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Pierre Desvignes
Pierre Desvignes (27 September 1764 – 27 January 1827) was a French composer. Life Born in Velars-sur-Ouche (Burgundy) (modern department of Côte-d'Or), from a family of modest farmers, Desvignes was quickly noticed for his voice and admitted as Altar server (child singing in the choir) of the . He received extensive training there, designed to turn these young singers into future professional performers. He then received further training at the musical school of the Dijon Cathedral where he had the chance to have as his teacher Jean-François Lesueur, who had himself been trained in chœurs d'église (in Picardy) before the French Revolution in 1789. It was there that Desvignes composed his first major work in 1780, a ''4-part Mass''. Resolutely modern in inspiration, this small piece (a four-part choir and four soloists, without instruments) requires high level performers: for centuries, all members of the church choirs were professional, until the brutal suppression of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Desvignes After Pierre-Roch Vigneron
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancien Regime
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''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France ''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ''Ancien'' may refer to * the French word for " ancient, old" ** Sociét ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pie Jesu
"Pie Jesu" ( ; original Latin: "Pie Iesu" ) is a text from the final couplet of the hymn " Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means " pious Jesus" in the vocative. Popular settings The settings of the Requiem Mass by Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem. Camille Saint-Saëns, who died in 1921, said of Fauré's "Pie Jesu": "Just as Mozart's is the only 'Ave verum corpus', this is the only 'Pie Jesu'." Andrew Lloyd Webber's setting of "Pie Jesu" in his Requiem (1985) has also become well known and has been widely recorded, including by Sarah Brightman, Charlotte Church, Jackie Evancho, Sissel Kyrkjebø, Marie Osmond, Anna Netrebko, and others. Performed by Sarah Brightman and Paul Miles-Kingston, it was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Lamentations
The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot (or "Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes and the Book of Esther although there is no set order. In the Christian Old Testament it follows the Book of Jeremiah, as the prophet Jeremiah is its traditional author. However, according to modern scholarship, while the destruction of Jerusalem by Babylon in 586/7 BCE forms the background to the poems, they were probably not written by Jeremiah. Most likely, each of the book's chapters was written by a different anonymous poet, and they were then joined to form the book. Some motifs of a traditional Mesopotamian "city lament" are evident in this book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the divin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Sciences, Arts Et Belles-Lettres De Dijon
The Académie de Dijon was founded by Hector-Bernard Pouffier, the most senior member of the Parlement de Bourgogne, in 1725. It received royal ''lettres patentes'' in 1740. In 1775, it became the "Académie des Sciences, Arts et Belles-Lettres de Dijon." From 1855 to 1869, it was called the "Académie Impériale des Sciences, Arts et Belles-Lettres de Dijon" before returning in 1870 to the name "Académie des Sciences, Arts et Belles-Lettres de Dijon." In July 1750, it sponsored a prize competition on the question of "whether the reestablishment of the sciences and the arts contributed to purifying morals." Jean-Jacques Rousseau won the prize by arguing in the negative, in his Discourse on the Arts and Sciences. In 1754, he again competed for the prize with his Discourse on the Origin and Basis of Inequality Among Men, but did not win the prize that year. The Académie des Sciences, Arts et Belles-Lettres de Dijon still exists, and still offers the prize. Famous members * Charl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper. History Plan of Catherine de Medici (16th C.) The site of the Tuileries palace was originally just outside the walls of the city, in an area frequently flooded by the Seine as far as the present Rue Saint-Honore. The land was occupied by the workshops and kilns craftsmen who ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoléon Ier
Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who rose to prominence during the French Revolution and led successful campaigns during the Revolutionary Wars. He was the ''de facto'' leader of the French Republic as First Consul from 1799 to 1804, then Emperor of the French from 1804 until 1814 and again in 1815. Napoleon's political and cultural legacy endures to this day, as a highly celebrated and controversial leader. He initiated many liberal reforms that have persisted in society, and is considered one of the greatest military commanders in history. His wars and campaigns are studied by militaries all over the world. Between three and six million civilians and soldiers perished in what became known as the Napoleonic Wars. Napoleon was born on the island of Corsica, not long af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bienaimé
Paul Émile Bienaimé (6 July 1802 – 17 January 1869) was a 19th-century French composer. Biography A pupil at the , he studied at the Conservatoire with Victor Dourlen and François-Joseph Fétis. In 1822 he won the prize in harmony and in 1825, was laureate of a competition of musical composition organised by the Conservatoire with a four-act fugue and finished in second place of the prix de Rome with his cantata ''Herminie'' in 1826. In 1827, he succeeded Pierre Desvignes as ''kapellmeister'' at Notre-Dame de Paris where he would play most of his sacred works, such as the ''Requiem'' in 1830 with large orchestra in honor of Louis XVI and Marie-Antoinette. With François-Antoine Habeneck he founded the "Société des concerts du Conservatoire" in 1828. His position at Notre-Dame was abolished after the July Revolution. He then devoted himself to teaching at the Conservatory in the classes of harmony and accompaniment, which he left in 1864 to retire. Works He wrote s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Naderman
François-Joseph Naderman (; 5 August 1781, in Paris – 2 April 1835, in Paris) was a Classical music, classical harpist, teacher and composer, the eldest son of the well-known eighteenth century harp maker Jean Henri Naderman. The profession of his father, luthier, is certainly at the root of his vocation. There are 27 entries for François Joseph Naderman in the universities of California among capriccio (music), caprices, etudes, Fantasia (music), fantasias, Variation (music), variations and duets for harp and harp, harp and flute, harp and cello, harp and French horn, horn combined ''Music Catalog'' with estimate dates of publication. His ''Sonatinas Progressives'' are still regarded as some of the most important works in harp repertoire today. Life A student of Jean-Baptiste Krumpholtz, François Joseph Naderman became a famous musician after the French Revolution, and his reputation continued under the French Consulate, Consulate, the First French Empire, First Empire and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
