Pierre Le Messier
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Pierre Le Messier
Bellerose or Belle-Rose (1592 – 1670) was the stage name of the French actor-manager Pierre le Messier. He was one of the leading tragedians of the first half of the 17th century.Forman 2010, p. 47.Roy 1995 He apprenticed with Valleran le Conte in 1609, performed in Bourges in 1619, and directed his own company in Marseille in 1620, but little else is known about his early career. He joined the Comédiens du Roi under Gros-Guillaume at the Hôtel de Bourgogne in 1622. He had a fine speaking voice and performed leading parts in comedies and tragedies, and also acted as the 'orator', the member of the company who formally addressed the audience. Some contemporaries regarded Bellerose as "insipid and affected" and preferred his arch-rival, the more aggressive Montdory at the Théâtre du Marais. After Gros-Guillaume's death in 1634, Bellerose became the leader of the Comédiens du Roi at the Bourgogne and remained in that position until 1647, when he is thought to have sold his in ...
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Actor-manager
An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the business, sometimes taking over a theatre to perform select plays in which they usually star. It is a method of theatrical production used consistently since the 16th century, particularly common in 19th-century Britain and the United States. History The first actor-managers, such as Robert Browne, appeared in the late 16th century, to be followed by another Robert Browne (no relation) and George Jolly in the 17th century. In the 18th century, actor-managers such as Colley Cibber and David Garrick gained prominence. The system of actor-management generally produced high standards of performance, as demonstrated by such 19th-century actors as William Macready, Charles Wyndham, Henry Irving, Frank Benson and Herbert Beerbohm Tree, by husband-wife teams such as Squire Bancroft and Effie Bancroft, Frank Wyatt and Violet Melnotte, William Hunter Kendal and Madge Robertson Ken ...
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Montdory
Montdory, pseudonym of Guillaume des Gilberts (baptized 13 March 1594; died between 17 November 1653 and 14 November 1654), was a French actor manager, recognized as "the most powerful tragedian of his day."Roy 1995. Birth, family, and name Montdory was born in Thiers and baptized there in the parish of Saint-Genès on 13 March 1594. He was named after his father, Guilhaume Dosgilberts, who was a ''coutelier'' (cutlery maker). The spelling of Guilhaume was often standardized to Guillaume, even during his lifetime. The Thiernaise patois article ''dos'' is translated into French as ''des'', and the surname appears in various documents with 'z' instead of 's' and as one word or two (e.g., 'Dosgilbertz' or 'Desgilberts' or 'des Gilberts'). The family owned property in nearby Escoutoux, in the village of Les Giliberts (today Les Gilberts). His mother was Catherine Sandry, sister of Guilhaume Sandry, a merchant, who served as his godfather. He adopted the pseudonym Montdory early i ...
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1592 Births
Year 159 (CLIX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time in Roman territories, it was known as the Year of the Consulship of Quintillus and Priscus (or, less frequently, year 912 ''Ab urbe condita''). The denomination 159 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place India * In India, the reign of Shivashri Satakarni, as King Satavahana of Andhra, begins. Births * December 30 – Lady Bian, wife of Cao Cao (d. 230) * Annia Aurelia Fadilla, daughter of Marcus Aurelius * Gordian I, Roman emperor (d. 238) * Lu Zhi, Chinese general (d. 192) Deaths * Liang Ji, Chinese general and regent A regent (from Latin : ruling, governing) is a person appointed to govern a state '' pro tempore'' (Latin: 'for the time being') because the monarch is a minor, absent, incapacitated or ...
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French Male Stage Actors
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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17th-century French Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Mademoiselle Bellerose
Nicole Gassot, known under her stage name Mademoiselle Bellerose (1605 – 1679), was a French stage actress. She was the daughter of the actor Jean Gassot, stage name La Fortune. She and her father were members of the same theatre company as Mondory in March 1618. She first married the actor Mathias Meslier, and secondly in 1630 the actor Pierre Le Messier, stage name Bellerose. In 1628 the Grands Comediens ( Comédiens du Roi) was established at the Hôtel de Bourgogne. Initially, only the male actors are named, but in 1630 three actresses are mentioned: Nicole Gassot (Mlle Bellerose), Madeleine de Pouget (Mlle Beauchateau) and Jeanne Buffequin (Mlle La Fleur). Scott, Virginia (2010). '' Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was engaged at the Hôtel de Bourgogne between 1630 and 1660. She was a star attraction of the theatre and described as the perhaps most popular stage actress of the theatre at ...
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Floridor
Josias de Soûlas, known as "Floridor", Sieur de Prinefosse (c.1608-14 August 1671) was a French actor.J. Fransen, Les Comédiens français en Hollande au XVII* et au XVIII «siècle. Paris, librairie Honoré Champion, 4925. JSTOR "Mais ce que l'on sait, c'est que Josias de Soûlas, dit Floridor, se produisit aux Pays-Bas, et qu'il avait à ce point l'estime du grand tragique que Corneille le chargea de remettre à Constantin Huygens, à qui il dédia le Menteur, un exemplaire de sa Médée." Biography He was born in Brie early in the 17th century, the son of a gentleman of German family who had moved to France, married there, and become a Roman Catholic. The son entered the French army, but after being promoted ensign, quit the army for the theatre, where he took the name of "Floridor." His first Paris appearance was in 1640. Three years later he was called to the company at the Hôtel de Bourgogne, where he played all the leading parts in tragedy and comedy and became the head of ...
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Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ...
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Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ...
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