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Piazza Salimbeni, Siena
The Piazza Salimbeni is a prominent square in central Siena, Region of Tuscany, Italy. It is notable for still housing the offices of one of the first banking houses in Europe, the Banca Monte dei Paschi di Siena. It is surrounded clockwise starting from north by the following palaces: * Palazzo Tantucci *Rocca or Palazzo Salimbeni * Palazzo Spannocchi The palace facades were harmonized to a neo-gothic-style during the nineteenth century by the architect Giuseppe Partini. In the center of the square is the statue of Sallustio Bandini, a Sienese priest and one of the first Italian economists, sculpted by Tito Sarrocchi Tito Sarrocchi (5 January 1824 – 1900) was an Italian sculptor. Biography Sarrocchi was born at Siena to a humble family, as a boy was orphaned of mother. He had to help support his two sisters and his father, who had become nearly blind. At ... (1882).
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Banca Monte Dei Paschi Di Siena
Banca Monte dei Paschi di Siena S.p.A. (), known as BMPS or just MPS, is an Italian bank. Tracing its history to a mount of piety founded in 1472 () and established in its present form in 1624 (), it is the world's oldest or second oldest bank, depending on the definition, and the fifth largest Italian commercial and retail bank. In 1995, the bank (then known as Monte dei Paschi di Siena) was transformed from a statutory corporation to a limited company called Banca Monte dei Paschi di Siena (Banca MPS). The Fondazione Monte dei Paschi di Siena was created to continue the charitable functions of the bank and to be, until the bailout in 2013, its largest single shareholder. According to research by Mediobanca and a press release issued by Banco BPM, Banco BPM overtook BMPS as the third largest commercial banking group in Italy (in terms of total assets) on 31 December 2016, after Banco BPM's formal formation on 1 January 2017. In 2016–17, BMPS was struggling to avoid a collap ...
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Palazzo Tantucci, Siena
The Palazzo Tantucci is a Renaissance style (more specifically Mannerist) urban palace localized on Via dei Montanini, on the Piazza Salimbeni, in the Terzo di Camollia, in the city of Siena, region of Tuscany, Italy. To the palace's right is the Gothic facade of the Palazzo Salimbeni, and across the Piazza with Sallustio Bandini's statue is the Classic Renaissance facade of the Palazzo Spannocchi. All three palaces are owned now by the Monte dei Paschi di Siena, the oldest bank in the world, which arose in the Salimbeni palace. History Construction of the palace in 1548 was commissioned by Mariano Tantucci from the artist Bartolomeo Neroni. The interiors underwent a series of reconstructions, including one by Giuseppe Partini in the 19th century. Since 1868, it has housed offices of the Banca Monte dei Paschi di Siena, and it was linked to the adjacent palaces in the 1970s by Pierluigi Spadolini Pierluigi is an Italian masculine given name meaning "Peter Louis". It is often an ...
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Palazzo Salimbeni
Palazzo Salimbeni is a Gothic style urban palace located on the Piazza Salimbeni, just off Via Banchi di Sopra in the Terzo di Camollia of the city of Siena, region of Tuscany, Italy. The building, associated with an ancient mercantile family of Siena, currently houses the main offices of the Banca Monte dei Paschi di Siena, the oldest bank in the world. History It was built in the 14th century, likely above pre-existing 12th-13th century structures. In the 19th century it was remodeled in neo-Gothic style, with detail including the merlons, the Lombard bands under them, the ogival triple mullioned windows, inspired by Siena's Palazzo Pubblico. It was further renovated by architect Pierluigi Spadolini during the 20th century. It faces a square with a statue of the local religious figure Sallustio Bandini, dating to 1882. Neighboring palaces include the Palazzo Santucci (16th century). Facing Palazzo Salimbeni, to the right stands the Palazzo Spannocchi (1470), designed by Giuli ...
