Pingsdorf Ware
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Pingsdorf Ware
Pingsdorf ware is a high fired earthenware, or proto-stoneware, that was produced between the late 9th and 13th century in different pottery centres on the Eastern margin of the Rhineland as well as the Lower Rhine, Lower Rhine region. Characteristic features of vessels in Pingsdorf ware are a yellow-coloured fine sand-Temper (pottery), tempered sherd and a red painting. It is archaeologically evident within various Medieval settlements of North Western Europe and thus represents an important chronological marker for the Medieval archaeology. It was a forerunner of the first European stoneware, produced in the same region and exported to much of Europe for the rest of the Middle Ages and Renaissance. Places of manufacture Known places of manufacture of Pingsdorf ware and related pottery wares along the promontory beam besides Pingsdorf are various places near Brühl (Rhineland), Brühl (e.g. Badorf and Walberberg) also Liblar, Wildenrath, Langerwehe and Jüngersdorf, Meckenheim as ...
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Ceramics Of Medieval Europe
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silicon dioxide, silica, hardened and sintering, sintered in fire. Later, ceramics were Glazing (ceramics), glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "''wikt:ceramic, ceramic''" comes from the Greek language, Greek word (), "of pottery" or "fo ...
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German Pottery
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * ...
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Constantin Koenen
Constantin is an Aromanian, Megleno-Romanian and Romanian male given name. It can also be a surname. For a list of notable people called Constantin, see Constantine (name). See also * Constantine (name) Constantine ( or ; Latin: ''Cōnstantīnus'', Greek: , ''Kōnstantînos'') is a masculine and feminine (in French for example) given name and surname which is derived from the Latin name ''Constantinus'', a hypocoristic of the first names Constans ... * Konstantin References {{Reflist Aromanian masculine given names Megleno-Romanian masculine given names Romanian masculine given names Romanian-language surnames ...
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Walter Janssen (archaeologist)
Walter Janssen (7 February 1887 – 1 January 1976) was a German film actor and director. He appeared in more than 160 films between 1917 and 1970. Selected filmography * '' The Dancer'' (1919) * '' Destiny'' (1921) * '' Wandering Souls'' (1921) * '' Island of the Dead'' (1921) * ''Peter the Great'' (1922) * ''What Belongs to Darkness'' (1922) * '' Lust for Life'' (1922) * ''Carousel'' (1923) * '' La Boheme'' (1923) * '' The Love of a Queen'' (1923) * ''Shadows of the Metropolis'' (1925) * '' Tragedy'' (1925) * ''The Great Duchess'' (1926) * '' Fräulein Mama'' (1926) * ''Only a Dancing Girl'' (1926) * '' Sword and Shield'' (1926) * ''Women of Passion'' (1926) * '' The House of Lies'' (1926) * '' The Queen of Spades'' (1927) * '' The Little Slave'' (1928) * '' It's You I Have Loved'' (1929) * '' The Night Belongs to Us'' (1929) * '' Black Forest Girl'' (1929) * '' The White Roses of Ravensberg'' (1929) * '' The Flute Concert of Sanssouci'' (1930) * '' The Singing City'' (193 ...
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David Gaimster
David Richard Michael Gaimster is a British archaeologist and museum executive. During the 1990s, Gaimster published extensively on medieval to early modern European archaeology, notably on ceramics and Hanseatic material culture, including the 1997 book ''German Stoneware, 1200–1900: Archaeology and Cultural History''. Gaimster became the director of the Hunterian at the University of Glasgow from 2010 to 2017, after which he moved to New Zealand, becoming the director of the Auckland War Memorial Museum from 2017 to 2023. Gaimster is currently the director of the South Australian Museum. Early life Gaimster was raised in Cambridge, England, where he developed an interest in archaeology as a young child. In 1984, he graduated from Durham University. Career Gaimster began working for the British Museum in 1985, working as a field archaeologist, an assistant keeper in the Medieval & Later Antiquities department and briefly as the caretaker of the Secretum. In 1991 while ...
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Seriation (archaeology)
In archaeology, seriation is a relative dating method in which assemblages or artifacts from numerous sites in the same culture are placed in chronological order. Where absolute dating methods, such as radio carbon, cannot be applied, archaeologists have to use relative dating methods to date archaeological finds and features. Seriation is a standard method of dating in archaeology. It can be used to date stone tools, pottery fragments, and other artifacts. In Europe, it has been used frequently to reconstruct the chronological sequence of graves in a cemetery (e.g. Jørgensen 1992; Müssemeier, Nieveler et al. 2003). Contextual and frequency seriation Two different variants of seriation have been applied: contextual seriation and frequency seriation (Renfrew and Bahn 1996, pp. 116–117). Whereas contextual seriation is based on the presence or absence of a design style, frequency seriation relies on measuring the proportional abundance or frequency of a design sty ...
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