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Piazza Del Campo
Piazza del Campo is the main public space of the historic center of Siena, Tuscany, Italy and is regarded as one of Europe's greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity. The Palazzo Pubblico and its Torre del Mangia, as well as various ''palazzi signorili'' surround the shell-shaped piazza. At the northwest edge is the Fonte Gaia. The twice-a-year horse-race, Palio di Siena, is held around the edges of the piazza. The piazza is also the finish of the annual road cycling race Strade Bianche. History The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the ''campo'' does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Gimignano
San Gimignano () is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form "an unforgettable skyline". Within the walls, the well-preserved buildings include notable examples of both Romanesque and Gothic architecture, with outstanding examples of secular buildings as well as churches. The Palazzo Comunale, the Collegiate Church and Church of Sant' Agostino contain frescos, including cycles dating from the 14th and 15th centuries. The "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. The town also is known for saffron, the Golden Ham, and its white wine, Vernaccia di San Gimignano, produced from the ancient variety of Vernaccia grape which is grown on the sandstone hillsides of the area. Territory The municipality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acca Larentia
Acca Larentia or Acca Larentina was a mythical woman, later goddess of fertility, in Roman mythology whose festival, the Larentalia, was celebrated on December 23. Myths Foster mother In one mythological tradition (that of Licinius Macer, et al.), she was the wife of the shepherd Faustulus. And after Romulus and Remus were thrown into the Tiber river, Faustulus brought them back to his home, where Acca Larentia would raise the children. She had twelve sons, and on the death of one of them Romulus took his place. and with the remaining eleven founded the college of the Arval brothers (Fratres Arvales). She is therefore identified with the Dea Dia of that collegium. The flamen Quirinalis acted in the role of Romulus (deified as Quirinus) to perform funerary rites for his foster mother. Benefactor of Rome Another tradition holds that Larentia was a beautiful girl of notorious reputation, roughly the same age as Romulus and Remus, during the reign of Ancus Marci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhea Silvia
Rhea (or Rea) Silvia (), also known as Ilia (as well as other names) was the mythical mother of the twins Romulus and Remus, who founded the city of Rome. Her story is told in the first book of ''Ab Urbe Condita Libri'' of Livy and in Cassius Dio's ''Roman History''. The Legend of Rhea Silvia recounts how she was raped by Mars while she was a Vestal Virgin and as a result became the mother of Romulus and Remus, the founders of Rome.Livy I.4.2 This event was portrayed numerous times in Roman art and mentioned in the ''Aeneid'' and the works of Ovid. Modern academics consider both how Rhea Silvia is relevant for the treatment of rape victims in Roman mythology as well as the different ways she is portrayed in Roman art. Legend According to Livy's account of the legend, she was the daughter of Numitor, king of Alba Longa, and descended from Aeneas. Numitor's younger brother Amulius seized the throne and killed Numitor's son, then forced Rhea Silvia to become a Vestal Virgin, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Sarrocchi
Tito Sarrocchi (5 January 1824 – 1900) was an Italian sculptor. Biography Sarrocchi was born at Siena to a humble family, as a boy was orphaned of mother. He had to help support his two sisters and his father, who had become nearly blind. At the age of thirteen, he began working under Antonio Manetti in the restoration of the facade of the Duomo of Siena. he also worked as a scenographer for a dance theater company. by . Tipe dei Successori Le Monnier, 1889, page 453–455. In 1841 moved to |
Piazza Del Duomo, Siena
Piazza del Duomo is a city square in Siena, Italy. Buildings around the square * Santa Maria della Scala (Siena) *Siena Cathedral Siena Cathedral ( it, Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. It was the episcopal seat of the Diocese of Siena, and ... * Palazzo Reale (Siena) Piazzas in Siena Odonyms referring to a building Odonyms referring to religion {{Siena-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Scala (Siena)
Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) is located in Siena, Italy. Now a museum, it was once an important civic hospital dedicated to caring for abandoned children, the poor, the sick, and pilgrims. Revenues were earned partially from bequests and donations from the citizens of Siena, particularly the wealthy.Baron, J. H. "The Hospital of Santa Maria della Scala, Siena, 1090–1990." BMJ 301 (1990): 1449–1451 The head of the hospital was the rector who managed the lay brothers responsible for its operation. Santa Maria della Scala was one of Europe's first hospitals and is one of the oldest hospitals still surviving in the world. It played a major cultural role and is considered one of Siena's 3 main artistic hubs. Location The Hospital partially gets its name from its position. Located across the Piazza del Duomo from Siena Cathedral, Santa Maria della Scala refers to its position across from the steps that lead into the Cathedral. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Krautheimer
Richard Krautheimer (6 July 1897 in Fürth (Franconia), Germany – 1 November 1994 in Rome, Italy) was a 20th-century art historian, architectural historian, Baroque scholar, and Byzantinist. Biography Krautheimer was born in Germany in 1897, the son of Nathan Krautheimer (1854–1910) and Martha Landmann (Krautheimer) (1875–1967). Krautheimer's cousin, Ernst Kitzinger, would also become a prominent Byzantinist. Krautheimer fought in the First World War as an enlisted soldier in the German army (1916–18). Between 1919 and 1923, he initially studied law at, successively, universities in Munich, Berlin, and Marburg under faculty who included Heinrich Wölfflin, Adolf Goldschmidt and Werner Weisbach. During these years, he briefly worked on the state inventory of Churches for Erfurt (''Inventarisierung der Erfurter Kirchen für die Preussische Denkmalpflege''). In 1924 he married Trude Hess (1902 - 1987), who subsequently also studied art history and became a noted scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-reliefs
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fonte Gaia
The Fonte Gaia is a monumental fountain located in the Piazza del Campo in the center of Siena, Italy. The first fountain in the Piazza del Campo was completed in 1342, after hydraulic construction had led water to the site. Underground pipes brought water to the site from 25 kilometers away. Legend holds that the fountain was met with much joy, thus it was given the name ''Gaia'' or joyous. Others suggest the term ''Gaia'' refers to the Latin term for "bride", and that the fountain was dedicated to the ''bride of God'' and patron of Siena, the Virgin Mary. The fountains, plates, and statues conflate Roman matrons' cardinal virtues, with a central relief of the Madonna and Child, curiously framed by stories of Genesis. In 1419, the fountain had the present decorative frame constructed by Jacopo della Quercia. In 1858, the original marble panels were replaced by copies sculpted by Tito Sarrocchi, under the supervision of architect Giuseppe Partini. The side reliefs depict episodes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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