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Pierre Spicre
Pierre Spicre (floruit 1470-1478) was a painter in the Duchy of Burgundy. Spicre is thought to have been born between 1435 and 1440 and is presumed to have been the son of Guillaume Spicre, a painter of stained glass windows from Dijon who has been recorded in the service of Duke Philip the Good between 1450 and 1468. The first mention of Pierre Spicre is in 1470, to judge the finished tomb of John the Fearless and Margaret of Bavaria in Champmol. He painted a retable for the Lausanne Cathedral in 1473, and 21 modellos for the Notre Dame Church in Beaune in 1474-1475. These works are presumed lost, just like the modello he made for a tapestry of Saint Bernard. In 1477 he was still recorded as living in Dijon, but he died either later that year or in 1478. No certain works by the artist are preserved, but some works have been attributed speculatively to him. This includes some remnants of wall paintings in the Notre Dame in Beaune, showing the Raising of Lazarus and the Stoni ...
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Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King ...
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Raising Of Lazarus
Lazarus of Bethany (Latinised from Lazar, ultimately from Hebrew Eleazar, "God helped"), also venerated as Righteous Lazarus, the Four-Days Dead in the Eastern Orthodox Church, is the subject of a prominent sign of Jesus in the Gospel of John, in which Jesus restores him to life four days after his death. The Eastern Orthodox and Catholic traditions offer varying accounts of the later events of his life. In the context of the seven signs in the Gospel of John, the raising of Lazarus at Bethany – today the Palestinian town of Al-Eizariya in the West Bank, which translates to "the place of Lazarus" – is the climactic narrative: exemplifying the power of Jesus "over the last and most irresistible enemy of humanity: death. For this reason, it is given a prominent place in the gospel." The name ''Lazarus'' is frequently used in science and popular culture in reference to apparent restoration to life; for example, the scientific term Lazarus taxon denotes organisms that reappear ...
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Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Mass Of Saint Gregory
The Mass of Saint Gregory is a subject in Roman Catholic art which first appears in the late Middle Ages and was still found in the Counter-Reformation. Pope Gregory I (c. 540–604) is shown saying Mass just as a vision of Christ as the ''Man of Sorrows'' has appeared on the altar in front of him, in response to the Pope's prayers for a sign to convince a doubter of the doctrine of transubstantiation. History of the story and the image The earliest version of the story is found in the 8th-century biography of Gregory by Paul the Deacon, and was repeated in the 9th-century one by John the Deacon. In this version, the Pope was saying Mass when a woman present started to laugh at the time of the Communion, saying to a companion that she could not believe the bread was Christ, as she herself had baked it. Gregory prayed for a sign, and the host turned into a bleeding finger. This story is retained in the popular 13th century compilation the ''Golden Legend'', but other versions ...
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Château Saint-Maire
Château Saint-Maire (Saint-Maire Castle) is a castle in Lausanne, Switzerland, that serves as the seat of the cantonal government, the Council of State of Vaud. It is a Swiss heritage site of national significance. History The château was built from 1397 to 1425 by the Bishops of Lausanne to serve as their fortified residence. Begun under Guillaume of Menthonay, it was completed under his successor, Guillaume of Challant, and named after Saint Marius, the first Bishop of Lausanne. It served as the bishop's residence until 1536, when Bern captured Lausanne and secularized the bishopric (the bishop, Sébastien of Montfalcon, escaped through a hidden stairwell). The Bernese installed a bailiff in the château and used it as an armory. Upon the creation of the canton of Vaud in 1803, it became seat of the cantonal government, a role it has retained. Architecture The château was built as a single massive rectangular block, as was common at the time, with brick for the upp ...
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Autun Cathedral
The Cathedral of Saint Lazarus of Autun (french: Cathédrale Saint-Lazare d'Autun), commonly known as Autun Cathedral a Roman Catholic cathedral in Autun and a national monument of France. Famous for its Cluniac inspiration and its Romanesque sculptures by Gislebertus it is a highlight in Romanesque art in Burgundy and it is the seat of the Bishop of Autun. The Bishop of Autun set forth the construction of St. Lazarus Cathedral as a result of the large movement of pilgrims travelling to Vezelay as they progressed on the pilgrimage route to Santiago de Compostela. Due to social practices that involved pilgrims venerating the relics of saints in this period, the Bishop of Autun ordered the creation of a larger cathedral to house the relics and accommodate the influx of pilgrims into Autun. The column capitals and main façade of the church are embellished with realistic sculptures carved by Gislebertus. The artwork is a means of teaching the masses of Christian ethics with dramati ...
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Stoning Of Saint Stephen
Stoning, or lapidation, is a method of capital punishment where a group throws stones at a person until the subject dies from blunt trauma. It has been attested as a form of punishment for grave misdeeds since ancient times. The Torah and Talmud prescribe stoning as punishment for a number of offenses. Over the centuries, Rabbinic Judaism developed a number of procedural constraints which made these laws practically unenforceable. Although stoning is not mentioned in the Quran, classical Islamic jurisprudence ('' fiqh'') imposed stoning as a '' hadd'' (sharia-prescribed) punishment for certain forms of '' zina'' (illicit sexual intercourse) on the basis of hadith (sayings and actions attributed to the Islamic prophet Muhammad). It also developed a number of procedural requirements which made ''zina'' difficult to prove in practice. Stoning appears to have been the standard method of capital punishment in ancient Israel. Its use is attested in the early Christian era, bu ...
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Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ''a ...
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The Triumph Of Death (Palermo)
''The Triumph of Death'' is a fresco created around 1440-5 now housed in the Regional Gallery of Palazzo Abatellis in Palermo, southern Italy. The name of the artist of the work has been debated. History The fresco comes from the court of Palazzo Sclafani, also in Palermo. Due to its highly refined style, it is thought to have been commissioned by the Aragonese Kings of Naples. The theme of the " Triumph of Death" was popular in Europe during the Renaissance, particularly in Northern Europe. The Burgundian artist Guillaume Spicre, also known as the Palazzo Sclafani Master, is often credited with its creation, although other names have been suggested. The fresco was stripped and divided into four parts to be housed in the Regional Gallery, where it is now located. Though at the time of the removal the work was in good condition, gradually during the 20th century the painted surface has detached near the points of division, compromising the integrity of the scene. Description Th ...
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Lausanne Cathedral
The Cathedral of Notre Dame of Lausanne is a church located in the city of Lausanne, in the canton of Vaud in Switzerland. It belongs to the Evangelical Reformed Church of the Canton of Vaud. History Construction of the cathedral began as early as 1170 by an original unknown master mason, for the use of the Catholic Church. Twenty years later, another master mason restarted construction until 1215. Finally a third engineer, Jean Cotereel, completed the majority of the existing cathedral including a porch, and two towers, one of which is the current day belfry. The other tower was never completed. The cathedral was consecrated and dedicated to Our Lady in 1275 by Pope Gregory X, Rudolph of Habsburg, and the bishop of Lausanne at the time, Guillaume of Champvent. The medieval architect Villard de Honnecourt drew the rose window of the south transept in his sketchbook in 1270. The Protestant Reformation, in particular the variant which came from nearby Geneva, significantly aff ...
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Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a ' reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable."''Art & Architecture Thesaurus Online''
'Retable' This distinction is not always upheld in common use, an ...
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