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Palazzo Spannocchi, Siena
The Palazzo Spannocchi is a Renaissance style urban palace located on the Piazza Salimbeni, just off Via Banchi di Sopra in the Terzo di Camollia of the city of Siena, region of Tuscany, Italy. The building was associated with an ancient mercantile family of Siena. History It was built in 1473 by Ambrogio Spannocchi, adjacent to the Gothic Palazzo Salimbeni and faces the Mannerist Renaissance Palazzo Tantucci. Spannocchi had been named Treasurer to Pope Pius II of the Sienese Piccolomini Family. The design and construction was entrusted to the Florentine Giuliano da Maiano. The facade closely parallels the Palazzo Medici Riccardi of Florence built a few decades prior. The sober facade, of smooth stone, has three stories, with mullioned windows with round arches on the second floor. Unlike earlier Gothic palaces, which often afforded transient wooden scaffolds for either balconies or awnings, this palace has a solid protruding ceiling cornice near the roofline with classical bu ...
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Gothic Revival Architecture
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" t ...
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Giuseppe Partini
Giuseppe Partini (Siena, 1842–1895) was an Italian architect, mostly involved in reconstructions in his native Siena. ''Giuseppe Partini (1842-1895): architetto del purismo senese'' (1981) by Maria Cristina Buscioni. He was active with the sculptor Tito Sarocchi in the reconstruction of the ''Fonte Gaia'' in Piazza del Campo in Siena Italy, replacement of its original panels with copies. He also helped in the reconstruction of the Palazzi Palazzo Marsili, Siena, Marsili and Palazzo Tantucci, Siena, Tantucci in Siena. He was an architects involved with maintenance of the Duomo of Siena. He reconstructed the Palazzo di Giustizia in Chiavari. References

1842 births 1895 deaths 19th-century Italian architects Architects from Tuscany People from Siena {{italy-architect-stub ...
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Sallustio Bandini
Sallustio Bandini (19 April 1677 – 8 June 1760) was an Italian archdeacon, economist, and politician. He was an advocate of free trade, and removal of local feudal tariffs and tolls. He wrote an influential piece on this subject, titled ''Discorso Economico sopra la Maremma di Siena'', published posthumously in 1775. Approximately two years before his death, Bandini donated his private library to the University of Siena, under the agreement that the almost 3000 volumes would be made publicly available. From this donation the ''Biblioteca della Sapienza'' was formed, now known as ''Biblioteca Comunale degli Intronati''. Early life Bandini was born Sallustio Antonio Bandini in Siena to a prominent local family. His father was Patrizio Bandini and his mother was Caterina Piccolomini di Modanella, a member of the influential Piccolomini nobility. He was their third son. Legacy Bandini is memorialised for his enlightened discourse on economics with a statue in the centre of Siena's ...
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Tito Sarrocchi
Tito Sarrocchi (5 January 1824 – 1900) was an Italian sculptor. Biography Sarrocchi was born at Siena to a humble family, as a boy was orphaned of mother. He had to help support his two sisters and his father, who had become nearly blind. At the age of thirteen, he began working under Antonio Manetti in the restoration of the facade of the Duomo of Siena. he also worked as a scenographer for a dance theater company.Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.
by . Tipe dei Successori Le Monnier, 1889, page 453–455. In 1841 moved to

Palazzo Salimbeni, Siena
Palazzo Salimbeni is a Gothic style urban palace located on the Piazza Salimbeni, just off Via Banchi di Sopra in the Terzo di Camollia of the city of Siena, region of Tuscany, Italy. The building, associated with an ancient mercantile family of Siena, currently houses the main offices of the Banca Monte dei Paschi di Siena, the oldest bank in the world. History It was built in the 14th century, likely above pre-existing 12th-13th century structures. In the 19th century it was remodeled in neo-Gothic style, with detail including the merlons, the Lombard bands under them, the ogival triple mullioned windows, inspired by Siena's Palazzo Pubblico. It was further renovated by architect Pierluigi Spadolini during the 20th century. It faces a square with a statue of the local religious figure Sallustio Bandini, dating to 1882. Neighboring palaces include the Palazzo Santucci (16th century). Facing Palazzo Salimbeni, to the right stands the Palazzo Spannocchi (1470), designed by Giuli ...
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Buildings And Structures In Siena
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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