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Pierre De Corbie
Pierre de Corbie (died after 1195) was an early trouvère from the Île-de-France. He is probably the same person as the ''magister Petrus de Corbeia'' (" master Peter of Corbie") who served as a canon at Notre Dame d'Arras between 1188 and 1195. Five of the seven surviving songs associated with Pierre are found only the closely related sources TrouvM and TrouvT. The remaining two are in those manuscripts but are also found more widely. Songs Songs associated with Pierre include ''chansons courtoises The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry devised by the trouvères. It was adopted from the Occitan ''canso'' of the troubadours, but ...'' with and without refrain a satirical song, and two pastourelles, one of which is a song with changing refrains (a 'chanson avec des refrains'). Less securely attributed is a '' jeu-parti'', listed here for completeness but likely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ÃŽle-de-France
, timezone1 = CET , utc_offset1 = +01:00 , timezone1_DST = CEST , utc_offset1_DST = +02:00 , blank_name_sec1 = Gross regional product , blank_info_sec1 = Ranked 1st , blank1_name_sec1 = –Total , blank1_info_sec1 = €742 billion (2019) , blank2_name_sec1 = –Per capita , blank2_info_sec1 = €59,400 (2018) , blank_name_sec2 = NUTS Region , blank_info_sec2 = FR1 , website = , iso_code = FR-IDF , footnotes = The Île-de-France (, ; literally "Isle of France") is the most populous of the eighteen regions of France. Centred on the capital Paris, it is located in the north-central part of the country and often called the ''Région parisienne'' (; en, Paris Region). Île-de-France is densely populated and retains a prime economic position on the national stage: though it covers only , abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of Arts
A Master of Arts ( la, Magister Artium or ''Artium Magister''; abbreviated MA, M.A., AM, or A.M.) is the holder of a master's degree awarded by universities in many countries. The degree is usually contrasted with that of Master of Science. Those admitted to the degree have typically studied subjects within the scope of the humanities and social sciences, such as history, literature, languages, linguistics, public administration, political science, communication studies, law or diplomacy; however, different universities have different conventions and may also offer the degree for fields typically considered within the natural sciences and mathematics. The degree can be conferred in respect of completing courses and passing examinations, research, or a combination of the two. The degree of Master of Arts traces its origins to the teaching license or of the University of Paris, designed to produce "masters" who were graduate teachers of their subjects. Europe Czech Republic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (priest)
A canon (from the Latin , itself derived from the Greek , , "relating to a rule", "regular") is a member of certain bodies in subject to an ecclesiastical rule. Originally, a canon was a cleric living with others in a clergy house or, later, in one of the houses within the precinct of or close to a cathedral or other major church and conducting his life according to the customary discipline or rules of the church. This way of life grew common (and is first documented) in the 8th century AD. In the 11th century, some churches required clergy thus living together to adopt the rule first proposed by Saint Augustine that they renounce private wealth. Those who embraced this change were known as Augustinians or Canons Regular, whilst those who did not were known as secular canons. Secular canons Latin Church In the Latin Church, the members of the chapter of a cathedral (cathedral chapter) or of a collegiate church (so-called after their chapter) are canons. Depending on the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre Dame D'Arras
Arras Cathedral (French: ''Cathédrale Notre-Dame-et-Saint-Vaast d'Arras'') is the Catholic church in the city of Arras, France. The cathedral is the seat of the Bishops of Arras. History The original cathedral of Arras, constructed between 1030 and 1396, was one of the most beautiful Gothic structures in northern France, until it was destroyed in the French Revolution. The cathedral was the resting place of Louis de Bourbon, ''Légitimé de France'', a legitimated son of Louis XIV and Louise de La Vallière. Abbey Church of Saint-Vaast The church of the former St. Vaast's Abbey was rebuilt beginning in 1750 in neoclassical style. The design was chosen by the former abbot of St. Vaast's, the Cardinal de Rohan, and is of remarkable simplicity. It is 'a very large building, the erection of which was begun in 1755 from plans by Pierre Contant d'Ivry, the architect who later created designs for the Church of La Madeleine in Paris. The work was interrupted during the Revol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier Du Roi
The ''Manuscrit du Roi'' or ''Chansonnier du Roi'' ("King's Manuscript" or "King's Songbook" in English) is a prominent songbook compiled towards the middle of the thirteenth century, probably between 1255 and 1260 and a major testimony of European medieval music. It is currently French manuscript no.844 of the Bibliothèque nationale de France. It is known by various sigla, depending on which of its contents are the focus of study: it is troubadour manuscript ''W'', trouvère manuscript ''M'', and motet manuscript ''R''. It was first published by French musicologist Pierre Aubry in 1907 ("Les plus anciens textes de musique instrumentale au Moyen Age"). __NOTOC__ Background The manuscript contains more than 600 songs composed for the most part between the late twelfth and early thirteenth century. Some were written by famous trouvères, such as Theobald I of Navarre, Gace Brulé, Guiot de Dijon or Richard de Fournival, but others are anonymous. It contains as an addendum a booklet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier De Noailles
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chanso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansons Courtoises
The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry devised by the trouvères. It was adopted from the Occitan ''canso'' of the troubadours, but scholars stress that it was a distinct genre. The predominant theme of the ''grand chant'' was courtly love, but topics were more broad than in the ''canso'', especially after the thirteenth century. The monophonic ''grand chant'' of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic ''chanson'' of the Late Middle Ages The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Eur ... (14th–15th centuries). Reference works *O'Neill, Mary (2006). ''Courtly Love Songs of Medieval France: Transmissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu-parti
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic form. Chief exponents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson Avec Des Refrains
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, '' chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, '' air de cour''; popular songs from the 17th to 19th century, '' bergerette'', ''brunette'', '' chanson pour boire'', ''pastourelle'', and vaudeville; art son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugues IV De Berzé
Hugues IV de Berzé (or ''Bregi''; 1150/1155 – 1220) was a knight and trouvère from the Mâconnais. He participated in the Fourth Crusade in 1201 and the Fifth Crusade in 1220. He was the lord of Berzé-le-Châtel. Hugues wrote at least five lyric poems that are preserved in various chansonniers. His last one was written to the troubadour Falquet de Romans, asking his friend to participate in the Crusade with him '' outra mar''. Hugues sent his poem with the ''jongleur'' Bernart d'Argentau and it forms an important source of information about both poets. According to Hugues, neither he nor Falquet were young at the time.Though the poetic exchange has been dated as early as 1201 or as late as November 1220 – September 1221, the former date is ''too'' early and the latter invalidated by Hugues's death. Recently, dates of 1215, 1216, 1217, and 1219 have been proffered (Riquer). Hugues was dead by August 1220, which provides an '' ante quem'' date for the poem. Hugues is referred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
