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Picture Book (The Kinks Album)
''Picture Book'' is a six-disc box set of material by the Kinks. It was released in December 2008 and compiles previously unreleased demos and outtakes together with selections from the group's four decade-long career. The first box set released by the band, the track listing for the collection is mostly in chronological order. The box set also comes with a 60-page booklet featuring a biography of the band, a timeline, and photos. Track listing ;Disc one #"Brian Matthew Introduces The Kinks" #"You Really Got Me" #"I'm a Hog for You Baby" #"I Believed You" #"Long Tall Sally" #"I Don't Need You Any More" #"Stop Your Sobbing" #"I Gotta Move" #"Don't Ever Let Me Go" #" All Day and All of the Night" #"Tired of Waiting for You" #"Come On Now" (sequence of takes 1–3) #"There's a New World Just Opening For Me" emo#" Ev'rybody's Gonna Be Happy" #"Who'll Be the Next in Line" #"Time Will Tell" #" Set Me Free" #" I Need You" #"See My Friends" #"Wait Till the Summer Comes Along" #"I Go to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ev'rybody's Gonna Be Happy
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK. The song was written as a musical experiment, rather than as an intended single, according to Davies in an interview, where he also claimed that the demo became the master version of it. Background Both sides of the single were recorded in December 1964 in the same session as the B-side and final overdubs for "Tired of Waiting for You". "Ev'rybody's Gonna Be Happy" drew inspiration from the Earl Van Dyke trio, whom the Kinks had previously toured with. Upon hearing the playback, the Kinks producer Shel Talmy was skeptical of the single's release, as he did not like the sound, in contrast to Davies who was convinced t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Not Like Everybody Else
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song. History Davies had written the song for the Animals, but it was turned down, so the Kinks released their own version with guitarist Dave Davies on lead vocals. This went against the norm where each brother usually sang songs they had written themselves. Later performances of the song were sung by Ray, with Dave providing backing vocals and Eric Clapton-influenced guitar solos. Both the Davies brothers continue to perform the song in their solo concerts. Dave Davies described the song as "a Kinks fans favourite." He also said, " was never a hit for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny Afternoon
"Sunny Afternoon" is a song by the Kinks, written by chief songwriter Ray Davies. The track later featured on the '' Face to Face'' album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band (begun with 1965's "A Well Respected Man"), which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits. Background "Sunny Afternoon" was first written in Ray Davies' house when he was sick. Davies said of the song's lyrics, "The only way I could interpret how I felt was through a dusty, fallen aristocrat who had come from old money as opposed to the wealth I had created for myself." In order to prevent the listener from sympathizing with the song's protagonist, Davies said, "I turned him into a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
She's Got Everything (The Kinks Song)
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days". The track was covered by the Romantics on their self-titled debut album. Background "She's Got Everything" was recorded in February 1966 (with possible overdubs on the song done in 1968) during the '' Face to Face'' sessions. However, the song was not used for that album (nor its follow-up, ''Something Else by The Kinks''), and was left unreleased. However, two years later in 1968, The Kinks were forced to rush-release another single, "Days" (originally intended to be an album track on '' The Kinks Are the Village Green Preservation Society''), after their previous single, " Wonderboy", under-performed. "She's Got Everything" was then salvaged from their previously unreleased tracks to be used as the B-side. The track was also to be the opening track of the unreleased ''Four More Respected Gentlemen'' U.S. album. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dedicated Follower Of Fashion
"Dedicated Follower of Fashion" is a 1966 song by British band the Kinks. It lampoons the contemporary British fashion scene and mod culture in general. Originally released as a single, it has been included on many of the band's later albums. Musically, it and "A Well Respected Man" marked the beginning of an expansion in the Kinks' inspirations, drawing as much from British music hall traditions as from American rhythm and blues, the inspiration for breakthrough Kinks songs like "You Really Got Me". While it was quite scornful toward them, many of the fashionistas the song mocks would later take its title to heart. Background In the mid-1960s fashion in Britain was becoming increasingly daring and outrageous, driven by the youth-oriented culture of Swinging London. Boutiques such as Biba, designers like Mary Quant, and the television personalities like Cathy McGowan who popularised them became celebrated as much as the entertainers who wore their mod clothes. Fashion tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Have All The Good Times Gone
