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Piano Trio No. 39 (Haydn)
Joseph Haydn's Piano Trio No. 39 in G major, Hob. XV/25 was written in 1795, during the final few weeks of Haydn's second trip to London, and one of a set of three (H. XV:24–26) dedicated to Rebecca Schroeter. It is perhaps his best-known piano trio and sometimes nicknamed the "Gypsy" or "Gypsy Rondo" trio because of its Rondo finale in 'Hungarian' style. The trio is in three movements. Rosemary Hughes describes the first movement as "a curious but charming blend of double- variation and rondo, for the two minor sections are extremely free in their connection either with the major main theme or with each other. The alternation of variations in major and minor keys is characteristic of Haydn. The final movement incorporates a number of Gypsy tunes, including the Hungarian "recruiting dance" genre known as Verbunkos, and gypsy effects (such as strumming accompaniments and left-hand pizzicato). The work was published in October 1795 by the English firm of Longman and Broderip ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Piano Trio
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below. The term "piano trio" is also used for jazz trios, where it most commonly designates a pianist accompanied by bass and drums, though guitar or saxophone may figure as well. Form Works titled "Piano Trio" tend to be in the same overall shape as a sonata. Initially this was in the three movement form, though some of Haydn's have two movements. Mozart, in five late works, is generally credited with transforming the accompanied keyboard sonata, in which the essentially optional cello doubles the bass of the keyboard left hand, into the balanced trio which has since been a central form of chamber music. With the early 19th century, particular ...
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Rebecca Schroeter
Rebecca (Scott) Schroeter (1751–1826) was an amateur musician who lived in London during the 18th and early 19th centuries. She was the wife of the German composer Johann Samuel Schroeter, and later, during her years of widowhood, a love interest of Joseph Haydn. Early life and marriage She was born in 1751 (baptized 13 May) to Robert Scott, a wealthy Scottish businessman living in London, and his wife Elizabeth. Her father died in 1771, leaving Rebecca an annuity and the future sum of 15,000 pounds, contingent on her marrying with the approval of the executors of the will.Source for this paragraph: Scull (1997) Some time in or before 1775, the family engaged the composer and pianist Johann Schroeter, an immigrant from Germany, as Rebecca's music teacher. By 1775, Johann and Rebecca had fallen in love, and sought to be married—much against the family's wishes. (Their objection hinged on matters of social class: they felt that Schroeter, a mere musical trademan, was not hig ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ...
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Verbunkos
Verbunkos (), other spellings being ''Verbounko'', ''Verbunko'', ''Verbunkas'', ''Werbunkos'', ''Werbunkosch'', ''Verbunkoche''; sometimes known simply as the hongroise or ungarischer Tanz is an 18th-century Hungarian dance and music genre. The verbunkos is typically in a pair of sections, slow (''lassú''), with a characteristic dotted rhythm, and fast (''friss''), with virtuosic running-note passages. In some cases, this slow-fast pair alternates at greater length. The name is derived from the German word ''Werbung'', a noun derived from the verb ''werben'' that means, in particular, "to recruit"; verbunkos—recruiter. This music and dance was played during military recruiting before the Habsburg Emperors, who were also Kings of Hungary, introduced conscription in 1849. A group of a dozen hussars performed the dance in different parts, with the leading sergeant opening with slow movements, then the lower officers joining for more energetic parts, and the youngest soldiers con ...
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Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively short ...
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Piano Trio No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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List Of Piano Trios By Joseph Haydn
This is a list of piano trios by Joseph Haydn, including the chronological number assigned by H. C. Robbins Landon and the number they are given in Anthony van Hoboken's catalogue of his works. (Hoboken's listings of Haydn compositions are divided by musical genre, and the piano trios as a category are grouped under the Roman numeral prefix XV.) Haydn's early trios are considered minor works and are seldom played except in the context of complete editions. In contrast, the later trios, starting in the mid-1780s, reflect the composer's full musical maturity and are greatly admired by critics. The role of the instruments The piano trios of Haydn are dominated by the piano part. The violin only plays the melody a certain amount of the time, and is often doubled by the piano when it does. The cello part is very much subordinated, usually just doubling the bass line in the piano. Charles Rosen discusses and defends this asymmetry, relating it to the sonority of the instruments of Hayd ...
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Haydn And Folk Music
This article discusses the influence of folk music on the work of the composer Joseph Haydn (1732–1809). Background Haydn was of humble family, perhaps unusually so for a famous composer. His parents were working people (his mother Anna Maria was a former cook, his father Mathias a master wheelwright). They lived in an obscure rural village, and had no musical training. This is not to say they were unmusical, however. Mathias was evidently a folk musician; according to Haydn's own testimony, his father 'played the harp without reading a note of music', having taught himself the instrument while a journeyman. According to the oldest biographies of Haydn (written with the help of interviews with the composer), the Haydn family frequently sang together as well as with their neighbors. The early Haydn biographer Georg August Griesinger, based on interviews with the composer, wrote Nature ... had endowed athiaswith a good tenor voice, and his wife, Anne-Marie nna Maria used to sing ...
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Piano Trios By Joseph Haydn
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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