classical norm or ''Carpentras'' in Mistralian norm; la, Carpentoracte) is a commune in the Vaucluse department in the Provence-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé
Over 40 settings of the Ordinary of the Mass using the tune '' L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' (Antoine Busnois) * '' Missa L'homme armé'' (Guillaume Dufay) * '' Missa L'homme armé'' (Johannes Regis) (two: one lost) * '' Missa L'homme armé'' (Johannes Ockeghem) * '' Missa L'homme armé'' ( Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' (Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' (Jacob Obrecht) * '' Missa L'homme armé super voces musicales'' (Josquin des Prez) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch School (music)
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huelgas Ensemble
The Huelgas Ensemble is a Belgian early music group formed by the Flemish conductor Paul Van Nevel in 1971. The group's performance and extensive discography focuses on Renaissance polyphony. The name of the ensemble refers to a manuscript of polyphonic music, the Codex Las Huelgas. Van Nevel is noted for his style of performing many pieces with the singers and himself in a large circle, rotating, both in live performances (such as at the Rheingau Musik Festival where the pews had to be unbolted from the floor of the Basilika of Schloss Johannisberg in 2005), and in recordings around the microphone hovering above the center. In 2009, after 8 years with Harmonia Mundi of Bernard Coutaz, the group returned to the Sony Classical Group which celebrated the occasion with the reissue of a 15CD reissue box. Discography * 1977 – '' Johannes Heer et le chansonnier de Paris''. (LP). Alpha 260. * 1978 – ''Musique à la Cour de Chypre 1192-1489''. (LP). Alpha DB 264. * 1978 – Nethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'homme Armé
"L'homme armé" (French for "the armed man") is a secular song from the Late Middle Ages, of the Burgundian School. According to Allan W. Atlas, "the tune circulated in both the Mixolydian mode and Dorian mode (transposed to G)." It was the most popular tune used for musical settings of the Ordinary of the Mass: over 40 separate compositions entitled ''Missa L'homme armé'' survive from the period. Music Origin The origins of the popularity of the song and the importance of the armed man are the subject of various theories. Some have suggested that the 'armed man' represents St Michael the Archangel. The composer Johannes Regis ( – ) seems to have intended that allusion in his ''Dum sacrum mysterium/Missa l'homme armé'' based upon the melody, which incorporates various additional trope texts and cantus firmus plainchants in honour of St Michael the Archangel. Others have suggested it merely represents the name of a popular tavern (Maison L'Homme Arme) near Du Fay's rooms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
's-Hertogenbosch
s-Hertogenbosch (), colloquially known as Den Bosch (), is a city and municipality in the Netherlands with a population of 157,486. It is the capital of the province of North Brabant and its fourth largest by population. The city is south of the Maas river and near the Waal; it is to the north east of the city of Tilburg, north west of Eindhoven, south west of Nijmegen, and a longer distance south of Utrecht and south east of Dordrecht. History The city's official name is a contraction of the (archaic) Dutch ''des Hertogen bosch'' — "the forest of the duke". The duke in question was Henry I of Brabant, whose family had owned a large estate at nearby Orthen for at least four centuries. He founded a new town located on some forested dunes in the middle of a marsh. At age 26, he granted 's-Hertogenbosch city rights and the corresponding trade privileges in 1185. This is, however, the traditional date given by later chroniclers; the first mention in contemporaneous sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De La Rue
Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg- Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500. Biography Early life La Rue was probably born at Tournai, in modern Belgium, and likely educated at the Notre-Dame Cathedral there, which had a substantial musical establishment. He may have been the son of Jean de la Rue, a master ''enlumineur'' of the town of Tournai. While no records remain of his childhood, a Peter vander Straten (the Flemish equivalent of his name) is mentioned in the archives of the cathedral of Ste. Gudule in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illustrious Confraternity Of Our Lady
The Illustrious Brotherhood of Our Blessed Lady (Illustre Lieve Vrouwe Broederschap) was a religious confraternity founded in 1318 in 's-Hertogenbosch to promote the veneration of the Mother of God. The brotherhood was organized around a carved wooden image of the Virgin Mary in St John’s Cathedral in 's-Hertogenbosch. The Brotherhood had two types of members: ordinary members and sworn members, also called 'swan-brethren' because they used to donate a swan for the yearly banquet. Sworn members were clerics in principle; in fact they were often chosen among the nobility, the magistrates, etc. As a result, the Brotherhood also functioned as an important social network. Well-known members * Hieronymus Bosch (c. 1450 – 1516), painter.P. Gerlach, ‘Jheronimus van Aken alias Bosch en de Onze-Lieve-Vrouwe-Broederschap’, in: Jheronimus Bosch: Bijdragen bij gelegenheid van de herdenkingstentoonstelling in 's-Hertogenbosch 1967 ('s-Hertogenbosch 1967), pp. 48–60; G.C.M. van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1510s Deaths
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1450s Births
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{{Number disambiguation ...
145 may refer to: * 145 (number), a natural number *AD 145, a year in the 2nd century AD * 145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy * 145 (South) Brigade * 145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Van Nevel
Paul Van Nevel (born 4 February 1946) is a Belgian conductor, musicologist and art historian. In 1971 he founded the Huelgas Ensemble, a choir dedicated to polyphony from the Middle Ages and the Renaissance. Van Nevel is known for hunting out little known polyphonic medieval works to perform. He grew up in a musical family. From the age of 11 to 18 he used to sing four hours a day. His father played violin and encouraged his son to play every instrument in the house. While his father loved Wagner, his son Paul favoured Béla Bartók. His nephew Erik Van Nevel is also a choral conductor. From 1969 to 1971 he studied early music at the Schola Cantorum Basiliensis in Switzerland. There he founded the Huelgas Ensemble, taking the name from the famous Codex Las Huelgas at the Cistercian monastery near Burgos which Van Nevel visited as a 24-year-old. He was able to spend two weeks studying the manuscript with the aid of a recommendation letter from the Belgian authorities. Van Nevel t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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