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Pierre De Molins
Pierre de Molins or Molaines (''fl''. 1190–1220) was an early trouvère. He knew either Gace Brulé or the Chastelain de Couci, two of the first-generation trouvères. He was probably a member of a landed family of Épernay, or possibly of a family resident in and around Noyon. He is probably the local "Pierre II" referred to in documents from between 1210 and 1224. Four songs are attributed to Pierre in the Chansonnier du Roi and the Noailles Chansonnier, and all appear in other chansonniers with different attributions. All the melodies are in bar form. Most unusual are the presence of a melodic tritone in two sources for ''Fine amours et bone esperance'' and of a sharpened subdominant in ''Chanter me fet ce don't je crien morir'', both created by the use of accidentals. ''Fine amours'' served as the model for an anonymous composition of the same name (the second line beginning ''Me fait''), an anonymous piece beginning ''L'autrier par une matinee'', and an anonymous song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gace Brulé
Gace Brulé (''c.'' 1160 – ''after'' 1213) was a French nobleman and trouvère from Champagne. His name is simply a description of his blazonry. He owned land in Groslière and had dealings with the Knights Templar, and received a gift from the future Louis VIII. These facts are known from documents from the time. The rest of his history has been extracted from his poetry. It has generally been asserted that he taught Thibaut of Champagne the art of verse, an assumption which is based on a statement in the ''Chroniques de Saint-Denis'': "Si l'est entre lui hibautet Gace Brulé les plus belles chançons et les plus delitables et melodieuses qui onque fussent ales." This has been taken as evidence of collaboration between the two poets. The passage will bear the interpretation that with those of Gace the songs of Thibaut were the best hitherto known. Paulin Paris, in the ''Histoire littéraire de la France'' (vol. xxiii.), quotes a number of facts that fix an earlier date for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chastelain De Couci
Le Chastelain de Couci (modern orthography Le Châtelain de Coucy) was a French trouvère of the 12th century. He may have been the Guy de Couci who was castellan of Château de Coucy from 1186 to 1203. Some twenty-six songs, written in langue d'oïl are attributed to him, and about fifteen or sixteen are considered authentic. They are modelled very closely on Provençal originals, but are saved from the category of mere imitations by a grace and simplicity peculiar to the author. The legend of the love of the Châtelain de Coucy and the Lady of Fayel, in which there figures a jealous husband who makes his wife eat the heart of her lover, has no historical basis, and dates from a late 13th century romance by Jakemon Sakesep. The story, which seems to be Breton in origin, has been also told of a Provençal troubadour, Guilhem de Cabestaing, and of the minnesinger Reinmar von Brennenberg Reinmar von Brennenberg (or Reinmar der Brennenberger) was a minnesinger and ministerialis to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Épernay
Épernay () is a commune in the Marne department of northern France, 130 km north-east of Paris on the mainline railway to Strasbourg. The town sits on the left bank of the Marne at the extremity of the Cubry valley which crosses it. Épernay is a sub-prefecture of the department and seat of an arrondissement. History Épernay () belonged to the archbishops of Reims from the 5th until the 10th century, when it came into the possession of the counts of Champagne. It was badly damaged during the Hundred Years' War, and was burned by Francis I in 1544. It resisted Henry of Navarre in 1592, and Marshal Biron fell in the attack which preceded its eventual capture. In 1642 it was, along with Château-Thierry, named as a duchy and assigned to the duc de Bouillon. Population Main sights In the central and oldest quarter of the town, the streets are narrow and irregular; the surrounding suburbs, however, are modern and more spacious, with La Folie to the East, for example, cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noyon
Noyon (; pcd, Noéyon; la, Noviomagus Veromanduorum, Noviomagus of the Veromandui, then ) is a Communes of France, commune in the Oise Departments of France, department, northern France. Geography Noyon lies on the river Oise (river), Oise, about northeast of Paris. The Oise Canal and the Canal du Nord pass through the commune. Noyon station is served by regional trains to Creil, Saint-Quentin, Compiègne and Paris. History The Gallo-Romans founded the town as Noviomagus (Common Celtic, Celtic for "New Field" or "Market"). As several other cities shared the name, it was distinguished by specifying the people living in and around it. The town is mentioned in the Antonine Itinerary as being 27 Roman miles from Soissons and 34 Roman miles from Amiens, but Jean Baptiste Bourguignon d'Anville, d'Anville noted that the distance must be in error, Amiens being further and Soissons closer than indicated. By the Middle Ages, the town's Vulgar Latin, Latin name had mutated t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier Du Roi
The ''Manuscrit du Roi'' or ''Chansonnier du Roi'' ("King's Manuscript" or "King's Songbook" in English) is a prominent songbook compiled towards the middle of the thirteenth century, probably between 1255 and 1260 and a major testimony of European medieval music. It is currently French manuscript no.844 of the Bibliothèque nationale de France. It is known by various sigla, depending on which of its contents are the focus of study: it is troubadour manuscript ''W'', trouvère manuscript ''M'', and motet manuscript ''R''. It was first published by French musicologist Pierre Aubry in 1907 ("Les plus anciens textes de musique instrumentale au Moyen Age"). __NOTOC__ Background The manuscript contains more than 600 songs composed for the most part between the late twelfth and early thirteenth century. Some were written by famous trouvères, such as Theobald I of Navarre, Gace Brulé, Guiot de Dijon or Richard de Fournival, but others are anonymous. It contains as an addendum a booklet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noailles Chansonnier (1876-1933), Romanian-French poet and wr ...
Noailles may refer to: Places in France * Noailles, Corrèze, in the Corrèze department * Noailles, Oise, in the Oise department * Noailles, Tarn, in the Tarn department * Noailles, Marseille, a neighborhood and metro station of the 1st arrondissement of Marseille People * Three 16th century French diplomatic brothers: ** Antoine de Noailles (1504–1562), Sieur de Noailles, admiral of France ** François de Noailles (1519–1585), Papal Prothonotary, Bishop and French ambassador ** Gilles de Noailles (1524–1600), French Ambassador to the Ottoman Empire * Duke of Noailles, a French peerage created in 1663 including a long list of members of the Noailles family * Anna de Noailles Anna, Comtesse Mathieu de Noailles (Anna Elisabeth Bibesco-Bassaraba de Brancovan) (15 November 1876 – 30 April 1933) was a French writer of Romanian and Greek descent, a poet and a socialist feminist. Biography Personal life Born Princess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tritone
In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B. Narrowly defined, each of these whole tones must be a step in the scale, so by this definition, within a diatonic scale there is only one tritone for each octave. For instance, the above-mentioned interval F–B is the only tritone formed from the notes of the C major scale. More broadly, a tritone is also commonly defined as any interval with a width of three whole tones (spanning six semitones in the chromatic scale), regardless of scale degrees. According to this definition, a diatonic scale contains two tritones for each octave. For instance, the above-mentioned C major scale contains the tritones F–B (from F to the B above it, also called augmented fourth) and B–F (from B to the F abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accidental (music)
In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature. In musical notation, the sharp (), flat (), and natural () symbols, among others, mark such notes—and those symbols are also called accidentals. In the measure (bar) where it appears, an accidental sign raises or lowers the immediately following note (and any repetition of it in the bar) from its normal pitch, overriding the key signature. A note is usually raised or lowered by a semitone, and there are double sharps or flats, which raise or lower the indicated note by two semitones. Accidentals usually apply to all repetitions within the measure in which they appear, unless canceled by another accidental sign, or tied into the following measure. If a note has an accidental and the note is repeated in a different octave within the same measure the accidental is usually repeated, although this convention is far from uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