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album ''The Kink Kontroversy'' (1965 UK, 1966 US). ''Cash Box'' described the single as a "raunchy, shufflin’ emotional tale of despair." Ray Davies said, "We'd been rehearsing 'Where Have All the Good Times Gone' and our tour manager at the time, who was a lot older than us, said, 'That's a song a 40-year-old would write. I don't know where you get that from.' But I was taking inspiration from older people around me. I'd been watching them in the pubs, talking about taxes and job opportunities." The song has since gained "classic" status and featured on numerous compilations. Pye Records released the track as a single in November 1973 (Pye 7N 45313 b/w "Lola"). This re-release failed to chart. Although the Kinks had performed the song live on the TV show ''Ready Steady Go!'' in 1965, it would not becom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till The End Of The Day
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album ''The Kink Kontroversy''. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart. "Till the End of the Day" chart history Billboard.com. Retrieved 3 August 2011. Background Davies recalled of the process of writing the song, Of the song's meaning, Davies said, "That song was about freedom, in the sense that someone's been a slave or locked up in prison. It’s a song about escaping something. I didn't know it was about my state of mind." ''Billboard'' described the song as a "rockin' dance beat wailer with up-beat lyric." ''Cash Box'' described the single as a "rollicking, fast-moving, bluesy romancer about a fella who is especially hung-up on his gal." Cover versions A cover version by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milk Cow Blues (song)
"Milk Cow Blues" is a blues song written and originally recorded by Kokomo Arnold in September 1934. In 1935 and 1936, he recorded four sequels designated "Milk Cow Blues No. 2" through No. 5. The song made Arnold a star, and was widely adapted by artists in the blues, Western swing and rock idioms. Kokomo Arnold song Lyrical themes The lyrics of the Kokomo Arnold record combine the threads of: * Blues on awakening – :Good morning, Blues Blues how do you do? :Do mighty well this morning, can't get along with you. *The loss of a dairy cow – :Says, I woke up this a-morning and I looked outdoors :Says, I knowed my mamlish milk cow pretty mama, Lord, by the way she lowed :Lord, if you see my milk cow, buddy, I said, please drive her home :Says, I ain't had no milk and butter, mama, Lord, since a-my cow been gone * A breakup with his lover – :How can I do right, baby when you won't do right yourself? :Lord, if my good gal quits me well, I don't want nobody else *A warning t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Well Respected Man
"A Well Respected Man" is a song by the British band the Kinks, written by the group's lead singer and rhythm guitarist Ray Davies, and originally released in the United Kingdom on the EP ''Kwyet Kinks'' in September 1965. The song was released on the album ''Kinkdom'' in the United States. It was also released as a single in the US and Continental Europe. "A Well Respected Man" remains one of the band's most popular and best known songs. It is one of four Kinks songs included on The Rock and Roll Hall of Fame's list of the 500 Songs That Shaped Rock and Roll along with "You Really Got Me," "Waterloo Sunset," and "Lola". Background Davies composed the song based on a negative experience with upper class guests at a luxury resort where he was staying in 1965. He crafted the song to mock what he perceived as their condescension and self-satisfaction. '' Pye'' refused to release "A Well Respected Man" as a single in the UK because the record company wanted a song more similar t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Go To Sleep
"I Go to Sleep" is a song written by Ray Davies, main songwriter for The Kinks, and first released by The Applejacks. It was never recorded by The Kinks, but Ray Davies's demo can be found in reissue bonus tracks of their second studio album '' Kinda Kinks''. Marion version "I Go to Sleep" was covered in 1967 by German singer Marion ( de) (later known as Marion Maerz). The record was produced in London by Larry Page, the producer of The Troggs and manager of The Kinks. The song was released in Germany and the UK. Marion performed this song as the first and only German female singer in the famous German music program Beat Club. The Pretenders version "I Go to Sleep" was covered in 1981 by The Pretenders and released as a single from their second studio album ''Pretenders II''. "I Go to Sleep" had been rumored to have been one of the first songs that Chrissie Hynde ever learned. At the time of the song's recording, Hynde had been dating Ray Davies, whom she had met after cov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See My Friends
"See My Friends" (sometimes titled "See My Friend") is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the UK Singles Chart, ''Record Retailer'' chart. The song incorporates a Drone (music), drone-effect played on guitar, evoking a sound reminiscent of the Indian Tanpura, tambura. "See My Friends" is one of the key early works in the style known as raga rock. Music historian Jonathan Bellman sees it as the first Western rock song to integrate Indian raga sounds, citing its release four months ahead of the Beatles' "Norwegian Wood (This Bird Has Flown)", which includes a sitar part. However, Davies biographer Johnny Rogan comments that a preceding single release ("Heart Full of Soul" by the Yardbirds) was "pre-empting Davies's innovative use of Indian music". Background and inspiration In his interviews at the time of the song's release, Ray Davies told journalists Maureen Cleave an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
