|
Pinacoteca Nazionale In Ferrara
The Pinacotecta Nazionale () is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the ''piano nobile'' (or first floor) of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection. Since 2015 the Pinacoteca Nazionale has formed a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Diamanti
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara (National Painting Gallery of Ferrara). History To accommodate the growth of Ferrara, in 1492 the Duke Ercole I d'Este demolished the medieval walls of the city on the north, and had the court architect, Biagio Rossetti, design an urban expansion known as the ''Addizione Erculea''. Rosetti was commissioned by Sigismondo d'Este, brother of the Duke Ercole I, to build this palace at the prestigious intersection of what was to be the Decumanus Maximus (now encompassing Corsi Porta Po, Biagio Rossetti, and Porta Mare) and Cardo Maximus (Corso Ercole I d'Este) of the "urban addition". It was built between 1493 and 1503. Used as a residential home by the Este family and, starting in 1641, by the Villa marquis, in 1832 the palace was acquired by the municipality of Ferrara to house the National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Nazionale Di Ferrara, Nuova Sala Del Bastianino
A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or ancient Rome. The name is specifically used for the building containing pictures which formed the left wing of the Propylaea on the Acropolis at Athens, Greece. The Pinacotheca was located next to the temple of Athena Nike. Though Pausanias speaks of the pictures "which time had not effaced",Pausanias, ''Description of Greece''book I, chapter xxii, page 31, section 6 translated by J. G. Frazer (1898) which seems to point to fresco painting, the fact that there is no trace of preparation for stucco on the walls implies that the paintings were easel pictures. The Romans adopted the term for the room in a private house containing pictures, statues, and other works of art. In the modern world the word is often used as a name for a public art gal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Carracci
The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the ''Accademia degli Incamminati'', and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion. Art theory The artistic and theoretical activity of the Carracci is recognized by critics and historians such as André Chastel and Giulio Carlo Argan to have decisively contributed to the formation of the figurative Baroque and to new pictorial solutions based on the recuperation of the classical and Renaissance tradition, renewed by study of nature. "Jointly they effected an artistic reform that ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia De' Medici
Virginia de' Medici (29 May 1568 – 15 January 1615) was an Italian princess, a member of the House of Medici and by marriage Duchess of Modena and Reggio. Regent of the Duchy of Modena and Reggio in 1601 during the absence of her husband, she was able to protect the autonomy of the city of Modena from the attacks of the local Podestà and Judge. Her husband's infidelities increased her already erratic behavior and led to a permanent mental illness, which lasted until her death. Life Early years Born in Florence on 29 May 1568,Georgia Arrivo: ''Scritture delle donne di casa Medici nei fondi dell’Archivio di Stato di Firenze'' in: archiviodistato.firenze.it (in Italian) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papal States
The Papal States ( ; it, Stato Pontificio, ), officially the State of the Church ( it, Stato della Chiesa, ; la, Status Ecclesiasticus;), were a series of territories in the Italian Peninsula under the direct sovereign rule of the pope from 756 until 1870. They were among the major states of Italy from the 8th century until the unification of Italy, between 1859 and 1870. The state had its origins in the rise of Christianity throughout Italy, and with it the rising influence of the Christian Church. By the mid-8th century, with the decline of the Byzantine Empire in Italy, the Papacy became effectively sovereign. Several Christian rulers, including the Frankish kings Charlemagne and Pepin the Short, further donated lands to be governed by the Church. During the Renaissance, the papal territory expanded greatly and the pope became one of Italy's most important secular rulers as well as the head of the Church. At their zenith, the Papal States covered most of the modern Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare D'Este, Duke Of Modena
Cesare d'Este (8 October 1562 – 11 December 1628) was Duke of Modena and Reggio from 1597 until his death. Biography Born in Ferrara, Cesare was the son of Alfonso d'Este, Marquis of Montecchio, fourth son of Alfonso I d'Este and the cousin of Alfonso II d'Este, duke of Ferrara and Modena. When the latter died without heirs in the October 1597, Cesare inherited the duchy. The legitimacy of the succession was recognised by the Emperor Rudolph II but not by Pope Clement VIII: thus, as Ferrara was nominally a Papal fief, the city was returned to the Papal States, despite the attempts of the young duke, who sought help from the major powers to no avail.. The capital was therefore moved to Modena, which he entered on 30 January 1598. His first years were troublesome: he had to face the quarrels between the Modenese and Ferrarese nobles who had come with him, the attempt at independence of Maro Pio of Sassuolo, and a war against Lucca for the possession of Garfagnana. Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th Century
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso II D'Este, Duke Of Ferrara
Alfonso II d'Este (24 November 1533 – 27 October 1597) was Duke of Ferrara from 1559 to 1597. He was a member of the House of Este. Biography He was the elder son of Ercole II d'Este and Renée de France, the daughter of Louis XII of France and Anne of Brittany and was the fifth and last Duke of Ferrara. As a young man, he fought in the service of Henry II of France against the Habsburgs. Soon after his accession, he was forced by Pope Pius IV to send back his mother to France due to her Calvinist creed. The 1570 Ferrara earthquake fell into his reign. In 1583 he allied with Emperor Rudolf II in the war against the Turks in Hungary. Throughout the 1550s, Alfonso had an interest in Castrato singing voices. Given his childlessness amongst multiple marriages, this additional fact has prompted some historians to speculate that the Duke was homosexual. Marriages He married three times: *On 3 July 1558, Alfonso married his first wife Lucrezia di Cosimo de' Medici (14 February 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso I D'Este, Duke Of Ferrara
Alfonso d'Este (21 July 1476 – 31 October 1534) was Duke of Ferrara during the time of the War of the League of Cambrai. Biography He was the son of Ercole I d'Este, Duke of Ferrara and Eleanor of Naples and became duke on Ercole's death in January 1505. In the first year of his rule he uncovered a plot by his brother Ferrante and half-brother Giulio d'Este, directed against him and his other brother Ippolito. In September 1506 a trial for lèse majesté and high treason was held and, as expected, the death sentence was passed, but just as Ferrante and Giulio were about to mount the gallows they were informed that the duke had commuted their sentence to life imprisonment. They were led away to two cells in the Torre dei Leoni. Ferrante died in his cell after 34 years of imprisonment, while Giulio held on until he was pardoned in 1559, after 53 years of imprisonment. After his release, Giulio was ridiculed in the streets of Ferrara for his outdated clothes and died in 1561 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Papal States"){kind=spacer}
_2.jpg "Click for more on -> Renaissance Art")
