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Pierre Robert (composer)
Pierre Robert (c. 1618 – 30 December 1699) was a French composer and early master of the French ''grand motet''. Biography Robert was educated at the boys choir, or ''maîtrise'', of Notre Dame de Paris under the direction of Henry Frémart, Jean Francois (musician), Jean Francois, and Cosset Veillot before being appointed master of music at the Senlis Cathedral in 1643. In 1650 he went to the Cathedral of Chartres before returning to Senlis in March 1652. On 28 April 1653, he was appointed music master of Notre Dame de Paris, replacing Valentin de Bournonville. Robert remained ten years as head of the ''maîtrise''.Bianconi L. Music in the seventeenth century 1987 p. 149 In 1663, Louis XIV chose him with Henry Du Mont to occupy one of the four posts of Assistant Master of the ''Chapelle Royale''. He initially filled this function in conjunction with Thomas Gobert, Gabriel Expilly and Henry Du Mont, though Gobert and Expilly resigned in 1668. Du Mont and Robert developed the ''g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Motet
The grand motet (plural grands motets) was a genre of motet cultivated at the height of the French Baroque music, French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating Choir, choirs, the works were typically described as ''motet pour deux choeurs'' - motet for double choir. Form of a grand motet In the context of French baroque music the grand motet primarily contrasted with the petit motet. The first distinction is evident in the name; the ''grand'' form was truly ''grand'' (big) in proportion calling for double choirs and massed orchestral forces, whereas the ''petit'' form was a chamber genre for one or two solo voices, one or two solo instruments, and basso continuo - the basso continuo typically provided by the harpsichord at home or organ in a smaller church. These two French baroque motet types are also very distinct from the medieval motets of Guillaume Dufay, Dufay and renaissance motets of Orl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Lorenzani
Paolo Francesco Lorenzani (5 January 1640 – 28 October 1713) was an Italian composer of the Baroque Era. While living in France, he helped promote appreciation for the Italian style of music. Lorenzani was born in Rome and was trained by Orazio Benevoli, ''maestro di cappella'' for the Cappella Giulia in The Vatican. He served in Rome as ''maestro di cappella'' at the Church of the Gesù and ''Collegio Romano'', the first Jesuit university, which later expanded to become Pontifical Gregorian University. He later served at the cathedral of Messina in Sicily.John Hawkins. "Paolo Lorenzani" in ''A General History of the Science and Practice of Music, V. 2'', p. 674. (Kessinger, 2006). In 1678, Lorenzani traveled to Paris, hoping to find fortune. His motets were performed for Louis XIV, who recognized his talent and appointed him music master to the queen. Under orders of the king, Lorenzani traveled back to Italy and recruited singers for the monarch's chapel. Despite a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1699 Deaths
Events January–March * January 5 – A violent Java earthquake damages the city of Batavia on the Indonesian island of Java, killing at least 28 people * January 20 – The Parliament of England (under Tory dominance) limits the size of the country's standing army to 7,000 'native born' men; hence, King William III's Dutch Blue Guards cannot serve in the line. By an Act of February 1, it also requires disbandment of foreign troops in Ireland. * January 26 – The Republic of Venice, Polish–Lithuanian Commonwealth and Holy Roman Empire sign the Treaty of Karlowitz with the Ottoman Empire, marking an end to the major phase of the Ottoman–Habsburg wars. The treaty marks a major geopolitical shift, as the Ottoman Empire subsequently abandons its expansionism and adopts a defensive posture while the Habsburg monarchy expands its influence. * February 3 – The first paper money in America is issued by the colony of Massachusetts, to pay its soldiers fighting against Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1610s Births
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aurelius reduces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Schneebeli
Olivier Schneebeli is a French conductor and choirmaster, as well as music teacher, known for his work on Baroque music. He was named to the Legion of Honour in 2021. Olivier Schneebeli won a Diapason d'Or with Ensemble Vocal. Schneebeli led the Petits Chanteurs de Saint-Louis choir, producing a notable recording of Fauré's Requiem (1893 version) with the Collegium Vocal de Gent in 1988 for Harmonia Mundi recording of Fauré's ''Requiem'' with Philippe Herreweghe conducting. Beginning in 1991, Schneebeli led a choir called "Les Pages et les Chantres" at the Centre de musique baroque de Versailles, retiring after thirty years in 2021. With this choir, Schneebeli sought to establish a major French choir to perform the 17th and 18th century repertoire of Versailles and the French cathedrals. Disc ...
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Musica Florea
Musica Florea is a Czech Baroque music ensemble in Prague, founded in 1992 by conductor and cellist Marek Štryncl. Profile The group of young professionals with a common interest in the study and authentic performance of Baroque music engaged primarily in performances and recordings of Baroque era music, but its repertoire extends from the early Baroque through masterpieces from that era's culminating decades to music in the Classical style. It includes instrumental chamber music, vocal-instrumental works both sacred and secular, orchestral concertos, and monumental works in the genres of opera and oratorio. Playing on original instruments, supported by study of period sources and aesthetics, has become indispensable and at the same time a characteristic trait of the ensemble. Musica Florea enjoyed soon its first notable success, including a performance and recording of Jan Dismas Zelenka's ''Missa Sanctissimae Trinitatis'', which received an award from the music magazine '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Santeul
Jean-Baptiste de Santeul (or Santeuil, Santeüil; 12 May 1630 - 5 August 1697) was a French poet who wrote in Latin. Life Jean-Baptiste de Santeul was born on 12 May 1630 in Paris, to a good family. His father was Claude de Santeuil, a bourgeois merchant of Paris. His uncle, Nicolas de Santeuil, was President of the Finance office of Paris, then Intendant of the Department of Beauvais for twenty years. His mother was Madelaine Boucher. He was one of five children. Three of his brothers, Claude, Charles and Didier, also had distinguished careers. He was first educated at the College of Clermont. He studied rhetoric under the Jesuit Father Coffard, who discovered his talent for Latin verse. Jean-Baptiste de Santeul entered the Abbey of St. Victor, Paris, in 1653, and made his profession the next year. He became a regular canon. He was a respected poet in the Latin language, writing under the name of Santolius Victorinus. Santeul also wrote hymns, many of which were published in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petits Motets
The ''petit motet'' ("little motet") was a genre of domestic sacred chamber music popular in France during the baroque era. It was the sacred counterpart of the secular cantata, and small-scale counterpart of the ''grand motet.''''Motets for one and two voices with instruments'' p.viii François Martin (composer) François Martin (1727-1757) was a French composer and cellist. He is said to have died at the age of thirty while in the service of Louis de Gramont, 6th Duke of Gramont. His works include petits motets. His works also include "Six Trios ou Conve ..., Mary Cyr - 1988 "The petit motet represented a sacred counterpart to the fashionable cantata, and like the latter, it absorbed considerable foreign influence, especially from Italy. French composers often attempted to popularize their publications by ..." References {{reflist Baroque music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Ballard
Christophe Ballard (french: ʁistɔf balaʁ}; April 12, 1641 — May 28, 1715) was a Parisian printer, bookseller, and music publisher employed by Louis XIV, from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th century. Christophe Ballard was the eldest son and only successor of and, like him, was the king's ''imprimeur ordinaire'' active from 1673 until the end of his life. Around 1700, the printing house was at its highest point: he maintained four presses and employed nine helpers and two apprentices. Ballard still used antiquated movable type with diamond-shaped notes that were designed and cast for Robert Ballard and his son-in-law Adrian Le Roy (ca. 1520–1598) in the 1550s by Ballard’s father-in-law, Guillaume Le Bé. Pierre I Ballard directed the workshop on the '' rue Saint-Jean de Beauvais'' from 1599 to 1639, followed from 1639 to 1673 by his son Robert III Ballard. In 1713, Jean-Marie Leclair, François Couperin and other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grands Motets
The grand motet (plural grands motets) was a genre of motet cultivated at the height of the French baroque, although the term dates from later French usage. At the time, due to the stylistic feature of employing two alternating choirs, the works were typically described as ''motet pour deux choeurs'' - motet for double choir. Form of a grand motet In the context of French baroque music the grand motet primarily contrasted with the petit motet. The first distinction is evident in the name; the ''grand'' form was truly ''grand'' (big) in proportion calling for double choirs and massed orchestral forces, whereas the ''petit'' form was a chamber genre for one or two solo voices, one or two solo instruments, and basso continuo - the basso continuo typically provided by the harpsichord at home or organ in a smaller church. These two French baroque motet types are also very distinct from the medieval motets of Dufay and renaissance motets of Lassus, and the German motet style of J. S. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (responsory)
Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion (Christianity), Passion. Text The theme of the text of the second responsory for Maundy Thursday is Jesus in the garden Gethsemane, addressing his disciples. The first two lines of the responsory are . In the King James Version, the beginning of the Latin text, told in the first person, is translated as "My soul is exceeding sorrowful". While the first two lines are quoted from the bible, the last two lines of are free anonymous poetry, predicting they will see a crowd, they will flee, and Jesus will go to be sacrificed for them. Responsorium:Catholic Church]''The Complete Office of Holy Week According to the Roman Missal and Breviary, in Latin and English'', p. 200Benziger brothers, 1875 Versus: Translations are offered by the The Episcopal Church, Episcopal Church and the Roman Catholic Church: Respon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
